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Night
Cover of Night
Night

A new translation from the French by Marion Wiesel. Night is Elie Wiesel's masterpiece, a candid, horrific, and deeply poignant autobiographical account of his survival as a teenager in the Nazi death camps.

This new translation by Marion Wiesel, Elie's wife and frequent translator, presents this seminal memoir in the language and spirit truest to the author's original intent. And in a substantive new preface, Elie reflects on the enduring importance of Night and his lifelong, passionate dedication to ensuring that the world never forgets man's capacity for inhumanity to man.
Night offers much more than a litany of the daily terrors, everyday perversions, and rampant sadism at Auschwitz and Buchenwald; it also eloquently addresses many of the philosophical as well as personal questions implicit in any serious consideration of what the Holocaust was, what it meant, and what its legacy is and will be.

A new translation from the French by Marion Wiesel. Night is Elie Wiesel's masterpiece, a candid, horrific, and deeply poignant autobiographical account of his survival as a teenager in the Nazi death camps.

This new translation by Marion Wiesel, Elie's wife and frequent translator, presents this seminal memoir in the language and spirit truest to the author's original intent. And in a substantive new preface, Elie reflects on the enduring importance of Night and his lifelong, passionate dedication to ensuring that the world never forgets man's capacity for inhumanity to man.
Night offers much more than a litany of the daily terrors, everyday perversions, and rampant sadism at Auschwitz and Buchenwald; it also eloquently addresses many of the philosophical as well as personal questions implicit in any serious consideration of what the Holocaust was, what it meant, and what its legacy is and will be.

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Excerpts-
  • Copyright © 1972, 1985 by Elie Wiesel

    Night

    THEY CALLED HIM Moishe the Beadle, as if his entire life he had never had a surname. He was the jack-of-all-trades in a Hasidic house of prayer, a shtibl. The Jews of Sighet—the little town in Transylvania where I spent my childhood—were fond of him. He was poor and lived in utter penury. As a rule, our townspeople, while they did help the needy, did not particularly like them. Moishe the Beadle was the exception. He stayed out of people's way. His presence bothered no one. He had mastered the art of rendering himself insignificant, invisible.

    Physically, he was as awkward as a clown. His waiflike shyness made people smile. As for me, I liked his wide, dreamy eyes, gazing off into the distance. He spoke little. He sang, or rather he chanted, and the few snatches I caught here and there spoke of divine suffering, of the Shekhinah in Exile, where, according to Kabbalah, it awaits its redemption linked to that of man.

    I met him in 1941. I was almost thirteen and deeply observant. By day I studied Talmud and by night I would run to the synagogue to weep over the destruction of the Temple.

    One day I asked my father to find me a master who could guide me in my studies of Kabbalah."You are too young for that. Maimonides tells us that one must be thirty before venturing into the world of mysticism, a world fraught with peril. First you must study the basic subjects, those you are able to comprehend."

    My father was a cultured man, rather unsentimental. He rarely displayed his feelings, not even within his family, and was more involved with the welfare of others than with that of his own kin. The Jewish community of Sighet held him in highest esteem; his advice on public and even private matters was frequently sought. There were four of us children. Hilda, the eldest; then Bea; I was the third and the only son; Tzipora was the youngest.

    My parents ran a store. Hilda and Bea helped with the work. As for me, my place was in the house of study, or so they said.

    "There are no Kabbalists in Sighet," my father would often tell me.

    He wanted to drive the idea of studying Kabbalah from my mind. In vain. I succeeded on my own in finding a master for myself in the person of Moishe the Beadle.

    He had watched me one day as I prayed at dusk.

    "Why do you cry when you pray?" he asked, as though he knew me well.

    "I don't know," I answered, troubled.

    I had never asked myself that question. I cried because ... because something inside me felt the need to cry. That was all I knew.

    "Why do you pray?" he asked after a moment.

    Why did I pray? Strange question. Why did I live? Why did I breathe?

    "I don't know," I told him, even more troubled and ill at ease. "I don't know."

    From that day on, I saw him often. He explained to me, withgreat emphasis, that every question possessed a power that was lost in the answer ...

    Man comes closer to God through the questions he asks Him, he liked to say. Therein lies true dialogue. Man asks and God replies. But we don't understand His replies. We cannot understand them. Because they dwell in the depths of our souls and remain there until we die. The real answers, Eliezer, you will find only within yourself.

    "And why do you pray, Moishe?" I asked him.

    "I pray to the God within me for the strength to ask Him the real questions."

    We spoke that way almost every evening, remaining in the synagogue long after all the faithful had gone, sitting in the semidarkness where only a few half-burnt candles provided a flickering light.

    One evening, I told him how unhappy I was not to be able to find in Sighet a master to teach me the Zohar, the Kabbalistic works, the secrets of Jewish mysticism. He...

About the Author-
  • Elie Wiesel (1928-2016) is the author of more than fifty books, including Night, his harrowing account of his experiences in Nazi concentration camps. The book, first published in 1955, was selected for Oprah's Book Club in 2006, and continues to be an important reminder of man's capacity for inhumanity. Wiesel was Andrew W. Mellon Professor in the Humanities at Boston University, and lived with his family in New York City. He was awarded the Nobel Peace Prize in 1986.
Reviews-
  • The New York Times

    ""A slim volume of terrifying power."

  • Oprah Winfrey "Required reading for all humanity."
  • Curt Leviant, Saturday Review "Wiesel has taken his own anguish and imaginatively metamorphosed it into art."
  • Alfred Kazin, The Reporter "To the best of my knowledge no one . . . has left behind him so moving a record."
  • Jose Del Real, Anchorage Daily News "What makes this book so chilling is not the pretense of what happened but a very real description of every thought, fear and the apathetic attitude demonstrated as a response . . . Night, Wiesel's autobiographical masterpiece, is a heartbreaking memoir. Wiesel has taken his painful memories and channeled them into an amazing document which chronicles his most intense emotions every step along the way."
  • A. Alvarez, Commentary

    "As a human document, Night is almost unbearably painful, and certainly beyond criticism."
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    Farrar, Straus and Giroux
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