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Monster
Cover of Monster
Monster
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BONUS: This edition contains an excerpt from Jonathan Kellerman's Victims.
A second-rate actor is found mutilated in a car trunk. Then a psychologist at a Los Angeles hospital for the criminally insane is murdered in a similar grisly fashion. Suddenly the incoherent ramblings of an inmate at the presumably secure institution begin to make chilling sense—they are, in fact, horrifying predictions. Yet how can a barely functional psychotic locked behind asylum walls possibly know such vivid details of crimes committed in the outside world? Drawn into a labyrinth of secrets, revenge, sex, and manipulation, Dr. Alex Delaware and Detective Milo Sturgis set out to unlock this enigma and put an end to the brutal killings—before the madman predicts their own demise. . . .
BONUS: This edition contains an excerpt from Jonathan Kellerman's Victims.
A second-rate actor is found mutilated in a car trunk. Then a psychologist at a Los Angeles hospital for the criminally insane is murdered in a similar grisly fashion. Suddenly the incoherent ramblings of an inmate at the presumably secure institution begin to make chilling sense—they are, in fact, horrifying predictions. Yet how can a barely functional psychotic locked behind asylum walls possibly know such vivid details of crimes committed in the outside world? Drawn into a labyrinth of secrets, revenge, sex, and manipulation, Dr. Alex Delaware and Detective Milo Sturgis set out to unlock this enigma and put an end to the brutal killings—before the madman predicts their own demise. . . .
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Excerpts-
  • Chapter 1 Chapter 1

    The giant knew Richard Nixon.
    Towering, yellow-haired, grizzled, a listing mountain in khaki twill, he limped closer, and Milo tightened up. I looked to Frank Dollard for a cue. Dollard appeared untroubled, meaty arms at his sides, mouth serene under the tobaccoed gray mustache. His eyes were slits, but they'd been that way at the main gate.

    The giant belched out a bass laugh and brushed greasy hair away from his eyes. His beard was a corn-colored ruin. I could smell him now, vinegarish, hormonally charged. He had to be six- eight, three hundred. The shadow he threw on the dirt was ash-colored, amoebic, broad enough to shade us.

    He took another lurching step, and this time Frank Dollard's right arm shot out.
    The huge man didn't seem to notice, just stood there with Dollard's limb flung across his waist. Maybe a dozen other men in khaki were out on the yard, most of them standing still, a few others pacing, rocking, faces pressed against the chain link. No groups that I could see; everyone to himself. Above them, the sky was an untrammeled blue, clouds broiled away by a vengeful sun. I was cooking in my suit.

    The giant's face was dry. He sighed, dropped his shoulders, and Dollard lowered his arm. The giant made a finger gun, pointed it at us, and laughed. His eyes were dark brown, pinched at the corners, the whites too sallow for health.

    "Secret service." He thumped his chest. "Victoria's Secret service in the closet underwear undercover always lookin' out for the guy good old Nixon RMN Rimmin, always rimmin wanting to be rimmed he liked to talk the walk cuttin outta the White House night house doing the party thing all hours with Kurt Vonnegut , J. D. Salinger the Glass family anyone who didn't mind the politics heat of the kitchen I wrote Cat's Cradle sold it to Vonnegut for ten bucks Billy Bathgate typed the manuscript one time he walked out the front door got all the way to Las Vegas big hassle with the Hell's Angels over some dollar slots Vonnegut wanting to change the national debt Rimmin agreed the Angels got pissed we had to pull him out of it me and Kurt Vonnegut Salinger wasn't there Doctorow was sewing the Cat's Cradle they were bad cats, woulda assassinated him any day of the week leeway the oswald harvey."

    He bent and lifted his left trouser leg. Below the knee was bone sheathed with glossy white scar tissue, most of the calf meat ripped away. An organic peg leg.

    "Got shot protecting old Rimmin," he said, letting go of the fabric. "He died anyway poor Richard no almanac know what happened rimmed too hard I couldn't stop it."
    "Chet," said Dollard, stretching to pat the giant's shoulder.

    The giant shuddered. Little cherries of muscle rolled along Milo's jawline. His hand was where his gun would have been if he hadn't checked it at the gate.
    Dollard said, "Gonna make it to the TV room today, Chet?"
    The giant swayed a bit. "Ahh . . ."
    "I think you should make it to the TV room, Chet. There's gonna be a movie on democracy. We're gonna sing 'The Star-
    Spangled Banner,' could use someone with a good voice."
    "Yeah, Pavarotti," said the giant, suddenly cheerful. "He and Domingo were at Caesars Palace they didn't like the way it worked out Rimmin not doing his voice exercises lee lee lee lo lo lo no egg yolk to smooth the trachea it pissed Pavarotti off he didn't want to run for public office."
    "Yeah, sure," said Dollard. He winked at Milo and me.

