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If I Had Your Face
Cover of If I Had Your Face
If I Had Your Face
A Novel
Borrow Borrow
A riveting debut novel set in contemporary Seoul, Korea, about four young women making their way in a world defined by impossible standards of beauty, after-hours room salons catering to wealthy men, ruthless social hierarchies, and K-pop mania

“Powerful and provocative . . . a novel about female strength, spirit, resilience—and the solace that friendship can sometimes provide.”—The Washington Post
ONE OF THE BEST BOOKS OF THE YEAR: Time, NPR, Esquire, Bustle, BBC, New York Post, InStyle

Kyuri is an achingly beautiful woman with a hard-won job at a Seoul “room salon,” an exclusive underground bar where she entertains businessmen while they drink. Though she prides herself on her cold, clear-eyed approach to life, an impulsive mistake threatens her livelihood.
 
Kyuri’s roommate, Miho, is a talented artist who grew up in an orphanage but won a scholarship to study art in New York. Returning to Korea after college, she finds herself in a precarious relationship with the heir to one of the country’s biggest conglomerates.
 
Down the hall in their building lives Ara, a hairstylist whose two preoccupations sustain her: an obsession with a boy-band pop star, and a best friend who is saving up for the extreme plastic surgery that she hopes will change her life.
 
And Wonna, one floor below, is a newlywed trying to have a baby that she and her husband have no idea how they can afford to raise in Korea’s brutal economy.
 
Together, their stories tell a gripping tale at once unfamiliar and unmistakably universal, in which their tentative friendships may turn out to be the thing that ultimately saves them.
A riveting debut novel set in contemporary Seoul, Korea, about four young women making their way in a world defined by impossible standards of beauty, after-hours room salons catering to wealthy men, ruthless social hierarchies, and K-pop mania

“Powerful and provocative . . . a novel about female strength, spirit, resilience—and the solace that friendship can sometimes provide.”—The Washington Post
ONE OF THE BEST BOOKS OF THE YEAR: Time, NPR, Esquire, Bustle, BBC, New York Post, InStyle

Kyuri is an achingly beautiful woman with a hard-won job at a Seoul “room salon,” an exclusive underground bar where she entertains businessmen while they drink. Though she prides herself on her cold, clear-eyed approach to life, an impulsive mistake threatens her livelihood.
 
Kyuri’s roommate, Miho, is a talented artist who grew up in an orphanage but won a scholarship to study art in New York. Returning to Korea after college, she finds herself in a precarious relationship with the heir to one of the country’s biggest conglomerates.
 
Down the hall in their building lives Ara, a hairstylist whose two preoccupations sustain her: an obsession with a boy-band pop star, and a best friend who is saving up for the extreme plastic surgery that she hopes will change her life.
 
And Wonna, one floor below, is a newlywed trying to have a baby that she and her husband have no idea how they can afford to raise in Korea’s brutal economy.
 
Together, their stories tell a gripping tale at once unfamiliar and unmistakably universal, in which their tentative friendships may turn out to be the thing that ultimately saves them.
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  • From the cover Ara

    Sujin is hell-­bent on becoming a room salon girl. She has invited Kyuri from across the hall to our tiny apartment, and the three of us are sitting on the floor in a little triangle, looking out the window over our bar-­dotted street. Drunk men in suits stumble by, contemplating where to go for their next round of drinks. It is late and we are drinking soju in little paper cups.

    Kyuri works at Ajax, the most expensive room salon in Non­hyeon. Men bring their clients there to discuss business in long dark rooms with marble tables. Sujin has told me how much these men pay a night to have girls like Kyuri sit next to them and pour them liquor, and it’s taken me a long time to believe her.

    I’d never heard of room salons before I met Kyuri, but now that I know what to look for, I see one on every side street. From the outside, they are nearly invisible. Nondescript signs hang above darkened stairways, leading to underground worlds where men pay to act like bloated kings.

    Sujin wants to be a part of it all, for the money. Right now she is asking Kyuri where she got her eyes done.

