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When He Was Wicked
Cover of When He Was Wicked
When He Was Wicked

In every life there is a turning point.

A moment so tremendous, so sharp and breathtaking, that one knows one's life will never be the same. For Michael Stirling, London's most infamous rake, that moment came the first time he laid eyes on Francesca Bridgerton.

After a lifetime of chasing women, of smiling slyly as they chased him, of allowing himself to be caught but never permitting his heart to become engaged, he took one look at Francesca Bridgerton and fell so fast and hard into love it was a wonder he managed to remain standing. Unfortunately for Michael, however, Francesca's surname was to remain Bridgerton for only a mere thirty-six hours longer -- the occasion of their meeting was, lamentably, a supper celebrating her imminent wedding to his cousin.

But that was then . . . Now Michael is the earl and Francesca is free, but still she thinks of him as nothing other than her dear friend and confidant. Michael dares not speak to her of his love . . . until one dangerous night, when she steps innocently into his arms, and passion proves stronger than even the most wicked of secrets . . .

In every life there is a turning point.

A moment so tremendous, so sharp and breathtaking, that one knows one's life will never be the same. For Michael Stirling, London's most infamous rake, that moment came the first time he laid eyes on Francesca Bridgerton.

After a lifetime of chasing women, of smiling slyly as they chased him, of allowing himself to be caught but never permitting his heart to become engaged, he took one look at Francesca Bridgerton and fell so fast and hard into love it was a wonder he managed to remain standing. Unfortunately for Michael, however, Francesca's surname was to remain Bridgerton for only a mere thirty-six hours longer -- the occasion of their meeting was, lamentably, a supper celebrating her imminent wedding to his cousin.

But that was then . . . Now Michael is the earl and Francesca is free, but still she thinks of him as nothing other than her dear friend and confidant. Michael dares not speak to her of his love . . . until one dangerous night, when she steps innocently into his arms, and passion proves stronger than even the most wicked of secrets . . .
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  • Chapter One

    ... I wouldn't call it a jolly good time, but it's not as bad as that. There are women, after all, and where there are women, I'm bound to make merry.

    --from Michael Stirling to his cousin
    John, the Earl of Kilmartin,
    posted from the 52nd Foot Guards
    during the Napoleonic Wars

    In every life there is a turning point. A moment so tremendous, so sharp and clear that one feels as if one's been hit in the chest, all the breath knocked out, and one knows, absolutely knows without the merest hint of a shadow of a doubt that one's life will never be the same.

    For Michael Stirling, that moment came the first time he laid eyes on Francesca Bridgerton.

    After a lifetime of chasing women, of smiling slyly as they chased him, of allowing himself to be caught and then turning the tables until he was the victor, of caressing and kissing and making love to them but never actually allowing his heart to become engaged, he took one look at Francesca Bridgerton and fell so fast and so hard into love it was a wonder he managed to remain standing.

    Unfortunately for Michael, however, Francesca's surname was to remain Bridgerton a mere thirty-six hours longer; the occasion of their meeting was, lamentably, a supper celebrating her imminent wedding to his cousin.

    Life was ironic that way, Michael liked to think in his more polite moods.

    In his less polite moods, he used a different adjective entirely.

    And his moods, since falling in love with his first cousin's wife, were not often polite.

    Oh, he hid it well. It wouldn't do to be visibly out of sorts. Then some annoyingly perceptive soul might actually take notice, and -- God forbid -- inquire as to his welfare. And while Michael Stirling held a not unsubstantiated pride in his ability to dissemble and deceive (he had, after all, seduced more women than anyone cared to count, and had somehow managed to do it all without ever once being challenged to a duel) -- Well, the sodding truth of it was that he'd never been in love before, and if ever there was a time that a man might lose his ability to maintain a façade under direct questioning, this was probably it.

    And so he laughed, and was very merry, and he continued to seduce women, trying not to notice that he tended to close his eyes when he had them in bed, and he stopped going to church entirely, because there seemed no point now in even contemplating prayer for his soul. Besides, the parish church near Kilmartin dated to 1432, and the crumbling stones certainly couldn't take a direct strike of lightning.

    And if God ever wanted to smite a sinner, he couldn't do better than Michael Stirling.

    Michael Stirling, Sinner.

    He could see it on a calling card. He'd have had it printed up, even -- his was just that sort of black sense of humor -- if he weren't convinced it would kill his mother on the spot.

    Rake he might be, but there was no need to torture the woman who'd borne him.

    Funny how he'd never seen all those other women as a sin. He still didn't. They'd all been willing, of course; you couldn't seduce an unwilling woman, at least not if you took seduction at the true sense of the word and took care not to confuse it with rape. They had to actually want it, and if they didn't -- if Michael sensed even a hint of unease, he turned and walked away. His passions were never so out of control that he couldn't manage a quick and decisive departure.

About the Author-
  • Julia Quinn is the New York Times bestselling author of twenty-five novels for Avon Books, and one of only sixteen authors ever to be inducted in the Romance Writers of America Hall of Fame. She lives in the Pacific Northwest with her family.

Reviews-
  • Publisher's Weekly

    June 7, 2004
    Unlike the hero of Quinn's newest Regency-era romance, who falls in love with his cousin's wife upon first sight, readers won't be swept off their feet by the protagonists of this tale. Indeed, while Michael Stirling, dubbed the Merry Rake, is charming enough, subdued Penelope Bridgerton rarely seems worthy of his pursuit. All is well at the novel's outset, aside from the fact that Michael covets his cousin, the Earl of Kilmartin's, wife. Then, barely two chapters into the book, his cousin suffers an aneurysm and dies. Devastated and unable to cope with his new position as earl and his feelings for Penelope, Michael flees to India for four years, only to return still very much in love and suffering from malaria. In London, the two attend social events, trade quips and try to restore their friendship, but the more intimate they become, the more their feelings of guilt gnaw at them. Guilt is the only thing that stands in the way of the couple's happiness, and it's often frustrating to witness their slow, overwrought progression from denial to acceptance. While this book possesses some of the qualities that Quinn's fans have come to expect—sprightly prose, feverish love scenes and well-developed secondary characters—it is weighed down by the sheer intensity of the protagonists' grief. Agent, Steve Axelrod.

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Julia Quinn
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