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The first of its kind, this volume sets in dialogue African Americanist and textual scholarship, exploring a wide range of African American textual history and work|
From the white editorial authentication of slave narratives, to the cultural hybridity of the Harlem Renaissance, to the overtly independent publications of the Black Arts Movement, to the commercial power of Oprah's Book Club, African American textuality has been uniquely shaped by the contests for cultural power inherent in literary production and distribution. Always haunted by the commodification of blackness, African American literary production interfaces with the processes of publication and distribution in particularly charged ways. An energetic exploration of the struggles and complexities of African American print culture, this collection ranges across the history of African American literature, and the authors have much to contribute on such issues as editorial and archival preservation, canonization, and the "packaging" and repackaging of black-authored texts. Publishing Blackness aims to project African Americanist scholarship into the discourse of textual scholarship, provoking further work in a vital area of literary study.
The first of its kind, this volume sets in dialogue African Americanist and textual scholarship, exploring a wide range of African American textual history and work|
From the white editorial authentication of slave narratives, to the cultural hybridity of the Harlem Renaissance, to the overtly independent publications of the Black Arts Movement, to the commercial power of Oprah's Book Club, African American textuality has been uniquely shaped by the contests for cultural power inherent in literary production and distribution. Always haunted by the commodification of blackness, African American literary production interfaces with the processes of publication and distribution in particularly charged ways. An energetic exploration of the struggles and complexities of African American print culture, this collection ranges across the history of African American literature, and the authors have much to contribute on such issues as editorial and archival preservation, canonization, and the "packaging" and repackaging of black-authored texts. Publishing Blackness aims to project African Americanist scholarship into the discourse of textual scholarship, provoking further work in a vital area of literary study.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
About the Author-
George B. Hutchinson is Newton C. Farr Professor of American Culture at Cornell University.
John K. Young is Professor of English at Marshall University.
Table of Contents-
Contents
Introduction, George Hutchinson and John K. Young
The Brief Wondrous Life of the Anglo-African Magazine; or, Antebellum African American Editorial Practice and Its Afterlives, Ivy G. Wilson
Representing African American Literature; or, Tradition against the Individual Talent, George Hutchinson
"Quite as human as it is Negro": Subpersons and Textual Property in Native Son and Black Boy, John K. Young
The Colors of Modernism: Publishing African Americans, Jews, and Irish in the 1920s, George Bornstein
More than McKay and Guillén: The Caribbean in Hughes and Bontemps's The Poetry of the Negro (1949), Ifeoma Kiddoe Nwankwo
Editorial Federalism: The Hoover Raids, the New Negro Renaissance, and the Origins of FBI Literary Surveillance, William J. Maxwell
Loosening the Straightjacket: Rethinking Racial Representation in African American Anthologies, Gene Andrew Jarrett
"Let the World Be a Black Poem": Some Problems of Recollecting and Editing Black Arts Texts, James W. Smethurst
Textual Productions of Black Aesthetics Unbound, Margo Natalie Crawford
Select Bibliography
Contributors
Index
Title Information+
Publisher
University of Michigan Press
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