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Cloud Atlas
Cloud Atlas
By the New York Times bestselling author of The Bone Clocks | Shortlisted for the Man Booker Prize
A postmodern visionary and one of the leading voices in twenty-first-century fiction, David Mitchell combines flat-out adventure, a Nabokovian love of puzzles, a keen eye for character, and a taste for mind-bending, philosophical and scientific speculation in the tradition of Umberto Eco, Haruki Murakami, and Philip K. Dick. The result is brilliantly original fiction as profound as it is playful. In this groundbreaking novel, an influential favorite among a new generation of writers, Mitchell explores with daring artistry fundamental questions of reality and identity.
Cloud Atlas begins in 1850 with Adam Ewing, an American notary voyaging from the Chatham Isles to his home in California. Along the way, Ewing is befriended by a physician, Dr. Goose, who begins to treat him for a rare species of brain parasite. . . . Abruptly, the action jumps to Belgium in 1931, where Robert Frobisher, a disinherited bisexual composer, contrives his way into the household of an infirm maestro who has a beguiling wife and a nubile daughter. . . . From there we jump to the West Coast in the 1970s and a troubled reporter named Luisa Rey, who stumbles upon a web of corporate greed and murder that threatens to claim her life. . . . And onward, with dazzling virtuosity, to an inglorious present-day England; to a Korean superstate of the near future where neocapitalism has run amok; and, finally, to a postapocalyptic Iron Age Hawaii in the last days of history.
But the story doesn’t end even there. The narrative then boomerangs back through centuries and space, returning by the same route, in reverse, to its starting point. Along the way, Mitchell reveals how his disparate characters connect, how their fates intertwine, and how their souls drift across time like clouds across the sky.
As wild as a videogame, as mysterious as a Zen koan, Cloud Atlas is an unforgettable tour de force that, like its incomparable author, has transcended its cult classic status to become a worldwide phenomenon.
List of Readers:
The Pacific Journal of Adam Ewing, read by Scott Brick
Letters From Zedelghem, read by Richard Matthews
Half-Lives: The First Luisa Rey Mystery, read by Cassandra Campbell
The Ghastly Ordeal of Timothy Cavendish, read by John Lee
An Orison of Sonmi~451, read by Kim Mai Guest
Sloosha’s Crossin’ an’ Ev’rythin’ After, read by Kirby Heyborne
A postmodern visionary and one of the leading voices in twenty-first-century fiction, David Mitchell combines flat-out adventure, a Nabokovian love of puzzles, a keen eye for character, and a taste for mind-bending, philosophical and scientific speculation in the tradition of Umberto Eco, Haruki Murakami, and Philip K. Dick. The result is brilliantly original fiction as profound as it is playful. In this groundbreaking novel, an influential favorite among a new generation of writers, Mitchell explores with daring artistry fundamental questions of reality and identity.
Cloud Atlas begins in 1850 with Adam Ewing, an American notary voyaging from the Chatham Isles to his home in California. Along the way, Ewing is befriended by a physician, Dr. Goose, who begins to treat him for a rare species of brain parasite. . . . Abruptly, the action jumps to Belgium in 1931, where Robert Frobisher, a disinherited bisexual composer, contrives his way into the household of an infirm maestro who has a beguiling wife and a nubile daughter. . . . From there we jump to the West Coast in the 1970s and a troubled reporter named Luisa Rey, who stumbles upon a web of corporate greed and murder that threatens to claim her life. . . . And onward, with dazzling virtuosity, to an inglorious present-day England; to a Korean superstate of the near future where neocapitalism has run amok; and, finally, to a postapocalyptic Iron Age Hawaii in the last days of history.
But the story doesn’t end even there. The narrative then boomerangs back through centuries and space, returning by the same route, in reverse, to its starting point. Along the way, Mitchell reveals how his disparate characters connect, how their fates intertwine, and how their souls drift across time like clouds across the sky.
As wild as a videogame, as mysterious as a Zen koan, Cloud Atlas is an unforgettable tour de force that, like its incomparable author, has transcended its cult classic status to become a worldwide phenomenon.
