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December 24, 2012
In Holt, the fictional Colorado town where all of Haruf’s novels are set, longtime resident Dad Lewis is dying of cancer. Happily married (he calls his wife “his luck”), Dad spends his last weeks thinking over his life, particularly an incident that ended badly with a clerk in his store, and his relationship with his estranged son. As his wife and daughter care for him, life goes on: one of the Lewises’ neighbors takes in her young granddaughter; an elderly woman and her middle-aged daughter visit with the Lewises, with each other, and with the new minister, whose wife and son are unhappy about his transfer to Holt from Denver. Haruf isn’t interested in the trendy or urban; as he once said, he writes about “regular, ordinary, sort of elemental” characters, who speak simply and often don’t speak much at all. “Regular and ordinary” can equate with dull. However, though this is a quiet book, it’s not a boring one. Dad and his family and neighbors try, in small, believable ways, to make peace with those they live among, to understand a world that isn’t the one in which they came of age. Separately and together, all the characters are trying to live—and in Dad’s case, to die—with dignity, a struggle Haruf (Eventide) renders with delicacy and skill. Agent: Nancy Stauffer Cahoon, Nancy Stauffer Associates.
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January 1, 2013
A meditation on morality returns the author to the High Plains of Colorado, with diminishing returns for the reader. As the cliche has it, Haruf caught lightning in a bottle with his breakthrough novel, Plainsong (2000), an exploration of moral ambiguity in the small community of Holt. With his third novel with a one-word title set in Holt, the narrative succumbs to melodrama and folksy wisdom as it details the death of the owner of the local hardware store, a crusty feller who has seen his own moral rigidity soften over the years, though not enough to accomplish a reconciliation with his estranged son, a boy who was "different" and needed to escape "from this little limited postage stamp view of things. You and this place both." Or so the dying man, known to all as "Dad" Lewis, imagines his son saying, as the possibility of the son's impending return before the father's inevitable death provides a pulse of narrative momentum. Other plotlines intertwine: A minister reassigned from Denver for mysterious reasons has trouble adjusting with his family to small-town Holt; an 8-year-old girl next door, who lost her mother to breast cancer, receives support from a neighboring mother and her adult daughter (single after a scandalous affair); Dad's own daughter has a boyfriend who isn't worthy of her. It's a novel that seems to suggest that it takes a village to raise a dysfunctional family, yet things somehow work themselves out. In a small town, "[n]othing goes on without people noticing," yet they often miss what the outsider minister poetically observes is "[t]he precious ordinary" of life in the community. Or perhaps life in general. The death of Dad has dignity and gravitas, but too much leading up to it seems like contrived plotline filler. Between one character's insistence that "[e]verything gets better" and another's belief that "[a]ll life is moving through some kind of unhappiness," the novel runs the gamut of homespun philosophizing. Even the epiphanies seem like reheated leftovers.
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October 1, 2012
Haruf made his name with the heartfelt Plainsong, a best seller and a finalist for the National Book Award and the Los Angeles Times Book Award. The subsequent Eventide, also a best seller, revisited Plainsong's setting, high-plains Holt, CO. Haruf again returns to Holt but with a new cast, among them Dad Lewis, dying of cancer and comforted by his wife and daughter though still estranged from his son. Then there's the little girl mourning her mother and a new preacher struggling with both his family and his congregation. Bittersweet charm and a big, big tour.
Copyright 2012 Library Journal, LLC Used with permission.
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Starred review from February 1, 2013
From the terroir and populace of his native American West, the author of Plainsong (1999) and Eventide (2004) again draws a story elegant in its simple telling and remarkable in its authentic capture of universal human emotions. The last, dying days of old Dad Lewis supply the framework for this sober yet reverberant novel. Dad owns a store in a small Colorado town, and his terminal illness draws out the compassion of his adult daughter, whom Dad wants to take over his business upon his imminent passing, and sparks an arousal in his long-devoted wife to seek some degree of resolution to an unhealed family wound. Dad's closing days also stir emotions in other town residents who are in Dad's realm of acquaintances, including the girl who moved in next door to stay with her grandmother and whose memories of her deceased mother remain raw; the new minister in town who suddenly rebels against the reluctance of his congregation to think about new ideas; and a mother and daughter, the former advanced in years and the latter now in middle age, who still confront traits in each other that they would just as soon not see.(Reprinted with permission of Booklist, copyright 2013, American Library Association.)
