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Big Magic
Cover of Big Magic
Big Magic
Creative Living Beyond Fear
Borrow Borrow
The instant #1 NEW YORK TIMES Bestseller
"A must read for anyone hoping to live a creative life... I dare you not to be inspired to be brave, to be free, and to be curious.” —PopSugar
From the worldwide bestselling author of Eat Pray Love and City of Girls: the path to the vibrant, fulfilling life you’ve dreamed of
.
 
Readers of all ages and walks of life have drawn inspiration and empowerment from Elizabeth Gilbert’s books for years. Now this beloved author digs deep into her own generative process to share her wisdom and unique perspective about creativity. With profound empathy and radiant generosity, she offers potent insights into the mysterious nature of inspiration. She asks us to embrace our curiosity and let go of needless suffering. She shows us how to tackle what we most love, and how to face down what we most fear. She discusses the attitudes, approaches, and habits we need in order to live our most creative lives. Balancing between soulful spirituality and cheerful pragmatism, Gilbert encourages us to uncover the “strange jewels” that are hidden within each of us. Whether we are looking to write a book, make art, find new ways to address challenges in our work,  embark on a dream long deferred, or simply infuse our everyday lives with more mindfulness and passion, Big Magic cracks open a world of wonder and joy.
The instant #1 NEW YORK TIMES Bestseller
"A must read for anyone hoping to live a creative life... I dare you not to be inspired to be brave, to be free, and to be curious.” —PopSugar
From the worldwide bestselling author of Eat Pray Love and City of Girls: the path to the vibrant, fulfilling life you’ve dreamed of
.
 
Readers of all ages and walks of life have drawn inspiration and empowerment from Elizabeth Gilbert’s books for years. Now this beloved author digs deep into her own generative process to share her wisdom and unique perspective about creativity. With profound empathy and radiant generosity, she offers potent insights into the mysterious nature of inspiration. She asks us to embrace our curiosity and let go of needless suffering. She shows us how to tackle what we most love, and how to face down what we most fear. She discusses the attitudes, approaches, and habits we need in order to live our most creative lives. Balancing between soulful spirituality and cheerful pragmatism, Gilbert encourages us to uncover the “strange jewels” that are hidden within each of us. Whether we are looking to write a book, make art, find new ways to address challenges in our work,  embark on a dream long deferred, or simply infuse our everyday lives with more mindfulness and passion, Big Magic cracks open a world of wonder and joy.
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Excerpts-
  • From the book Once upon a time, there was a man named Jack Gilbert, who was not related to me—unfortunately for me.

    Jack Gilbert was a great poet, but if you’ve never heard of him, don’t worry about it. It’s not your fault. He never much cared about being known. But I knew about him, and I loved him dearly from a respectful distance, so let me tell you about him.

    Jack Gilbert was born in Pittsburgh in 1925 and grew up in the midst of that city’s smoke, noise, and industry. He worked in factories and steel mills as a young man, but was called from an early age to write poetry. He answered the call without hesitation. He became a poet the way other men become monks: as a devotional practice, as an act of love, and as a lifelong commitment to the search for grace and transcendence. I think this is probably a very good way to become a poet. Or to become anything, really, that calls to your heart and brings you to life.

    Jack could’ve been famous, but he wasn’t into it. He had the talent and the charisma for fame, but he never had the interest. His first collection, published in 1962, won the prestigious Yale Younger Poets prize and was nominated for the Pulitzer. What’s more, he won over audiences as well as critics, which is not an easy feat for a poet in the modern world. There was something about him that drew people in and kept them captivated. He was handsome, passionate, sexy, brilliant on stage. He was a magnet for women and an idol for men. He was photographed for Vogue, looking gorgeous and romantic. People were crazy about him. He could’ve been a rock star.

