by Bill Dedman
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
Janet Maslin, The New York Times • St. Louis Post-Dispatch
When Pulitzer Prize–winning journalist Bill Dedman noticed in 2009 a grand home for sale, unoccupied for nearly sixty years, he stumbled through a surprising portal into American history. Empty Mansions is a rich mystery of wealth and loss, connecting the Gilded Age opulence of the nineteenth century with a twenty-first-century battle over a $300 million inheritance. At its heart is a reclusive heiress named Huguette Clark, a woman so secretive that, at the time of her death at age 104, no new photograph of her had been seen in decades. Though she owned palatial homes in California, New York, and Connecticut, why had she lived for twenty years in a simple hospital room, despite being in excellent health? Why were her valuables being sold off? Was she in control of her fortune, or controlled by those managing her money?
Dedman has collaborated with Huguette Clark’s cousin, Paul Clark Newell, Jr., one of the few relatives to have frequent conversations with her. Dedman and Newell tell a fairy tale in reverse: the bright, talented daughter, born into a family of extreme wealth and privilege, who secrets herself away from the outside world.
Huguette was the daughter of self-made copper industrialist W. A. Clark, nearly as rich as Rockefeller in his day, a controversial senator, railroad builder, and founder of Las Vegas. She grew up in the largest house in New York City, a remarkable dwelling with 121 rooms for a family of four. She owned paintings by Degas and Renoir, a world-renowned Stradivarius violin, a vast collection of antique dolls. But wanting more than treasures, she devoted her wealth to buying gifts for friends and strangers alike, to quietly pursuing her own work as an artist, and to guarding the privacy she valued above all else.
The Clark family story spans nearly all of American history in three generations, from a log cabin in Pennsylvania to mining camps in the Montana gold rush, from backdoor politics in Washington to a distress call from an elegant Fifth Avenue apartment. The same Huguette who was touched by the terror attacks of 9/11 held a ticket nine decades earlier for a first-class stateroom on the second voyage of the Titanic.
Empty Mansions reveals a complex portrait of the mysterious Huguette and her intimate circle. We meet her extravagant father, her publicity-shy mother, her star-crossed sister, her French boyfriend, her nurse who received more than $30 million in gifts, and the relatives fighting to inherit Huguette’s copper fortune. Richly illustrated with more than seventy photographs, Empty Mansions is an enthralling story of an eccentric of the highest order, a last jewel of the Gilded Age who lived life on her own terms.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
Janet Maslin, The New York Times • St. Louis Post-Dispatch
When Pulitzer Prize–winning journalist Bill Dedman noticed in 2009 a grand home for sale, unoccupied for nearly sixty years, he stumbled through a surprising portal into American history. Empty Mansions is a rich mystery of wealth and loss, connecting the Gilded Age opulence of the nineteenth century with a twenty-first-century battle over a $300 million inheritance. At its heart is a reclusive heiress named Huguette Clark, a woman so secretive that, at the time of her death at age 104, no new photograph of her had been seen in decades. Though she owned palatial homes in California, New York, and Connecticut, why had she lived for twenty years in a simple hospital room, despite being in excellent health? Why were her valuables being sold off? Was she in control of her fortune, or controlled by those managing her money?
Dedman has collaborated with Huguette Clark’s cousin, Paul Clark Newell, Jr., one of the few relatives to have frequent conversations with her. Dedman and Newell tell a fairy tale in reverse: the bright, talented daughter, born into a family of extreme wealth and privilege, who secrets herself away from the outside world.
Huguette was the daughter of self-made copper industrialist W. A. Clark, nearly as rich as Rockefeller in his day, a controversial senator, railroad builder, and founder of Las Vegas. She grew up in the largest house in New York City, a remarkable dwelling with 121 rooms for a family of four. She owned paintings by Degas and Renoir, a world-renowned Stradivarius violin, a vast collection of antique dolls. But wanting more than treasures, she devoted her wealth to buying gifts for friends and strangers alike, to quietly pursuing her own work as an artist, and to guarding the privacy she valued above all else.
The Clark family story spans nearly all of American history in three generations, from a log cabin in Pennsylvania to mining camps in the Montana gold rush, from backdoor politics in Washington to a distress call from an elegant Fifth Avenue apartment. The same Huguette who was touched by the terror attacks of 9/11 held a ticket nine decades earlier for a first-class stateroom on the second voyage of the Titanic.
Empty Mansions reveals a complex portrait of the mysterious Huguette and her intimate circle. We meet her extravagant father, her publicity-shy mother, her star-crossed sister, her French boyfriend, her nurse who received more than $30 million in gifts, and the relatives fighting to inherit Huguette’s copper fortune. Richly illustrated with more than seventy photographs, Empty Mansions is an enthralling story of an eccentric of the highest order, a last jewel of the Gilded Age who lived life on her own terms.
