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Age of Vice
Cover of Age of Vice
Age of Vice
AN INSTANT NEW YORK TIMES BESTSELLER
A GOOD MORNING AMERICA BOOK CLUB PICK
Named a Best Book of the Year by Publishers Weekly, Oprah Daily and NPR!
“Dazzling...Finally free from the book’s grip, now all I want to do is get others hooked.”— The Washington Post
“A page-turning social novel…It stirs the pulse while digging into the entrenched and evolving structures and contradictions of modern India.” —NPR


“Cinematic…As a storyteller, Kapoor is a natural.”The New York Times

 
New Delhi, 3 a.m. A speeding Mercedes jumps the curb and in the blink of an eye, five people are dead. It’s a rich man’s car, but when the dust settles there is no rich man at all, just a shell-shocked servant who cannot explain the strange series of events that led to this crime. Nor can he foresee the dark drama that is about to unfold.
Deftly shifting through time and perspective in contemporary India, Age of Vice is an epic, action-packed story propelled by the seductive wealth, startling corruption, and bloodthirsty violence of the Wadia family — loved by some, loathed by others, feared by all.
In the shadow of lavish estates, extravagant parties, predatory business deals and calculated political influence, three lives become dangerously intertwined: Ajay is the watchful servant, born into poverty, who rises through the family’s ranks. Sunny is the playboy heir who dreams of outshining his father, whatever the cost. And Neda is the curious journalist caught between morality and desire. Against a sweeping plot fueled by loss, pleasure, greed, yearning, violence and revenge, will these characters’ connections become a path to escape, or a trigger of further destruction? 
Equal parts crime thriller and family saga, transporting readers from the dusty villages of Uttar Pradesh to the urban energy of New Delhi, Age of Vice is an intoxicating novel of gangsters and lovers, false friendships, forbidden romance, and the consequences of corruption. It is binge-worthy entertainment at its literary best.
AN INSTANT NEW YORK TIMES BESTSELLER
A GOOD MORNING AMERICA BOOK CLUB PICK
Named a Best Book of the Year by Publishers Weekly, Oprah Daily and NPR!
“Dazzling...Finally free from the book’s grip, now all I want to do is get others hooked.”— The Washington Post
“A page-turning social novel…It stirs the pulse while digging into the entrenched and evolving structures and contradictions of modern India.” —NPR


“Cinematic…As a storyteller, Kapoor is a natural.”The New York Times

 
New Delhi, 3 a.m. A speeding Mercedes jumps the curb and in the blink of an eye, five people are dead. It’s a rich man’s car, but when the dust settles there is no rich man at all, just a shell-shocked servant who cannot explain the strange series of events that led to this crime. Nor can he foresee the dark drama that is about to unfold.
Deftly shifting through time and perspective in contemporary India, Age of Vice is an epic, action-packed story propelled by the seductive wealth, startling corruption, and bloodthirsty violence of the Wadia family — loved by some, loathed by others, feared by all.
In the shadow of lavish estates, extravagant parties, predatory business deals and calculated political influence, three lives become dangerously intertwined: Ajay is the watchful servant, born into poverty, who rises through the family’s ranks. Sunny is the playboy heir who dreams of outshining his father, whatever the cost. And Neda is the curious journalist caught between morality and desire. Against a sweeping plot fueled by loss, pleasure, greed, yearning, violence and revenge, will these characters’ connections become a path to escape, or a trigger of further destruction? 
Equal parts crime thriller and family saga, transporting readers from the dusty villages of Uttar Pradesh to the urban energy of New Delhi, Age of Vice is an intoxicating novel of gangsters and lovers, false friendships, forbidden romance, and the consequences of corruption. It is binge-worthy entertainment at its literary best.
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Excerpts-
  • From the cover New Delhi, 2004