    Instead, he disappeared. He didn’t want to be distractedby too much commotion. Later in life he reported that he had found his fame boring—not because it was immoral or corrupting, but simply because it was exactly the same thing every day. He was looking for something richer, more textured, more varied. So he dropped out. He went to live in Europe and stayed there for twenty years. He lived for a while in Italy, a while in Denmark, but mostly he lived in a shepherd’s hut on a mountaintop in Greece. There, he contemplated the eternal mysteries, watched the light change, and wrote his poems in private. He had his love stories, his obstacles, his victories. He was happy. He got by somehow, making a living here and there. He needed little. He allowed his name to be forgotten.

    After two decades, Jack Gilbert resurfaced and publishedanother collection of poems. Again, the literary world fellin love with him. Again, he could have been famous. Again,he disappeared—this time for a decade. This would be hispattern always: isolation, followed by the publication ofsomething sublime, followed by more isolation. He was likea rare orchid, with blooms separated by many years. Henever promoted himself in the least. (In one of the few interviewshe ever gave, Gilbert was asked how he thoughthis detachment from the publishing world had affected hiscareer. He laughed and said, “I suppose it’s been fatal.”)

    The only reason I ever heard of Jack Gilbert was that, quite late in his life, he returned to America and—for motives I will never know—took a temporary teaching position in the creative writing department at the University of Tennessee, Knoxville. The following year, 2005, it happened that I took exactly the same job. (Around campus,they started jokingly calling the position “the Gilbert Chair.”) I found Jack Gilbert’s books in my office—the office that had once been his. It was almost like the room was still warm from his presence. I read his poems and was overcome by their...
Reviews-
  • Publisher's Weekly

    Starred review from June 15, 2015
    Gilbert (The Signature of All Things) offers an empathetic and inspiring guide to mustering the courage to live a creative life. That doesn’t necessarily mean a career in the arts, she’s quick to point out (“If you’re alive, you’re a creative person,” she states); instead, she proposes a life fueled by curiosity rather than fear. Gilbert, more than most, can understand how a big success can make one feel as if the follow-up must not disappoint, writing that “I can’t tell you how many people said to me during those years , ‘How are you ever going to top that?’ ” She notes that this kind of pressure can be an instant creativity killer and encourages readers to let go of perfectionism and embrace being good enough. This mind-set, in her experience, leads to the willingness to take chances, live life to the fullest, and act on risky ideas. Gilbert divides her book into six sections, each devoted to a quality she believes necessary for living without fear: courage, enchantment, permission, persistence, trust, and divinity. In each section, Gilbert peppers sound advice with personal triumphs and failures. Nearly anyone who picks up this self-help manual should finish it feeling inspired, even if only to dream of a life without limits. Agent: Sarah Chalfant, Wylie Agency.

  • Kirkus

    June 15, 2015
    The bestselling author of Eat, Pray, Love reflects on what it means to pursue a creative life. At the beginning of her latest book, Gilbert (The Signature of All Things, 2013, etc.) writes that creativity is "the relationship between a human being and the mysteries of inspiration." Then the author explains how individuals can live that relationship on a daily basis. First and foremost, she writes, people seeking to live creatively and pursue the things that bring them satisfaction must be prepared to live courageously. Only then can they "bring forth the treasures that are hidden within [them]." Gilbert also suggests that the ideas on which all creative acts are based do not come from a person: they are "disembodied, energetic life-form[s]" that seek human hosts who can make them real. This is part of what the author believes makes creativity itself a "force of enchantment-not entirely human in its origins." To actually manifest ideas requires what Gilbert sees as the ability to give oneself permission to engage in creative acts regardless of what anyone else may think. It also requires persistence and being able to stomach the many "shit sandwiche[s]" of disappointment and frustration that so often go along with creative endeavors. Having a burning passion for the work involved-the intensity of which Gilbert likens to a "hot...extramarital affair"-is also crucial. So is trusting in the creative process-no matter how eccentric and/or nonlinear it may seem-and in the idea that "the work wants to be made, and it wants to be made through you." Not all readers will embrace the New-Age way in which Gilbert discusses the creative process, but the sincerity, grace, and flashes of humor that characterize her writing and insights should appeal to a wider audience. Not earth shattering but warmly inspirational.

