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NATIONAL BOOK AWARD FINALIST 2022 Publishers Weekly Top 10 BEST BOOKS OF 2022 “Gayl Jones’s work represents a watershed in American literature." —Imani Perry Legendary writer Gayl Jones returns with a stunning new novel about Black American artists in exile Gayl Jones, the novelist Toni Morrison discovered decades ago and Tayari Jones recently called her favorite writer, has been described as one of the great literary writers of the 20th century. Now, for the first time in over 20 years, Jones is publishing again. In the wake of her long-awaited fifth novel, Palmares, The Birdcatcher is another singular achievement, a return to the circles of her National Book Award finalist, The Healing. Set primarily on the island of Ibiza, the story is narrated by the writer Amanda Wordlaw, whose closest friend, a gifted sculptor named Catherine Shuger, is repeatedly institutionalized for trying to kill a husband who never leaves her. The three form a quirky triangle on the white-washed island. A study in Black women’s creative expression, and the intensity of their relationships, this work from Jones shows off her range and insight into the vicissitudes of all human nature—rewarding longtime fans and bringing her talent to a new generation of readers.
NATIONAL BOOK AWARD FINALIST 2022 Publishers Weekly Top 10 BEST BOOKS OF 2022 “Gayl Jones’s work represents a watershed in American literature." —Imani Perry Legendary writer Gayl Jones returns with a stunning new novel about Black American artists in exile Gayl Jones, the novelist Toni Morrison discovered decades ago and Tayari Jones recently called her favorite writer, has been described as one of the great literary writers of the 20th century. Now, for the first time in over 20 years, Jones is publishing again. In the wake of her long-awaited fifth novel, Palmares, The Birdcatcher is another singular achievement, a return to the circles of her National Book Award finalist, The Healing. Set primarily on the island of Ibiza, the story is narrated by the writer Amanda Wordlaw, whose closest friend, a gifted sculptor named Catherine Shuger, is repeatedly institutionalized for trying to kill a husband who never leaves her. The three form a quirky triangle on the white-washed island. A study in Black women’s creative expression, and the intensity of their relationships, this work from Jones shows off her range and insight into the vicissitudes of all human nature—rewarding longtime fans and bringing her talent to a new generation of readers.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Gayl Jones was born in Kentucky in 1949. She attended Connecticut College and Brown University, and has taught at Wellesley and the University of Michigan. Her landmark books include Corregidora, Eva’s Man, and The Healing, the last a National Book Award finalist and New York Times Notable Book of the Year. Her latest book, Palmares, was named a New York Times Editors’ Choice and has received countless other accolades.
Reviews-
Starred review from July 25, 2022 Jones continues her marvelous run after last year’s Pulitzer finalist Palmares with the gloriously demented story of an artist who keeps trying to kill her husband. Amanda Wordlaw, an experimental novelist cum travel writer, accepts an invitation to join her friends Catherine and Ernest Shuger for an extended stay in Ibiza. She’s a platonic third for the Shugers, though the locals all assume the three Black Americans are sleeping together. Catherine isn’t allowed any sharp objects due to her history of trying to kill Ernest, which limits her sculpture practice—she’s working on a mixed-media project called “The Birdcatcher”—and Ernest takes her to a mental hospital whenever she tries to kill him, like the time she snagged a bicycle spoke from a trash heap and attempted to stab him. There’s no why, just the what (“You’d think we’d learn by now,” Amanda narrates. “But somehow we keep the optimism”). As to the when, clues suggest the early 1980s, and every once in a while a character speaks in the decade’s bald vulgarity (“Excuse me, I’m going over here and get a closer look at that piece of ass,” a man says to a woman, about another woman, at a party—“It’s talking to me”). The racism depicted in the art world is sadly timeless, such as the white artist who tells Catherine it’s too bad her culture has no great literature. Jones, implicitly defiant, draws deeply from classic and global literature—a well-placed reference to Cervantes’s windmills leaves the reader’s head spinning. And like one of Amanda’s inventive novels, this one ends on a surprising and playful turn. It ought to be required reading.
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Adenrele Ojo narrates this oddly tantalizing novel by the acclaimed Black author Gayl Jones. In a series of vignettes, it follows the intertwined lives of three members of the Black elite: Catherine Shugar, an abstract artist and sculptor; Ernest, her husband, a respected science writer; and Amanda Wordlaw, a travel writer and onetime author of erotic fiction. It is the clear, sane voice of Amanda who tells the story and intrigues us with the antics of Catherine, who tries to murder her husband every time she is released from a mental institution. Ojo gives Catherine a frenetic, high-pitched voice that makes her seem girlish and charming. Ojo propels this story forward with her dramatic timing and wows listeners with characters who are unique and appalling yet captivating. D.L.G. © AudioFile 2022, Portland, Maine
