This blood-chilling debut set in New Mexico’s Navajo Nation is equal parts gripping crime thriller, supernatural horror, and poignant portrayal of coming of age on the reservation.
"A haunting thriller, written with exquisite suspense . . . This is a story that won't let you go long after you finish, and you won't want it to end even as you can't stop reading to find out how it does."
—Tommy Orange, author of There There
Rita Todacheene is a forensic photographer working for the Albuquerque police force. Her excellent photography skills have cracked many cases—she is almost supernaturally good at capturing details. In fact, Rita has been hiding a secret: she sees the ghosts of crime victims who point her toward the clues that other investigators overlook.
As a lone portal back to the living for traumatized spirits, Rita is terrorized by nagging ghosts who won’t let her sleep and who sabotage her personal life. Her taboo and psychologically harrowing ability was what drove her away from the Navajo reservation, where she was raised by her grandmother. It has isolated her from friends and gotten her in trouble with the law.
And now it might be what gets her killed.
When Rita is sent to photograph the scene of a supposed suicide on a highway overpass, the furious, discombobulated ghost of the victim—who insists she was murdered—latches onto Rita, forcing her on a quest for revenge against her killers, and Rita finds herself in the crosshairs of one of Albuquerque’s most dangerous cartels. Written in sparkling, gruesome prose, Shutter is an explosive debut from one of crime fiction's most powerful new voices.
This blood-chilling debut set in New Mexico’s Navajo Nation is equal parts gripping crime thriller, supernatural horror, and poignant portrayal of coming of age on the reservation.
"A haunting thriller, written with exquisite suspense . . . This is a story that won't let you go long after you finish, and you won't want it to end even as you can't stop reading to find out how it does."
—Tommy Orange, author of There There
Rita Todacheene is a forensic photographer working for the Albuquerque police force. Her excellent photography skills have cracked many cases—she is almost supernaturally good at capturing details. In fact, Rita has been hiding a secret: she sees the ghosts of crime victims who point her toward the clues that other investigators overlook.
As a lone portal back to the living for traumatized spirits, Rita is terrorized by nagging ghosts who won’t let her sleep and who sabotage her personal life. Her taboo and psychologically harrowing ability was what drove her away from the Navajo reservation, where she was raised by her grandmother. It has isolated her from friends and gotten her in trouble with the law.
And now it might be what gets her killed.
When Rita is sent to photograph the scene of a supposed suicide on a highway overpass, the furious, discombobulated ghost of the victim—who insists she was murdered—latches onto Rita, forcing her on a quest for revenge against her killers, and Rita finds herself in the crosshairs of one of Albuquerque’s most dangerous cartels. Written in sparkling, gruesome prose, Shutter is an explosive debut from one of crime fiction's most powerful new voices.
Reviews-
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March 1, 2022
Din� forensic photographer Rita Todacheene doesn't just take good pictures, she helps solve cases for the Albuquerque police force with insights gleaned from the ghosts of crime victims, whom she can see and hear. More curse than gift, her ability to confer with the otherworld has driven her from the reservation, where it's regarded with suspicion, and has wrecked her personal life. Now an especially angry ghost won't leave Rita alone, sending her on a mission of vengeance that could get her killed. Din� writer/filmmaker Emerson's debut is at once a thriller, a horror story, and a portrait of growing up on the reservation; a big push at PLA and ALA.
Copyright 2022 Library Journal, LLC Used with permission.
