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#1 INTERNATIONAL BESTSELLER • A mesmerising story of love and war spanning three generations and the unimaginable gulf between the First World War and the 1990s In this "overpowering and beautiful novel" (TheNew Yorker), the young Englishman Stephen Wraysford passes through a tempestuous love affair with Isabelle Azaire in France and enters the dark, surreal world beneath the trenches of No Man's Land. Sebastian Faulks creates a world of fiction that is as tragic as A Farewell to Arms and as sensuous as The English Patient, crafted from the ruins of war and the indestructibility of love.
#1 INTERNATIONAL BESTSELLER • A mesmerising story of love and war spanning three generations and the unimaginable gulf between the First World War and the 1990s In this "overpowering and beautiful novel" (TheNew Yorker), the young Englishman Stephen Wraysford passes through a tempestuous love affair with Isabelle Azaire in France and enters the dark, surreal world beneath the trenches of No Man's Land. Sebastian Faulks creates a world of fiction that is as tragic as A Farewell to Arms and as sensuous as The English Patient, crafted from the ruins of war and the indestructibility of love.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Excerpts-
From the book
FRANCE
1910
Part One
The boulevard du Cange was a broad, quiet street that marked the eastern flank of the city of Amiens. The wagons that rolled in from Lille and Arras to the north drove directly into the tanneries and mills of the Saint Leu quarter without needing to use this rutted, leafy road. The town side of the boulevard backed on to substantial gardens, which were squared off and apportioned with civic precision to the houses they adjoined. On the damp grass were chestnut trees, lilacs, and willows, cultivated to give shade and quietness to their owners. The gardens had a wild, overgrown look and their deep lawns and bursting hedges could conceal small clearings, quiet pools, and areas unvisited even by the inhabitants, where patches of grass and wild flowers lay beneath the branches of overhanging trees.
Behind the gardens the river Somme broke up into small canals that were the picturesque feature of Saint Leu; on the other side of the boulevard these had been made into a series of water gardens, little islands of damp fertility divided by the channels of the split river. Long, flat-bottomed boats propelled by poles took the town dwellers through the waterways on Sunday afternoons. All along the river and its streams sat fishermen, slumped on their rods; in hats and coats beneath the cathedral and in shirtsleeves by the banks of the water gardens, they dipped their lines in search of trout or carp.
The Azaires' house showed a strong, formal front toward the road from behind iron railings. The traffic looping down to the river would have been in no doubt that this was the property of a substantial man. The slate roof plunged in conflicting angles to cover the irregular shape of the house. Beneath one of them a dormer window looked out on to the boulevard. The first floor was dominated by a stone balcony, over whose balustrades the red ivy had crept on its way up to the roof. There was a formidable front door with iron facings on the timber.
Inside, the house was both smaller and larger than it looked. It had no rooms of intimidating grandeur, no gilt ballrooms with dripping chandeliers, yet it had unexpected spaces and corridors that disclosed new corners with steps down into the gardens; there were small salons equipped with writing desks and tapestry-covered chairs that opened inward from unregarded passageways. Even from the end of the lawn, it was difficult to see how the rooms and corridors were fitted into the placid rectangles of stone. Throughout the building the floors made distinctive sounds beneath the press of feet, so that with its closed angles and echoing air, the house was always a place of unseen footsteps.
Stephen Wraysford's metal trunk had been sent ahead and was waiting at the foot of the bed. He unpacked his clothes and hung his spare suit in the giant carved wardrobe. There was an enamel wash bowl and wooden towel rail beneath the window. He had to stand on tiptoe to look out over the boulevard, where a cab was waiting on the other side of the street, the horse shaking its harness and reaching up its neck to nibble at the branches of a lime tree. He tested the resilience of the bed, then lay down on it, resting his head on the concealed bolster. The room was simple but had been decorated with some care. There was a vase of wild flowers on the table and two prints of street scenes in Honfleur on either side of the door.
It was a spring evening, with a late sun in the sky beyond the cathedral and the sound of blackbirds from either side of the house. Stephen washed perfunctorily and tried to flatten his black hair in the small mirror. He placed half a dozen cigarettes in a metal case that he...
About the Author-
Sebastian Faulks is best known for his trilogy of novels set in France: The Girl at the Lion d’Or, Birdsong, and Charlotte Gray, the latter two of which were bestsellers. After a period in France, he and his family now live in London.
Reviews-
June 2, 1997 The British novelist "proves himself a grand storyteller" with this tale of WWI-era love and heartbreak, said PW.
Starred review from January 29, 1996 In 1910, England's Stephen Wraysford, a junior executive in a textile firm, is sent by his company to northern France. There he falls for Isabelle Azaire, a young and beautiful matron who abandons her abusive husband and sticks by Stephen long enough to conceive a child. Six years later, Stephen is back in France, as a British officer fighting in the trenches. Facing death, embittered by isolation, he steels himself against thoughts of love. But despite rampant disease, harrowing tunnel explosions and desperate attacks on highly fortified German positions, he manages to survive, and to meet with Isabelle again. The emotions roiled up by this meeting, however, threaten to ruin him as a soldier. Everything about this novel, which was a bestseller in England, is outsized, from its epic, if occasionally ramshackle, narrative to its gruesome and utterly convincing descriptions of battlefield horrors. Faulks (A Fool's Alphabet) proves himself a grand storyteller here. Enlivened with considerable historical detail related through accomplished prose, his narrative flows with a pleasingly appropriate recklessness that brings his characters to dynamic life.
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Knopf Doubleday Publishing Group
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Bahrain, Egypt, Hong Kong, Iraq, Israel, Jordan, Kuwait, Lebanon, Libya, Mauritania, Morocco, Oman, Palestine, Qatar, Saudi Arabia, the Sudan, the Syrian Arab Republic, Tunisia, Turkey, the United Arab Emirates, and Yemen
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