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After 9/11, there was an increase in both the incidence of hate crimes and government policies that targeted Arabs and Muslims and the proliferation of sympathetic portrayals of Arabs and Muslims in the U.S. media. Arabs and Muslims in the Media examines this paradox and investigates the increase of sympathetic images of "the enemy" during the War on Terror. Evelyn Alsultany explains that a new standard in racial and cultural representations emerged out of the multicultural movement of the 1990s that involves balancing a negative representation with a positive one, what she refers to as "simplified complex representations." This has meant that if the storyline of a TV drama or film represents an Arab or Muslim as a terrorist, then the storyline also includes a "positive" representation of an Arab, Muslim, Arab American, or Muslim American to offset the potential stereotype. Analyzing how TV dramas such as The Practice, 24, Law and Order, NYPD Blue, and Sleeper Cell, news-reporting, and non-profit advertising have represented Arabs, Muslims, Arab Americans, and Muslim Americans during the War on Terror, this book demonstrates how more diverse representations do not in themselves solve the problem of racial stereotyping and how even seemingly positive images can produce meanings that can justify exclusion and inequality.
After 9/11, there was an increase in both the incidence of hate crimes and government policies that targeted Arabs and Muslims and the proliferation of sympathetic portrayals of Arabs and Muslims in the U.S. media. Arabs and Muslims in the Media examines this paradox and investigates the increase of sympathetic images of "the enemy" during the War on Terror. Evelyn Alsultany explains that a new standard in racial and cultural representations emerged out of the multicultural movement of the 1990s that involves balancing a negative representation with a positive one, what she refers to as "simplified complex representations." This has meant that if the storyline of a TV drama or film represents an Arab or Muslim as a terrorist, then the storyline also includes a "positive" representation of an Arab, Muslim, Arab American, or Muslim American to offset the potential stereotype. Analyzing how TV dramas such as The Practice, 24, Law and Order, NYPD Blue, and Sleeper Cell, news-reporting, and non-profit advertising have represented Arabs, Muslims, Arab Americans, and Muslim Americans during the War on Terror, this book demonstrates how more diverse representations do not in themselves solve the problem of racial stereotyping and how even seemingly positive images can produce meanings that can justify exclusion and inequality.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Reviews-
Popular Communication
[A]s a critical account of the ways in which racialized minorities are represented in the Western media in contemporary times, Arabs and Muslims in the Media: Race and Representation after 9/11is a further valuable contribution to the field. In particular, it provides a vital critique of what appear as 'positive' and progressive representations and the actual 'reality' of Muslim and Arab, and South Asian experience in the United States. Alsultany has produced a detailed yet highly readable and accessible book of value to students and researchers alike, and even general readers interested in the media's implication in the War on Terror.
Women's Studies Quarterly
A lucid and persuasive work, Asultany's book shatters the illusion of a post-race, postfeminist United States, forcing the reader to confront the role popular representations play in troubling American policies.
Media International Australia
A major, skillfully constructed, must-read book . It should be required reading for all Americans who care about and seek to eradicate injurious stereotypes of the evil Cultural Other.
European Political Science
This important book makes a significant contribution to the burgeoning scholarship on the post-9/11 cultural and political history of the United States. Drawing on a rich understanding of the representations of Arabs and Muslims in the last century, Alsultany helps us to understand what has changed, and what has not, in the last ten years.
Cinema Journal
While Asultany states that the issues of human rights in the post 9/11 period are of greater concern than the media's representations of them, she seems hopeful that an increase in diverse representations of Arabs and Muslims as human beings rather than simply as 'terrorists' or 'not terrorists' may help to usher in a positive cultural environment in which the human rights of American Muslims and Arabs will be given greater consideration.
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