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May 23, 2022
Rita Todacheene, the narrator of Emerson’s strong debut, has excelled at her job with the Albuquerque (N.Mex.) PD’s Crime Scene Specialist Unit for the past five years, exposing valuable clues through her meticulous photography. Flair and technical expertise aside, much of her success is due to a unique ability to communicate with the ghosts of crime victims. It’s a gift she discovered during childhood, but these unusual powers come at a price—her peculiar behavior and obsession with “imaginary friends” alienated her from her classmates and drove her out of her Navajo community. Ever since, damaged spirits, desperate for her help, plague her, pushing her to the edge of sanity and making her friends and colleagues question her psychological competence. After photographing a grisly highway suicide, she’s coerced into investigating members of the police force with connections to the victim and major players in a Mexican drug cartel, ultimately drawing her into a perilous quest for truth and justice. Rich, expressive prose matches the suspenseful storytelling. Only the predictable finale disappoints. Crime fiction fans will relish this keenly balanced paranormal page-turner and piquant coming-of-age yarn. -
June 1, 2022
Emerson's striking debut follows a Navajo police photographer almost literally to hell and back. Rita Todacheene sees dead people. Since most of her attempts to talk to someone about her special power while she was growing up on the reservation ended in disaster, she's tried to keep it to herself during her five years with the Albuquerque Police Department. Her precarious peace is shattered by the death of Erma Singleton, manager of a bar owned by Matias Romero, her common-law husband. Although lazy Detective Martin Garcia has ruled that Erma fell from a highway bridge, her body shattered by the truck that hit her on the roadway below, Erma insists that she was pushed from the bridge. "Help me get back to my baby," she tells Rita, "or I'll make your life a living hell." Since Rita, a civilian employee, has few resources for an investigation, Erma opens a portal that unleashes scores of ghosts on her, all clamoring for justice or mercy or a few words with the loved ones they left behind. The nightmare that propels Rita forward, from snapping photos of Judge Harrison Winters and his wife and children and dog, all shot dead in what Garcia calls a murder-suicide, to revelations that link both these deaths and Erma's to the drug business of the Sinaloa cartel, is interleaved with repeated flashbacks that show the misfit Rita's early years on her Navajo reservation and in her Catholic grade school as she struggles to come to terms with a gift that feels more like a curse. The appeal of the case as a series kickoff is matched by the challenges Emerson will face in pulling off any sequels. A whodunit upstaged at every point by the unforgettably febrile intensity of the heroine's first-person narrative.COPYRIGHT(2022) Kirkus Reviews, ALL RIGHTS RESERVED.
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August 1, 2022
Rita Todachee's Navajo culture holds strong taboos against interacting with the dead. So Rita, a forensic photographer who has long straddled the worlds between the living and dead, has gained hard-won expertise at hiding her spirit interactions. Then she encounters Esme Singleton, who fell into traffic from an Albuquerque overpass and was immediately declared a suicide by Garcia, the lead detective. Esme's enraged spirit insists she was murdered, however, and demands justice, summoning a stream of unsettled spirits that Rita can't suppress. When Esme's onslaught raises concerns about her mental health, prompting her suspension, Rita realizes that her only hope of escaping Esme's wrath is to expose the cartel heavies (and the compliant Garcia), whom Esme claims caused her death. Emerson infuses depth in the story with flashbacks elucidating Rita's connections with the dead and with details about her complex relationships with her mother, grandmother, and a Navajo shaman, all of whom provide strength as the impositions of the spirit world stretch Rita's competing identities. This debut trilogy-starter showcases top-notch storytelling.COPYRIGHT(2022) Booklist, ALL RIGHTS RESERVED.
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June 1, 2022
DEBUT The debut novel by New Mexico-based Din� filmmaker Emerson is an atmospheric, haunting thriller that spans genres and introduces a fascinating character. Rita Todacheene was raised by her grandmother in the Navajo Nation in the American Southwest, but she's since left the reservation and become a forensic photographer for the Albuquerque police. Rita is known for her skills as a photographer (she captures details in her shots that no one else can) but she also has a secret gift: Rita has been able to see ghosts since birth. This supernatural ability aids her forensic photography, as the ghosts of crime victims point her toward clues that investigators have overlooked, but it also wreaks havoc in her personal life. Then, on the scene of a suspected suicide, the victim's angry ghost tells Rita she's been murdered and demands revenge, which soon puts Rita's life in danger from a vicious cartel. Emerson's novel jumps between the present and moments in Rita's childhood and early adulthood, setting a menacing undertone that weaves through the pages. VERDICT The arid New Mexico landscape and Emerson's stark prose add layers of bone-chilling believability to the story. Fans of thrillers with supernatural elements will enjoy this great first novel.--Laura Hiatt
Copyright 2022 Library Journal, LLC Used with permission.
