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A collection of masterful stories from the bestselling, award-winning author of A Visit from the Goon Squad: “Boldly modulated tales of displacement and blazing moments of truth.... Riveting, vaguely Hitchcockian.... Piercingly tender.... Outstanding" (The New York Times Book Review). These elegant and poignant stories—Egan's first collection—deal with loneliness and longing, regret and desire. Egan’s characters—models and housewives, bankers and schoolgirls—are united by their search for something outside their own realm of experience. They set out from locations as exotic as China and Bora Bora, as cosmopolitan as downtown Manhattan, or as familiar as suburban Illinois to seek their own transformations. The stories in Emerald City are seamless evocations of self-discovery.
A collection of masterful stories from the bestselling, award-winning author of A Visit from the Goon Squad: “Boldly modulated tales of displacement and blazing moments of truth.... Riveting, vaguely Hitchcockian.... Piercingly tender.... Outstanding" (The New York Times Book Review). These elegant and poignant stories—Egan's first collection—deal with loneliness and longing, regret and desire. Egan’s characters—models and housewives, bankers and schoolgirls—are united by their search for something outside their own realm of experience. They set out from locations as exotic as China and Bora Bora, as cosmopolitan as downtown Manhattan, or as familiar as suburban Illinois to seek their own transformations. The stories in Emerald City are seamless evocations of self-discovery.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Excerpts-
Chapter One
WHY CHINA?It was him, no question. The same guy. I spotted him from far away, some angle of his head or chin that made my stomach jump before I even realized who I was looking at. I made my way toward him around the acupuncturists, the herbal doctors slapping mustard-colored poultices on bloody wounds, and the vendors of the platform shoes and polyester bell-bottoms everyone in Kunming was mysteriously wearing. I was afraid he'd recognize me. Then it hit me that I'd still been beardless when he'd ripped me off, two years before, and my beard—according to old friends, who were uniformly staggered by the sight of me—had completely transformed (for the better, I kept waiting to hear) my appearance.We were the only two Westerners at this outdoor market, which was a long bike ride from my hotel and seedy in a way I couldn't pin down. The guy saw me coming. "Howdy," he said."Hello," I replied. It was definitely him. I always notice eyes, and his were a funny gray-green—bright, with long lashes like little kids have. He'd been wearing a suit when I met him, and a short ponytail, which at that particular moment signified hip Wall Street. One look and you saw the life: Jeep Wrangler, brand-new skis, fledgling art collection that, if he'd had balls enough to venture beyond Fischl and Schnabel and Basquiat, might have included a piece by my wife. He'd been the sort of New Yorker we San Franciscans are slightly in awe of. Now his hair was short, unevenly cut, and he wore some kind of woven jacket."You been here long?" I asked."Here where?""China.""Eight months," he said. "I work for the China Times."I stuffed my hands in my pockets, feeling weirdly self-conscious, like I was the one with something to hide. "You working on something now?""Drugs," he said."I thought there weren't any over here."He leaned toward me, half smiling. "You're standing in the heroin capital of China.""No shit," I said.He rolled on the balls of his feet. I knew it was time to bid polite farewell and move on, but I stayed where I was."You with a tour?" he finally asked."Just my wife and kids. We're trying to get a train to Chengdu, been waiting five days.""What's the problem?""Mei you," I said, quoting the ubiquitous Chinese term for "can't be done." But you never know what, or which factors, if changed, would make that "no" a "yes." "That's what the hotel people keep saying.""Fuck the hotel," he said.We stood a moment in silence, then he checked his watch. "Look, if you want to hang out a couple of minutes, I can probably get you those tickets," he said.He wandered off and said a few words to a lame Chinese albino crouched near a building alongside the market. China Times, I thought. Like hell. Heroin pusher was more like it. At the same time, there was an undeniable thrill in being near this guy. He was a crook—I knew it, but he had no idea I knew. I enjoyed having this over him; it almost made up for the twenty-five grand he'd conned out of me.We set off on our bicycles back toward the center of town. With Caroline and the girls I took taxis, which could mean anything from an automobile to a cart pulled by some thin, sweating guy on a bicycle. It pissed me off that the four of us couldn't ride bikes together like any other Chinese family. ("Since when are we a Chinese family, Sam?" was my wife's reply.) But the girls pleaded terror of falling off the bikes and getting crushed by the thick, clattering columns of riders, all ringing their tinny, useless bells. Secretly, I believed...
About the Author-
Jennifer Eganis the author of four novels: A Visit from the Goon Squad, The Keep, Look at Me, The Invisible Circus; and the story collection Emerald City. Her stories have been published in The New Yorker, Harper’s Magazine, GQ, Zoetrope, All-Story, and Ploughshares, and her nonfiction appears frequently in The New York Times Magazine. She lives with her husband and sons in Brooklyn.
Reviews-
October 29, 2012 These 11 stories of self-discovery and searching from Egan--set everywhere from Bora Bora to New York City--chart the lives, longings, and struggles of a variety of characters: wives, bankers, models, just to name a few. Narrated by a gifted cast, the tales come to life via a series of winning readings, each one as enjoyable as the last. At times, it's almost as if the three narrators are attempting to outdo each other with inspired reading after inspired reading. Among the high points is Madeleine Lambert's memorable performance of "Sacred Heart," about a Roman Catholic schoolgirl who recounts her past and looks forward to the discoveries of the future. Narrators Charlie Thurston and Richard Waterhouse both read with muted intensity, imbuing their respective performances with drama and tension. Fans of Egan--and the short story--will be delighted. An Anchor paperback.
Time
"Lustrous. . . .These stories sparkle with Egan's fresh imagery and precise renderings of mood and place. . . . A writer of tremendous intelligence and grace." --The Philadelphia Inquirer"Boldly modulated tales of displacement and blazing moments of truth. . . . Riveting, vaguely Hitchcockian. . . . Piercingly tender. . . . Outstanding." --The New York Times Book Review"Immensely appealing. . . . Told with dazzling insight and emotional daring." --Elle"[Egan] deftly depicts the ways in which women can create glamorously detailed personas for another based on passing observations."
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Knopf Doubleday Publishing Group
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