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Starred review from February 15, 2013
After the critical and popular success of Plainsong and its sequel, Eventide, Colorado native Haruf returns to his fictional town of Holt, on the high plains of eastern Colorado. As Dad Lewis, a central figure in the community, lies dying, he looks out from his bedroom window over the familiar wheat fields and pastures dotted with black cattle. His wife, Mary, is constantly by his side, and daughter Lorraine has left a lackluster romance in Denver to come help. Only the Lewises' relationship with their absent son, Frank, clouds Dad's blessed life. Numerous neighbors stop by to keep Dad's spirits up despite being burdened with their own cares. Rev. Lyle's heartwarming stories of people he's helped cover up a dark past. The Johnson women, mother Willa and daughter Alene, appear dull and unremarkable, but Alene hides an intense loneliness stemming from a passionate affair with a married man. As Dad's life slips away, these neighbors forge indelible bonds. VERDICT Haruf captures the sadness and hardship, the joys and triumphs behind the lives of ordinary people. Benediction has an understated Our Town quality that's all the more powerful in the hands of this master storyteller. This is exceptional fiction not to be missed. [See Prepub Alert, 9/10/12.]--Donna Bettencourt, Mesa County Libs., Grand Junction, CO
Copyright 2013 Library Journal, LLC Used with permission.
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John Freeman, The Boston Globe
"His finest-tuned tale yet. . . . There is a deep, satisfying music to this book, as Haruf weaves between such a large cast of characters in so small a space. . . . Strangely, wonderfully, the moment of a man's passing can be a blessing in the way it brings people together. Benediction recreates this powerful moment so gracefully it is easy to forget that, like [the town of] Holt, it is a world created by one man."
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Dan Cryer, San Francisco Chronicle
"What Haruf makes of this patch of ground is magic [and] Benediction spreads its blessing over the entire town. Haruf isn't interested in evil so much as the frailties that defeat us – loneliness, a failure to connect with one another, the lack of courage to change. . . . [He] makes us admire his characters' ability not only to carry on but also to enjoy simple pleasures."
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Ron Charles, Washington Post
"We've waited a long time for an invitation back to Holt, home to Kent Haruf's novels. . . He may be the most muted master in American fiction [and] Benediction seems designed to catch the sound of those fleeting good moments [with] scenes Hemingway might have written had he survived."
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Harper Barnes, St. Louis Post-Dispatch
"A lovely book, surprisingly rich in character and event without any sense of being crowded. . . . Haruf is a master in summing up the drama that already exists in life, if you just pay attention."
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Mike Fischer, Portland Press Herald
"Splendid. . . . As the expertly crafted structure of Benediction emerges, it becomes clear that [Haruf's many] characters trace the arc of a life. . . as we join [a good but flawed man] in his deepening appreciation for those around him, while counting down the remaining hours, in his life and our own."
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Connie Ogle, The Miami Herald
"Remarkable. . . . Haruf paints indelible portraits of drifting days that reveal unexpected blessings. . . . We may not always recognize the best moments--maybe because they are often as simple as eating off the good china at a backyard picnic--but he understands their power to make us human."
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Michael D. Langan, The Buffalo News
"Itself a blessing. . . spare and unencumbered. . . . Haruf's great skill is in describing the plain ways of people who live in small places [and the war] going on between good and evil that we recognize as part of our nature. This is what makes Benediction a universal story, not a hometown tale."
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Lisa McLendon, The Wichita Eagle
"Quiet, and intimate, and beautiful."
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Emma Broder, The Chicago Maroon
"If Hemingway had had more soul, he would've written a book like Benediction."
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Kevin Stevens, The Dublin Review of Books
"Incisive, elegiac, and rhetorically rich. . . his finest expression yet of an aesthetic vision that, in spite of its exacting verisimilitude, achieves a mythic dimension rare in contemporary fiction. . . . Haruf's art is rigorous but transparent. Scene after scene, we appreciate that we are in the hands of a master of complex storytelling disguised as simple observation. . . . Reading [him], I am often reminded of the great Russian realists, who have a similar compressed intensity and who spent much of their writing time examining the lives of ordinary people living in small communities in wide-open spaces."
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Paul Elie, The New York Times Book Review
"Benediction suggests there's no end to the stories Haruf can tell about Holt or to the tough, gorgeous language he can summon in the process."
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Ben Goldstein, Esquire
"Haruf is the master of what one of his characters calls 'the precious ordinary'. . . . With understated language and startling emotional insight, he makes you feel awe at even the most basic of human gestures."
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Karen R. Long, The Cleveland Plain Dealer
"Grace and restraint are abiding virtues in Haruf's fiction, and they resume their place of privilege in his new work. . . . For readers looking for the rewards of an intimate, meditative story, it is indeed a blessing."
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Bruce Machart, The Houston Chronicle
"Haruf is maguslike in his gifts. . . to illuminate the inevitable ways in which tributary lives meander toward confluence. . . . Perhaps not since Hemingway has an American author triggered such reader empathy with so little reliance on the subjectivity of his characters. . . . [This] is a modestly wrought wonder from one of our finest living writers."
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Jason Swensen, Deseret News
"Both sad and surprisingly uplifting in its honest and skillful examination of death, families an