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The Feather Thief
Cover of The Feather Thief
The Feather Thief
Beauty, Obsession, and the Natural History Heist of the Century
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As heard on NPR's This American Life
“Absorbing . . . Though it's non-fiction, The Feather Thief contains many of the elements of a classic thriller.” —Maureen Corrigan, NPR’s Fresh Air
“One of the most peculiar and memorable true-crime books ever.” —Christian Science Monitor
A rollicking true-crime adventure and a captivating journey into an underground world of fanatical fly-tiers and plume peddlers, for readers of The Stranger in the WoodsThe Lost City of Z, and The Orchid Thief.
On a cool June evening in 2009, after performing a concert at London's Royal Academy of Music, twenty-year-old American flautist Edwin Rist boarded a train for a suburban outpost of the British Museum of Natural History. Home to one of the largest ornithological collections in the world, the Tring museum was full of rare bird specimens whose gorgeous feathers were worth staggering amounts of money to the men who shared Edwin's obsession: the Victorian art of salmon fly-tying. Once inside the museum, the champion fly-tier grabbed hundreds of bird skins—some collected 150 years earlier by a contemporary of Darwin's, Alfred Russel Wallace, who'd risked everything to gather them—and escaped into the darkness.
Two years later, Kirk Wallace Johnson was waist high in a river in northern New Mexico when his fly-fishing guide told him about the heist. He was soon consumed by the strange case of the feather thief. What would possess a person to steal dead birds? Had Edwin paid the price for his crime? What became of the missing skins? In his search for answers, Johnson was catapulted into a years-long, worldwide investigation. The gripping story of a bizarre and shocking crime, and one man's relentless pursuit of justice, The Feather Thief is also a fascinating exploration of obsession, and man's destructive instinct to harvest the beauty of nature.
As heard on NPR's This American Life
“Absorbing . . . Though it's non-fiction, The Feather Thief contains many of the elements of a classic thriller.” —Maureen Corrigan, NPR’s Fresh Air
“One of the most peculiar and memorable true-crime books ever.” —Christian Science Monitor
A rollicking true-crime adventure and a captivating journey into an underground world of fanatical fly-tiers and plume peddlers, for readers of The Stranger in the WoodsThe Lost City of Z, and The Orchid Thief.
On a cool June evening in 2009, after performing a concert at London's Royal Academy of Music, twenty-year-old American flautist Edwin Rist boarded a train for a suburban outpost of the British Museum of Natural History. Home to one of the largest ornithological collections in the world, the Tring museum was full of rare bird specimens whose gorgeous feathers were worth staggering amounts of money to the men who shared Edwin's obsession: the Victorian art of salmon fly-tying. Once inside the museum, the champion fly-tier grabbed hundreds of bird skins—some collected 150 years earlier by a contemporary of Darwin's, Alfred Russel Wallace, who'd risked everything to gather them—and escaped into the darkness.
Two years later, Kirk Wallace Johnson was waist high in a river in northern New Mexico when his fly-fishing guide told him about the heist. He was soon consumed by the strange case of the feather thief. What would possess a person to steal dead birds? Had Edwin paid the price for his crime? What became of the missing skins? In his search for answers, Johnson was catapulted into a years-long, worldwide investigation. The gripping story of a bizarre and shocking crime, and one man's relentless pursuit of justice, The Feather Thief is also a fascinating exploration of obsession, and man's destructive instinct to harvest the beauty of nature.
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  • From the cover PROLOGUE
     
    By the time Edwin Rist stepped off the train onto the platform at Tring, forty  miles north of London, it was already quite late. The residents of the sleepy town had finished their suppers; the little ones were in bed. As he began the long walk into town, the Midland line glided off into darkness.

    A few hours earlier Edwin had performed in the Royal Academy of Music’s “London Soundscapes,” a celebration of Hayden, Handel, and Mendelssohn. Before the concert, he’d packed a pair of latex gloves, a miniature LED flashlight, a wire cutter, and a diamond-blade glass cutter in a large rolling suitcase, and stowed it in his concert hall locker. He bore a passing resemblance to a lanky Pete Townshend: intense eyes, prominent nose, and a mop of hair, although instead of shredding a Fender, Edwin played the flute.