    The giant had turned his back on all three of us and was staring down on the bare tan table of the yard. A short, thick,...

About the Author-
  • Jonathan Kellerman is the #1 New York Times bestselling author of more than three dozen bestselling crime novels, including the Alex Delaware series, The Butcher’s Theater, Billy Straight, The Conspiracy Club, Twisted, and True Detectives. With his wife, bestselling novelist Faye Kellerman, he co-authored Double Homicide and Capital Crimes. With his son, bestselling novelist Jesse Kellerman, he co-authored the first book of a new series, The Golem of Hollywood. He is also the author of two children’s books and numerous nonfiction works, including Savage Spawn: Reflections on Violent Children and With Strings Attached: The Art and Beauty of Vintage Guitars. He has won the Goldwyn, Edgar, and Anthony awards and has been nominated for a Shamus Award. Jonathan and Faye Kellerman live in California, New Mexico, and New York.
Reviews-
  • Publisher's Weekly

    Starred review from November 29, 1999
    In top form in his latest mystery featuring L.A. forensic psychologist Alex Delaware (who had a bit part in the author's previous novel, Billy Straight), Kellerman devises a deviously twisted, contemporary tale that draws pulsing suspense from the ageless relationship between madness and evil. Delaware teams up with his pal Milo Sturgis, of LAPD Homicide, to track the murderer of Claire Argent, a young doctor who worked at Starkweather Hospital for the Criminally Insane. Argent's badly mutilated body connects her death to the unsolved murder of a young, aspiring actor whose body had been sawed in half. Kellerman masterfully strews the trail of the investigation with crumbs, challenging his heroes (and readers) to distinguish promising clues from red herrings. Argent, who recently left a prime research job to work at Starkweather, led an extremely isolated life that had nothing in common with that of the murdered actor. The Starkweather staff is reticent and unhelpful until a young aide reveals that the doctor had been spending time with an inmate known as the Monster, a mentally deficient man who had been convicted of murdering and mutilating a young family 15 years earlier. Kellerman focuses on Delaware and Sturgis as they probe the hospital's milieu, the Monster's crime, the doctor's troubled and puzzling history and additional murders. A tense climax in the hills above L.A. brings together all the tautly woven threads as Kellerman delivers another chilling look into the dark corners of the human psyche. Literary Guild, Doubleday Book Club and Mystery Guild main selections.

  • People (Page-turner of the Week) "[A] SURPRISING AND COMPLEX STORY OF EVIL . . . STUNNINGLY DRAMATIC."
  • The Baltimore Sun "UNSETTLING AND THRILLING . . . RIGHT FROM THE START OF MONSTER, JONATHAN KELLERMAN DOES EVERYTHING RIGHT."
  • Rocky Mountain News "KELLERMAN DELIVERS . . . GET READY TO SLEEP WITH THE LIGHTS ON. . . . GET READY TO BE HORRIFIED . . . AND PERVERSELY INTRIGUED."
  • People "Jonathan Kellerman has justly earned his reputation as a master of the psychological thriller."
  • Booklist (starred and boxed review) "Riveting . . . Kellerman's latest shiver-producing, hair-raising, shocking, suspenseful thriller [is] definitely his best yet. . . . The tension is palpable, the plot filled with devilish convolutions, and the sense of impending danger heart-stoppingly tense. . . . Dr. Alex Delaware is at his brilliantly analytical zenith."
  • Publishers Weekly (starred review) "In top form in his latest mystery featuring L.A. forensic psychologist Alex Delaware, Kellerman devises a deviously twisted, contemporary tale that draws pulsing suspense from the ageless relationship between madness and evil. . . . A tense climax in the hills above L.A. brings together all the tautly woven threads as Kellerman delivers another chilling look into the dark corners of the human psyche."
  • BookPage "Monster, a furiously paced mind-bender, contains enough mystery to hold readers spellbound."
  • The Denver Post "Kellerman is an ace at spinning a story that holds the reader's interest, plausible but unpredictable until the final page."
  • Library Journal "Recommended . . . Intelligent, well-drawn characters and the kind of plot twists that make the best mysteries fun to read."
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    Random House Publishing Group
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