    Five pavement-dwellers lie dead at the side of Delhi's Inner Ring Road.
    It sounds like the start of a sick joke.
    If it is, no one told them.
    They die where they slept.
    Almost.
    Their bodies have been dragged ten meters by the speeding Mercedes that jumped the curb and cut them down.
    It's February. Three a.m. Six degrees.
    Fifteen million souls curl up in sleep.
    A pale fog of sulfur lines the streets.
    And one of the dead, Ragini, was eighteen years old. She was five months pregnant at the time. Her husband, Rajesh, twenty-three, was sleeping by her side. Both belly-up, tucked in with heavy shawls at the crown and feet, looking like corpses anyway save the telltale signs, the rucksack beneath the head, the sandals lined up neatly beside the arms.
      A cruel twist of fate: this couple arrived in Delhi only yesterday. Taking refuge with Krishna, Iyaad, and Chotu, three migrant laborers from the same district in Uttar Pradesh. Each day these men woke before dawn to trek to the labor mandi at Company Bagh, trying to grab whatever daily wage they could find—dhaba cook, wedding waiter, construction laborer—sending money back to their village, paying for a sister's shaadi, a brother's schooling, a father's nightly medicine. Living day to day, hour to hour, the working poor, struggling to survive. Returning to sleep in this barren spot after dark, beside the Ring Road, close to Nigambodh Ghat. Close to the demolished slums of the Yamuna Pushta that had been their home.
      But the newspapers don't dwell on these three men. Their names vanish at dawn with the stars.



    A police van with four cops inside arrives at the crash site. They climb out and see the dead bodies, and the wailing, angry crowd that now surrounds the car. There's someone still inside! A young man, sitting bolt upright, arms braced at the wheel, eyes shut tightly. Is he dead? Did he die like that? The cops push the rabble aside and peer in. "Is he sleeping?" one cop says to his colleagues. These words cause the driver to turn his head and, like some monster, open his eyes. The cop looks back and almost jumps in fright. There's something grotesque about the driver's smooth, handsome face. His eyes are leering and wild, but other than that, there's not a hair out of place. The cops pull open the door, wave their lathis thunderously, order him out. There's an empty bottle of Black Label at his feet. He's a lean man, gym honed, wearing a gray gabardine safari suit, hair parted millimeter fine, impeccably oiled. Beneath the reek of whisky there's another scent: Davidoff Cool Water, not that these cops know.
      What they know is this: he's not a rich man, not a rich man at all, rather a facsimile, a man dressed in the intimation of wealth: in its service. The clothes, the well-groomed features, the car, they cannot hide the essential poverty of his birth; its smell is stronger than any liquor or cologne.
    Yes, he's a servant, a chauffeur, a driver, a "boy."
    A well-fed and housebroken version of what lies dead on the road.
    And this is not his Mercedes.
    Which means he can be hurt.

    * * * 
    He sobs in oblivion as the cops drag him out. Bent double, he vomits on his own loafers. One cop hits him with his lathi, hauls him up. Another searches his body, finds his wallet, finds an empty shoulder holster, finds a matchbook from a hotel called the Palace Grande, finds a money clip holding twenty thousand rupees.
    Whose car is this?
    Where...
Reviews-
  • Library Journal

    August 1, 2022

    Kapoor launches a trilogy about the wealthy, corrupt Wadia family of New Delhi, linking the stories of playboy Sunny, who wants to supersede his father; cautious servant Ajay, from a shockingly destitute background; and ambitious journalist Neda, who becomes involved with Sunny. A big hit at Frankfurt in 2019, this saga sold immediately to 20 countries worldwide and is slated for a Fox TV series. Indian-born-, -raised, and -educated Kapoor worked in New Delhi as a journalist and now lives in Portugal.

    Copyright 2022 Library Journal, LLC Used with permission.

  • Publisher's Weekly

    Starred review from September 19, 2022
    In Kapoor’s searing portrait of India at the turn of the 21st century (after Bad Character), finely wrought characters go to great lengths to escape the bonds into which they were born. Ajay, from a desperately poor family and sold into servitude by his mother at eight in 1991, begins working for Sunny Wadia, an unhappy playboy and scion of a powerful family, in 2001. Sunny’s father, Bunty, and mysterious uncle Vicky hold sway over whole swaths of the Indian economy and political landscape. Neda Kapur is a cynical journalist first drawn to Sunny by a corruption story she is writing, but is soon caught in the vortex of Sunny’s lavish lifestyle of endless parties, drugs, and conspicuous consumption facilitated by the ever-present Ajay. Sunny dreams of creating new cities and carving a new path for himself, but he is emasculated by his father’s hold on the family’s empire. As Sunny and his friends’ behavior becomes increasingly reckless, Ajay is made a scapegoat for a shocking fatal car accident, and Neda witnesses in full the ethical morass upon which the Wadias’ success is built. Kapoor’s violent and bitter story is deeply addictive; this spellbinder would be easy to devour in one big gulp, but it’s worth savoring for Neda’s uncompromising take on what she terms India’s “losing age, the age of vice.” The author possesses a talent great enough to match the massive scope of her subject.