    There was a new moon that evening, making the already-gloomy stretch of road even darker. For nearly an hour, he dragged his suit- case through the mud and gravel skirting the road, under gnarly old trees strangled with  ivy. Turlhanger’s  Wood  slept to the north, Chestnut Wood to the south, fallow fields and the occasional  copse in between.

    A car blasted by, its headlights blinding. Adrenaline coursing, he knew he was getting close.

    The entrance to the market town of Tring is guarded by a sixteenth-century pub called the Robin Hood. A few roads beyond, nestled between the old Tring Brewery and an HSBC branch, lies the entrance to Public Footpath 37. Known to locals as Bank Alley, the footpath isn’t more than eight feet wide and is framed by seven-foot-high brick walls.

    Edwin slipped into the alley, into total darkness. He groped his way along until he was standing directly behind the building he’d spent months casing.

    All that separated him from it was the wall. Capped with three rusted  strands of barbed wire, it might  have  thwarted his plans were it not for the wire cutter. After clearing an opening, he lifted the suitcase to the ledge, hoisted himself up, and glanced anxiously about.  No sign of the guard. There was a space of several feet between his perch on the wall and the building’s nearest window, forming a small ravine. If he fell, he could injure himself—or worse, make  a clamor that would  summon security. But he’d known this part wouldn’t be easy.

    Crouched on  top  of the  wall,  he reached  toward the  window with the glass cutter and began to grind it along the pane. Cutting glass was harder  than  he had anticipated, though, and as he struggled to carve an opening, the glass cutter slipped from his hand and fell into the ravine. His mind raced. Was this a sign? He was think- ing about  bailing  on the whole  crazy scheme when  that voice, the one that  had urged him onward these past months, shouted Wait a minute! You can’t give up now. You’ve come all this way!

    He crawled  back down  and picked up a rock. Steadying himself atop the wall, he peered around in search of guards before bashing the window  out, wedging his suitcase through the shard-strewn opening,  and climbing into the British Natural History Museum.

    Unaware that he had just tripped an alarm in the security guard’s office, Edwin pulled out the LED light, which cast a faint glow in front of him as he made his way down the hallways toward the vault, just as he’d rehearsed in his mind.

    He wheeled his suitcase quietly through corridor after...
About the Author-
  • KIRK W. JOHNSON is the founder of the List Project to Resettle Iraqi Allies, and the author of To Be a Friend Is Fatal. Prior to the List Project, Johnson served in Iraq with U.S.A.I.D. His writing has appeared in The New York Times, the Washington Post, The Los Angeles Times, the Wall Street Journal, and Foreign Policy, among others. He is the recipient of fellowships from Yaddo, The MacDowell Colony, and the American Academy in Berlin.
Reviews-
  • AudioFile Magazine The author became obsessed with the true story of a young American flautist with a penchant for tying salmon flies who stole hundreds of rare dead birds from the Natural History Museum in London to sell feathers to other collectors and flytiers. MacLeod Andrews's narration is so engaging and enthusiastic that he gives this engrossing story extra zip. In particular, he perfectly expresses the author's constant sense of absurdity and surprise at what humans do. The litany of ridiculousness ranges from the killing of birds for fashionable hats to the burglar's creating a document titled "Plan for Museum Invasion" on his computer and to the author and his wife's stuffing rolled towels into a suitcase to see if 299 birds jammed into one suitcase is even possible. A.B. © AudioFile 2018, Portland, Maine
  • Publisher's Weekly

    Starred review from November 13, 2017
    Johnson (To Be a Friend Is Fatal) makes his true-crime debut with this enthralling account of a truly bizarre crime. In 2009, Edwin Rist, an American student at London’s Royal Academy of Music, stole 299 rare and scientifically significant bird skins from the Natural History Museum at Tring, in Hertfordshire, England, plucked their feathers, and sold them for top dollar to men who shared his obsession with the Victorian art of salmon-fly tying. Johnson explores the expensive and exotic hobby of salmon-fly tying that emerged in the 19th century and uses that context to frame Rist’s story, including his trial. Rist did not serve jail time after his lawyers successfully argued that Asperger’s syndrome was to blame for his crime. In the book’s final section, Johnson goes deep into the exotic bird and feather trade and concludes that though obsession and greed know no bounds, they certainly make for a fascinating tale. The result is a page-turner that will likely appeal to science, history, and true crime readers.

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The Feather Thief
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Beauty, Obsession, and the Natural History Heist of the Century
Kirk Wallace Johnson
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