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The first novel in the worldwide bestselling series by Suzanne Collins!Katniss is a 16-year-old girl living with her mother and younger sister in the poorest district of Panem, the remains of what used be the United States. Long ago the districts waged war on the Capitol and were defeated. As part of the surrender terms, each district agreed to send one boy and one girl to appear in an annual televised event called, "The Hunger Games." The terrain, rules, and level of audience participation may change but one thing is constant: kill or be killed. When Kat's sister is chosen by lottery, Kat steps up to go in her place. NARRATED by Carolyn McCormick
The first novel in the worldwide bestselling series by Suzanne Collins!Katniss is a 16-year-old girl living with her mother and younger sister in the poorest district of Panem, the remains of what used be the United States. Long ago the districts waged war on the Capitol and were defeated. As part of the surrender terms, each district agreed to send one boy and one girl to appear in an annual televised event called, "The Hunger Games." The terrain, rules, and level of audience participation may change but one thing is constant: kill or be killed. When Kat's sister is chosen by lottery, Kat steps up to go in her place. NARRATED by Carolyn McCormick
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Reviewed by Megan Whalen Turner If there really are only seven original plots in the world, it's odd that “boy meets girl” is always mentioned, and “society goes bad and attacks the good guy” never is. Yet we have Fahrenheit 451 , The Giver , The House of the Scorpion —and now, following a long tradition of Brave New Worlds, The Hunger Games . Collins hasn't tied her future to a specific date, or weighted it down with too much finger wagging. Rather less 1984 and rather more Death Race 2000 , hers is a gripping story set in a postapocalyptic world where a replacement for the United States demands a tribute from each of its territories: two children to be used as gladiators in a televised fight to the death. Katniss, from what was once Appalachia, offers to take the place of her sister in the Hunger Games, but after this ultimate sacrifice, she is entirely focused on survival at any cost. It is her teammate, Peeta, who recognizes the importance of holding on to one's humanity in such inhuman circumstances. It's a credit to Collins's skill at characterization that Katniss, like a new Theseus, is cold, calculating and still likable. She has the attributes to be a winner, where Peeta has the grace to be a good loser. It's no accident that these games are presented as pop culture. Every generation projects its fear: runaway science, communism, overpopulation, nuclear wars and, now, reality TV. The State of Panem—which needs to keep its tributaries subdued and its citizens complacent—may have created the Games, but mindless television is the real danger, the means by which society pacifies its citizens and punishes those who fail to conform. Will its connection to reality TV, ubiquitous today, date the book? It might, but for now, it makes this the right book at the right time. What happens if we choose entertainment over humanity? In Collins's world, we'll be obsessed with grooming, we'll talk funny, and all our sentences will end with the same rise as questions. When Katniss is sent to stylists to be made more telegenic before she competes, she stands naked in front of them, strangely unembarrassed. “They're so unlike people that I'm no more self-conscious than if a trio of oddly colored birds were pecking around my feet,” she thinks. In order not to hate these creatures who are sending her to her death, she imagines them as pets. It isn't just the contestants who risk the loss of their humanity. It is all who watch. Katniss struggles to win not only the Games but the inherent contest for audience approval. Because this is the first book in a series, not everything is resolved, and what is left unanswered is the central question. Has she sacrificed too much? We know what she has given up to survive, but not whether the price was too high. Readers will wait eagerly to learn more. Megan Whalen Turner is the author of the Newbery Honor book The Thief and its sequels, The Queen of Attolia and The King of Attolia. The next book in the series will be published by Greenwillow in 2010.
In this riveting dystopia story of a fascist United States, rebellious districts are punished by the government with the annual Reaping. Each district provides a child at the Reaping to fight to the death against the other districts' children in the Hunger Games, based on the Greek myth of Theseus. The story's heroine, Catniss, already hardened by a lifetime of poaching to feed her family's gulag existence, bravely fights to survive the televised, violent, and sickly voyeuristic games. Carolyn McCormick gives a detailed and attentive narration. However, she may rely too much on the strength of the prose without providing the drama young adult listeners often enjoy. That said, the production is a compelling choice for teen and fantasy listeners. K.C. (c) AudioFile 2008, Portland, Maine
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In this riveting dystopia story of a fascist United States, rebellious districts are punished by the government with the annual Reaping. Each district provides a child at the Reaping to fight to the death against the other districts' children in the Hunger Games, based on the Greek myth of Theseus. The story's heroine, Catniss, already hardened by a lifetime of poaching to feed her family's gulag existence, bravely fights to survive the televised, violent, and sickly voyeuristic games. Carolyn McCormick gives a detailed and attentive narration. However, she may rely too much on the strength of the prose without providing the drama young adult listeners often enjoy. That said, the production is a compelling choice for teen and fantasy listeners. K.C. (c) AudioFile 2008, Portland, Maine