  • Kirkus

    November 15, 2022
    A poor boy joins up with a ruthless rich family in this fast-paced thriller. Kapoor's sprawling second novel opens with a horrific scene: five day laborers lying dead on a New Delhi street, killed after being struck by a Mercedes early in the morning. When the police arrive, they find Ajay, a young man, at the wheel, an empty bottle of scotch nearby. Ajay, we learn, comes from a "poor, less than poor" family in the Indian state of Uttar Pradesh; his family are members of a socially disadvantaged caste. When he was a boy, his father was beaten to death by a group of strongmen; his mother sold him to pay for the money she borrowed for her husband's medical bills. Ajay worked for the farmer who bought him until the man died, then found work in a backpacker cafe where he met Sunny Wadia, the de facto leader of a band of "young, rich, and glamorous Indians, not afraid to show it, not afraid to slum it, welcome everywhere, welcomed by themselves." Sunny, a flashy playboy, offers Ajay a job working for him in Delhi; the young man accepts, becoming a valet, butler, bodyguard: "the beating heart of Sunny's world. Wordless, faceless, content." Ajay soon learns that the Wadia family, entrenched in a feud, is more sinister and dangerous than he thought and that he's being made to take the fall for a crime he didn't commit. Kapoor switches points of view and timelines throughout the book to great effect; it doesn't take long for the reader to become invested in the Mario Puzo-esque drama of the Wadia family and their associates. Her dialogue shines, and although the novel is a bit too long, it's certainly gripping. Fans of crime novels will find much to admire in this quite entertaining book. A bit too long-winded but a whole lot of fun.

    COPYRIGHT(2022) Kirkus Reviews, ALL RIGHTS RESERVED.

  • Booklist

    Starred review from October 15, 2022
    From all indications, it might appear that we are living in the age of vice, the Kali Yuga that ancient Hindu texts speak of. Accordingly, when a speeding Mercedes plows over five sleeping roadside dwellers late at night in New Delhi, the blame for the horrific tragedy falls on the driver. But Ajay is simply a puppet, a chauffeur who sits only slightly higher on the food chain than the people he inadvertently killed. Opening in medias res from this tragedy, Kapoor (A Bad Character, 2015) spins a dizzying ride, painting an India where money is the only religion. The story's anchor is the flamboyant Sunny, the scion of the ultrawealthy Wadia family. In Sunny's clash with his powerful father, journalist Neda Kapur ends up steamrolled as collateral. Weaving the backstories of Ajay, Neda, and Sunny together, Kapoor's frenetic and colorful novel highlights the new global pecking order, one forged by capitalism, in which the rich always win. In the age of vice, as Neda says, "the wheel will keep turning toward the dissolution that will swallow us all." But as this gripping tale shows, even the weakest deserve one last gasp of dignity.

    COPYRIGHT(2022) Booklist, ALL RIGHTS RESERVED.

  • Library Journal

    Starred review from January 1, 2023

    The action in Kapoor's (A Bad Character) extraordinary India-set second novel stretches across a decade and a half: the good guys never win, the corrupt never lose. When he was eight, Ajay's mother sold him to pay a debt. An adult now, he works for golden boy Sunny Wadia, son of Bunty, head of the Wadia crime gang. One time only, on the advice of his girlfriend Neda, Sunny defies his father. His father storms into the house, tosses Sunny in the pool, and orders his thugs to trash Sunny's home, destroying all the treasures on display that showcase Sunny's refined sensibilities. Neda flees, and an isolated Sunny is put on a short leash. When Gautham, heir to another crime family, crashes his car one night while roaring drunk, leaving five dead behind, Sunny seizes the moment to photograph him. Then he orders Ajay to confess in Gautham's place. Ajay goes to prison; Gautham is owned by the Wadias. By the end of this grim tale, Sunny is a broken hulk, fat, stoned, and drunk. He doesn't resist his father now--he can't--but what does he have to offer him? VERDICT Impossible to put down; Kapoor is the real thing.--David Keymer

    Copyright 2023 Library Journal, LLC Used with permission.

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