    “I got mine done back in Cheongju,” says Sujin sorrowfully to Kyuri. “What a mistake. I mean, just look at me.” She opens her eyes extra wide. And it’s true, the fold on her right eyelid has been stitched just a little too high, giving her a sly, slanted look. Unfortunately, the truth is that even apart from her asymmetrical eyelids, Sujin’s face is too square for her to ever be considered pretty in the true Korean sense. Her lower jaw also protrudes too much.

    Kyuri, on the other hand, is one of those electrically beautiful girls. The stitches on her double eyelids look naturally faint, while her nose is raised, her cheekbones tapered, and her entire jaw realigned and shaved into a slim v-­line. Long feathery eyelashes have been planted along her tattooed eye line, and she does routine light therapy on her skin, which glistens cloudy white, like skim milk. Earlier, she was waxing on about the benefits of lotus leaf masks and ceramide supplements for budding neck lines. The only unaltered part of her is surprisingly her hair, which unfolds like a dark river down her back.

    “I was so stupid. I should have waited till I was older.” With another envious look at Kyuri’s perfect creases, Sujin sighs and peers at her eyes again in a little hand mirror. “What a waste of money,” she says.

    Sujin and I have been sharing an apartment for three years now. We went to middle school and high school together in Cheongju. Our high school was vocational so it was only two years long, but Sujin didn’t even finish that. She was always itching to get to Seoul, to escape the orphanage that she grew up in, and after our first year she went to try her luck at a hair academy. She was clumsy with scissors though, and ruining wigs was expensive, so she dropped out of that too, but not before she called me to come take her spot.

    I am now a full-­fledged stylist and a few times a week Sujin comes into the salon where I work, at 10 a.m. sharp. I wash and blow-­dry her hair before she goes to work at her nail salon. A few weeks ago, she brought Kyuri in as a new client for me. It is a big deal for smaller hair shops to snag a room salon girl as a client because room salon girls get their hair and makeup done professionally every day and bring in a lot of money.

    The only thing that annoys me about Kyuri is that sometimes she speaks too loudly when she is talking to me, although Sujin has told her that there is nothing wrong with my hearing. Also, I often...
Reviews-
  • Publisher's Weekly

    February 24, 2020
    Cha shines a light on the lives of four young women living in the same Seoul, South Korea, apartment building in her winning debut. In alternating chapters, each woman narrates her difficulties and offers insight on the others. Ara, a hair stylist who lost the ability to speak after a violent attack, is obsessed with a pop star. Kyuri, who undergoes plastic surgery to make her face resemble a member of a popular girl band, holds a coveted job in a “room salon” pouring drinks for men, and has become dangerously enamored of one of her wealthy clients. Miho, Kyuri’s roommate, an up-and-coming artist, strives to balance devotion to her work with a relationship to her unfaithful, ultra-rich boyfriend. Wonna, who was physically abused by the grandmother who raised her, is desperate to keep her pregnancy despite her husband’s uncertain finances. Cha navigates the obstacles of her characters’ lives with ease and heartbreaking realism, showing the lengths these women are willing to go to pursue their dreams in a country where they are told they “do not live for tomorrow.” This is an insightful, powerful story from a promising new voice.

  • AudioFile Magazine An ensemble of gifted narrators portrays contemporary Seoul, South Korea, as a class-conscious and patriarchal city where an absurdly high value is placed on female beauty. Through the alternating points of view of four young women, listeners sense how friendship helps women surmount this harsh culture. Narrator Jeena Yi's sardonic tone reveals the sordidness of Kiyuri's work as a "room salon girl" who endured numerous cosmetic procedures to attain her position. The obsessive, mute hair stylist Ara is wonderfully portrayed by Sue Jean Kim in a slightly distant manner that conveys emotional depth. The soft tones of Ruthie Ann Miles' emotive voice convey the struggles of Miho, an artist. Author Frances Cha evokes listeners' sympathy for the pregnant Wonna, who is stuck in a strained marriage. M.J. © AudioFile 2020, Portland, Maine
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If I Had Your Face
If I Had Your Face
A Novel
Frances Cha
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