    COPYRIGHT(2015) Kirkus Reviews, ALL RIGHTS RESERVED.

  • Booklist

    July 1, 2015
    For anyone who has ever dreamed of writing a novel, painting a still life, sculpting a statue, or choreographing a dance but hasn't done so, Gilbert has just one question: What's stopping you? Doubt, denial, demands: you name it, the obstacles are many. The world is teeming with people who have a creative passion yet never pursue it. For Gilbert, the best-selling author of the surprise hit Eat Pray Love (2006), such dithering was never part of the equation. As early as she can recall, she knew she wanted to be a writer. Wanting and doing can be two very different things, however, and Gilbert has not been immune to the reality of having to earn a living versus the dream of pursing a freely creative life. As bright, breezy, and conversational in tone as a long, heart-to-heart talk with one's most supportive friend, Gilbert's wise and motivating book of encouragement and advice will induce readers not only to follow specific artistic dreams but also to live life more creatively, fully, and contentedly.(Reprinted with permission of Booklist, copyright 2015, American Library Association.)

  • Library Journal

    July 1, 2015

    Gilbert, of Eat Pray Love fame, aims to encourage lives more strongly driven by curiosity than by fear. Having the courage to do that, says the author, will lead to an enchanted existence. Readers start the process by daily respecting their inclinations and creative instincts then running with them. Persistence and trust in oneself through failures are necessary challenges--the only way to find hidden internal treasure--that will result in discovering a divine spirit within. VERDICT Gilbert serves as an enthusiastic coach for readers who want more out of life. Highly recommended. [See Prepub Alert, 3/9/15.]

    Copyright 2015 Library Journal, LLC Used with permission.

  • Library Journal

    Starred review from July 1, 2015

    Gilbert, of Eat Pray Love fame, aims to encourage lives more strongly driven by curiosity than by fear. Having the courage to do that, says the author, will lead to an enchanted existence. Readers start the process by daily respecting their inclinations and creative instincts then running with them. Persistence and trust in oneself through failures are necessary challenges--the only way to find hidden internal treasure--that will result in discovering a divine spirit within. VERDICT Gilbert serves as an enthusiastic coach for readers who want more out of life. Highly recommended. [See Prepub Alert, 3/9/15.]

    Copyright 2015 Library Journal, LLC Used with permission.

  • Library Journal

    April 1, 2015

    Eat, pray, love, and now get creative with Gilbert, who's stepping back from her formidable nonfiction and fiction best sellers to take a look at her own creativity. How does inspiration work? How do we determine what we love and conquer what we fear? How do we hone our attitudes and our habits so that we can find what she calls "the strange jewels" within us? Touching on the spiritual while remaining resoundingly grounded, Gilbert aims broadly at everyone from artists to office workers.

    Copyright 2015 Library Journal, LLC Used with permission.

  • Publisher's Weekly

    November 30, 2015
    Like her previous memoirs, Eat, Pray, Love and Committed, Gilbert reads for the audio edition of her latest, which explores her creativity and life as a writer. Gilbert sounds appropriately playful, making the most of the book’s many humorous moments, but she’s also capable of serious turns, such as when she describes some artists’ tortured and self-destructive methods of creation. Her performance mirrors the advice she gives in the book itself that an artist should be a “disciplined half-ass”: determined to show up every day and make the most of whatever gifts are on offer from the universe, but lighthearted enough to avoid attaching one’s self-esteem to the reception of one’s work. Overall, Gilbert’s performance feels like an intimate tête-à-tête with a wise friend. A Riverhead hardcover.

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Creative Living Beyond Fear
Elizabeth Gilbert
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