List of Readers:
The Pacific Journal of Adam Ewing, read by Scott Brick
Letters From Zedelghem, read by Richard Matthews
Half-Lives: The First Luisa Rey Mystery, read by Cassandra Campbell
The Ghastly Ordeal of Timothy Cavendish, read by John Lee
An Orison of Sonmi~451, read by Kim Mai Guest
Sloosha’s Crossin’ an’ Ev’rythin’ After, read by Kirby Heyborne
By the New York Times bestselling author of The Bone Clocks | Shortlisted for the Man Booker Prize
A postmodern visionary and one of the leading voices in twenty-first-century fiction, David Mitchell combines flat-out adventure, a Nabokovian love of puzzles, a keen eye for character, and a taste for mind-bending, philosophical and scientific speculation in the tradition of Umberto Eco, Haruki Murakami, and Philip K. Dick. The result is brilliantly original fiction as profound as it is playful. In this groundbreaking novel, an influential favorite among a new generation of writers, Mitchell explores with daring artistry fundamental questions of reality and identity.
Cloud Atlas begins in 1850 with Adam Ewing, an American notary voyaging from the Chatham Isles to his home in California. Along the way, Ewing is befriended by a physician, Dr. Goose, who begins to treat him for a rare species of brain parasite. . . . Abruptly, the action jumps to Belgium in 1931, where Robert Frobisher, a disinherited bisexual composer, contrives his way into the household of an infirm maestro who has a beguiling wife and a nubile daughter. . . . From there we jump to the West Coast in the 1970s and a troubled reporter named Luisa Rey, who stumbles upon a web of corporate greed and murder that threatens to claim her life. . . . And onward, with dazzling virtuosity, to an inglorious present-day England; to a Korean superstate of the near future where neocapitalism has run amok; and, finally, to a postapocalyptic Iron Age Hawaii in the last days of history.
But the story doesn’t end even there. The narrative then boomerangs back through centuries and space, returning by the same route, in reverse, to its starting point. Along the way, Mitchell reveals how his disparate characters connect, how their fates intertwine, and how their souls drift across time like clouds across the sky.
As wild as a videogame, as mysterious as a Zen koan, Cloud Atlas is an unforgettable tour de force that, like its incomparable author, has transcended its cult classic status to become a worldwide phenomenon.
List of Readers:
The Pacific Journal of Adam Ewing, read by Scott Brick
Letters From Zedelghem, read by Richard Matthews
Half-Lives: The First Luisa Rey Mystery, read by Cassandra Campbell
The Ghastly Ordeal of Timothy Cavendish, read by John Lee
An Orison of Sonmi~451, read by Kim Mai Guest
Sloosha’s Crossin’ an’ Ev’rythin’ After, read by Kirby Heyborne
A postmodern visionary and one of the leading voices in twenty-first-century fiction, David Mitchell combines flat-out adventure, a Nabokovian love of puzzles, a keen eye for character, and a taste for mind-bending, philosophical and scientific speculation in the tradition of Umberto Eco, Haruki Murakami, and Philip K. Dick. The result is brilliantly original fiction as profound as it is playful. In this groundbreaking novel, an influential favorite among a new generation of writers, Mitchell explores with daring artistry fundamental questions of reality and identity.
Cloud Atlas begins in 1850 with Adam Ewing, an American notary voyaging from the Chatham Isles to his home in California. Along the way, Ewing is befriended by a physician, Dr. Goose, who begins to treat him for a rare species of brain parasite. . . . Abruptly, the action jumps to Belgium in 1931, where Robert Frobisher, a disinherited bisexual composer, contrives his way into the household of an infirm maestro who has a beguiling wife and a nubile daughter. . . . From there we jump to the West Coast in the 1970s and a troubled reporter named Luisa Rey, who stumbles upon a web of corporate greed and murder that threatens to claim her life. . . . And onward, with dazzling virtuosity, to an inglorious present-day England; to a Korean superstate of the near future where neocapitalism has run amok; and, finally, to a postapocalyptic Iron Age Hawaii in the last days of history.
