April 7, 2014
In this suspenseful crime thriller from megaseller King (Doctor Sleep), ex-detective Bill Hodges is settling badly into his retirement. Then he receives a taunting letter from someone who claims to be the Mercedes Killer—the media’s name for the hit-and-run driver who, a year earlier, deliberately plowed a stolen car into a crowd at a job fair, killing eight and maiming 15. Hoping to wrap up the unsolved case, Hodges follows the letter writer to an anonymous social media chat site, inaugurating a game of cat and mouse with escalating stakes and potentially fatal consequences. Bill’s antagonist is Brady Hartsfield, a sociopath who is skilled in computers and electronics and who—with a touch of brilliant irony—also operates the neighborhood ice cream truck. Coincidence and luck figure significantly in the final outcome, but King excels in his disturbing portrait of Brady, a genuine monster in ordinary human form who gives new meaning to the phrase “the banality of evil.” Agent: Chuck Verrill, Darhansoff & Verrill Literary Agents.

May 15, 2015

Start your engines and fasten your seat belts for a wild ride with this hard-boiled thriller about a malevolent hit- and-run driver and the race to stop his madness. VERDICT King fans anticipating the sequel will want to reread this, while other readers may enjoy the author's first take on a classic detective story. (LJ 5/15/14)

Copyright 2015 Library Journal, LLC Used with permission.

April 15, 2014
King's interest in crime fiction was evident from his work for the Hard Case Crime imprintThe Colorado Kid (2005) and Joyland (2013)but this is the most straight-up mystery-thriller of his career. Retired Detective Bill Hodges is overweight, directionless, and toying with the idea of ending it all when he receives a jeering letter from the Mercedes Killer, who ran down 23 people with a stolen car but evaded Hodges' capture. With the help of a 17-year-old neighbor and one victim's sister (who, in proper gumshoe style, Hodges quickly beds), Hodges begins to play cat-and-mouse with the killer through a chat site called Under Debbie's Blue Umbrella. Hodges' POV alternates with that of the troubled murderer, a Norman Bateslike ice-cream-truck driver named Brady Hartfield. Both Hodges and Hartfield make mistakes, big ones, leaving this a compelling, small-scale slugfest that plays out in cheery suburban settings. This exists outside of the usual Kingverse (Pennywise the Clown is referred to as fictive); add that to the atypical present-tense prose, and this feels pretty darn fresh. Big, smashing climax, too. HIGH-DEMAND BACKSTORY: No need to rev the engine here; this baby will rocket itself out of libraries with a loud squeal of the tires.(Reprinted with permission of Booklist, copyright 2014, American Library Association.)

September 1, 2014
King’s latest foray into suspense is a no-holds-barred cat-and-mouse contest between ex-cop Bill Hodges and Brady Hartsfield, a nerdy, mama’s boy who is also a mass murderer. The two combatants are connected by a homicidal hit-and-run that occurred months before, when Hartsfield purposely steered his stolen Mercedes sedan into a crowd of the unemployed waiting in line for the opening of a job fair. Hartsfield begins to stalk the ex-cop, and sends Hodges a taunting letter. Actor Patton (TNT’s Falling Skies) not only finds the right voices for protagonist and antagonist, but he matches their many mood swings. As Hodges undergoes the moments of elation and travail King has in store for him (the joy of an unexpected romance, the death of a close friend), Patton finds the perfect tone for him. As for Hartsfield, it’s a matter of making him sound like a normal, likeable fellow to his coworkers at an electronics store, but a passive-aggressive monster when conversing with the ex-detective and a full-out lunatic when thinking or talking to himself. Patton’s performing skills are equally impressive for the supporting cast, from Hodges’s elegant and bright new girlfriend to Hartsfield’s boozy, clueless mother. But it’s his compelling interpretations of the two male leads—King’s avatars of good and evil—that distinguish this riveting production. A Scribner hardcover.

May 15, 2014

After having written over 50 horror, sf/fantasy, and suspense novels, King pens his first hard-boiled detective thriller. A maniac accelerates a Mercedes into hundreds of unemployed applicants lined up at a job fair--killing eight and wounding 15. Det. Bill Hodges, a streetwise inspector, searches unsuccessfully for the Mercedes killer. After he retires, the bored detective receives a crazed note from the lunatic driver, Brady Hartfield, who promises to strike again in an even more diabolical manner. Hodges's talented and eccentric assistants unravel Brady's convoluted computer records revealing when he intends to drive a wheelchair strapped with eplosives into a concert arena jam-packed with screaming teenyboppers. VERDICT King's customary use of bizarre events and freakish characters does not provide a credible basis for this detective novel. Also, he encumbers the plotline with insignificant details, causing his thriller to plod along rather than pulse with the tension and suspense often characteristic of detective fiction. [Prepub Alert, 1/1/14.]--Jerry P. Miller, Cambridge, MA

Copyright 2014 Library Journal, LLC Used with permission.