Reviews-
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Starred review from September 16, 2013
Pulitzer Prize winning investigative journalist Bill Dedman and Paul Clark Newell, Jr., a cousin of the book's subject, reconstruct the life of reclusive copper heiress Huguette Clark (1906-2011) in this riveting biography. The authors bring Huguette's odd past into clear perspective, including the hilariously corrupt political schemes of her father, W.A. Clark, who was a Montana senator. Though less celebrated than his compatriots Rockefeller and Carnegie, W.A. Clark was at a time wealthier than they, and by extension, so was his daughter. She was a regular in the society pages during her youth and even married for a short time, Clark later slipped into her own world and stayed there, quietly buying multi-million dollar homes for her dolls. Kind and unspeakably generous to those who worked for her and usually suspicious of family, she wrote a few big checks to people she hardly knew. Other family acquisitions, valuable musical instruments and jewelry among them, she simply gave away. The authors provide a thrilling study of the responsibilities and privileges that come with great wealth and draw the reader into the deliciously scandalous story of Clark's choices in later life, the question of Clark's presence of mind always at issue. Hewn from Huguette's stories, purchases, phone calls, gifts, and letters, the tale of where and how Huguette Clark found happiness will entrance anyone. -
August 1, 2013
An investigation into the secretive life of the youngest daughter and heiress to a Gilded Age copper tycoon. Huguette Clark (1906-2011) lived for more than a century and never once wanted for money. At her death, she was estimated to be worth--incorrectly, as it turned out--about $500 million. Pulitzer Prize-winning journalist Dedman stumbled onto her tale and wrote a series of stories about the Clark family, their fortune and the mystery surrounding Huguette. Here, with the assistance of Huguette's cousin Newell, the author expands his search for information about the heiress who disappeared from public view in the 1980s--though she lived for another three decades. After an introduction to Clark's fortune, Dedman moves his focus to her lifestyle and pursuits, always following the money. Clark was certainly eccentric, and her decisions, both financial and otherwise, definitely capture the imagination. She chose to live in seclusion after her mother's death and then lived out the last few decades of her life in a hospital, despite being healthy. She spent money seemingly without thinking, giving away tens of millions of dollars to friends and employees, even selling off prized possessions to do so. As Clark aged, her family became concerned that her gifts were not necessarily voluntary and went looking for her. The story picks up steam with the family's search for their wealthy relative and its aftermath. Unfortunately, this thread ends soon after the conflict is introduced, and it isn't fleshed out as well as the rest of the book. Though her father's fortune is central to the story--he is considered to have been one of the 50 richest Americans ever--so much focus on his exploits early on makes Huguette seem like a secondary character. Clark is an intriguing figure with a story that will interest many, but the book misses the mark as an in-depth expose.COPYRIGHT(2013) Kirkus Reviews, ALL RIGHTS RESERVED.
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September 15, 2013
Drawing on extensive research by Newell, a cousin of the subject, Pulitzer Prize-winning investigative reporter Dedman (NBC News) provides a comprehensive account of the late copper mining heiress Huguette Clark (1906-2011). Unlike the Rockefellers, the Clark family had all but been forgotten by history until Dedman's 2009 television and msnbc.com pieces on the enigmatic heiress and her "empty mansions" in California and Connecticut set the stage for this book. The authors describe her lavish estates, art, jewelry, and musical instrument collections. They convey how, despite her affluence, Clark strangely chose to live her latter days as a relatively healthy recluse in a modest New York City hospital room. Nurses, acquaintances, and distant relations vied for her fortune during her life; the biographers tell how her entire estate is now contested and awaiting legal settlement. VERDICT Although William Mangam's The Clarks: An American Phenomenon (1941) examined Huguette's father, Gilded Age millionaire W.A. Clark, and C.B. Glasscock's The War of the Copper Kings includes him, this is the first book on Huguette. An enlightening read for those interested in the opulent lifestyles afforded the offspring of the Gilded Age magnates and the mysterious ways of wealth.--Mary Jennings, Camano Island Lib., WA
Copyright 2013 Library Journal, LLC Used with permission.
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September 1, 2013
What goes on behind closed doors, especially when those doors are of the gilded variety, has fascinated novelists and journalists for centuries. The private lives of the rich and famous are so tantalizing that Robin Leach made a career out of showcasing them. One of the biggest eccentric, rich fishes out there was Huguette Clark. Deceased for more than two years, Clark, brought to life by investigator Dedman and Clark's descendant, Newell, owned nouveau riche palaces in New York, Connecticut, and California. An heiress, Clark disappeared from public view in the 1920s. What happened to her and her vast wealth? Answering this question is the book's mission. Based on records and the hearsay of relations and former employees, the book pieces together Clark's life, that of a woman rumored to be institutionalized while her mansions stood empty, though immaculately maintained throughout her life. Clark left few clues about herself, but she willed vast sums to her caretakers and numerous charitable endeavors. Still, her absence acts as a shade to seeing her fully, hinting at possible financial malfeasance, all the while conspiring to produce a spellbinding mystery.(Reprinted with permission of Booklist, copyright 2013, American Library Association.) - Pat Conroy, author of The Death of Santini: The Story of a Father and His Son "Empty Mansions is a dazzlement and a wonder. Bill Dedman and Paul Newell unravel a great character, Huguette Clark, a shy soul akin to Boo Radley in To Kill a Mockingbird--if Boo's father had been as rich as Rockefeller. This is an enchanting journey into the mysteries of the mind, a true-to-life exploration of strangeness and delight."