But the story doesn’t end even there. The narrative then boomerangs back through centuries and space, returning by the same route, in reverse, to its starting point. Along the way, Mitchell reveals how his disparate characters connect, how their fates intertwine, and how their souls drift across time like clouds across the sky.
As wild as a videogame, as mysterious as a Zen koan, Cloud Atlas is an unforgettable tour de force that, like its incomparable author, has transcended its cult classic status to become a worldwide phenomenon.
List of Readers:
The Pacific Journal of Adam Ewing, read by Scott Brick
Letters From Zedelghem, read by Richard Matthews
Half-Lives: The First Luisa Rey Mystery, read by Cassandra Campbell
The Ghastly Ordeal of Timothy Cavendish, read by John Lee
An Orison of Sonmi~451, read by Kim Mai Guest
Sloosha’s Crossin’ an’ Ev’rythin’ After, read by Kirby Heyborne
Reviews-
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The foppish English composer living abroad in the '30s, the vanity publisher imprisoned in a Scottish nursing home, the flinty female journalist exposing corporate malfeasance--these are three story lines from the six tales Mitchell weaves together in a sequence of literary forms (journal, letters, testament, first-person narrative). Each performer reads a section, but the packaging gives no clue as to who does what. The tales are tenuously connected, and each but the last futuristic episode is interrupted, only to be continued later in reverse order. Confusing? Yes, but the narration is uniformly excellent, and somehow it all hangs together. There's no going back; individual episodes are unidentified on the discs. The publisher gets kudos for bringing this fine, puzzling, and original novel to the audio format. J.B.G. 2006 Audie Award Finalist (c) AudioFile 2005, Portland, Maine
-
June 28, 2004
At once audacious, dazzling, pretentious and infuriating, Mitchell's third novel weaves history, science, suspense, humor and pathos through six separate but loosely related narratives. Like Mitchell's previous works, Ghostwritten
and number9dream
(which was shortlisted for the Booker Prize), this latest foray relies on a kaleidoscopic plot structure that showcases the author's stylistic virtuosity. Each of the narratives is set in a different time and place, each is written in a different prose style, each is broken off mid-action and brought to conclusion in the second half of the book. Among the volume's most engaging story lines is a witty 1930s-era chronicle, via letters, of a young musician's effort to become an amanuensis for a renowned, blind composer and a hilarious account of a modern-day vanity publisher who is institutionalized by a stroke and plans a madcap escape in order to return to his literary empire (such as it is). Mitchell's ability to throw his voice may remind some readers of David Foster Wallace, though the intermittent hollowness of his ventriloquism frustrates. Still, readers who enjoy the "novel as puzzle" will find much to savor in this original and occasionally very entertaining work. Agent, Douglas Stewart.
(Aug. 24)
Forecast:
Lots of buzz and a friendly paperback price will ensure strong sales, but like other fashionable tomes (think Pynchon's
Mason & Dixon) Mitchell's novel may be more admired than read. -
Los Angeles Times
"[David] Mitchell is, clearly, a genius. He writes as though at the helm of some perpetual dream machine, can evidently do anything, and his ambition is written in magma across this novel's every page."--The New York Times Book Review
"One of those how-the-holy-hell-did-he-do-it? modern classics that no doubt is--and should be--read by any student of contemporary literature."--Dave Eggers
"Wildly entertaining . . . a head rush, both action-packed and chillingly ruminative."--People
"The novel as series of nested dolls or Chinese boxes, a puzzle-book, and yet--not just dazzling, amusing, or clever but heartbreaking and passionate, too. I've never read anything quite like it, and I'm grateful to have lived, for a while, in all its many worlds."--Michael Chabon
"Cloud Atlas ought to make [Mitchell] famous on both sides of the Atlantic as a writer whose fearlessness is matched by his talent."--The Washington Post Book World
"Thrilling . . . One of the biggest joys in Cloud Atlas is watching Mitchell sashay from genre to genre without a hitch in his dance step."--Boston Sunday Globe
"Grand and elaborate . . . [Mitchell] creates a world and language at once foreign and strange, yet strikingly familiar and intimate."
