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My Year Abroad
Cover of My Year Abroad
My Year Abroad
A Novel
Borrow Borrow
INSTANT NATIONAL BESTSELLER
A New York Times Notable Book * Named a Best Book of the Year by Vogue, TIME, and Marie Claire
“A manifesto to happiness—the one found when you stop running from who you are.” –New York Times Book Review
“An extraordinary book, acrobatic on the level of the sentence, symphonic across its many movements—and this is a book that moves…My Year Abroad is a wild ride—a caper, a romance, a bildungsroman, and something of a satire of how to get filthy rich in rising Asia.” – Vogue
From the award-winning author of Native Speaker and On Such a Full Sea, an exuberant, provocative story about a young American life transformed by an unusual Asian adventure – and about the human capacities for pleasure, pain, and connection.

 
Tiller is an average American college student with a good heart but minimal aspirations. Pong Lou is a larger-than-life, wildly creative Chinese American entrepreneur who sees something intriguing in Tiller beyond his bored exterior and takes him under his wing. When Pong brings him along on a boisterous trip across Asia, Tiller is catapulted from ordinary young man to talented protégé, and pulled into a series of ever more extreme and eye-opening experiences that transform his view of the world, of Pong, and of himself. 
 
In the breathtaking, “precise, elliptical prose” that Chang-rae Lee is known for (The New York Times), the narrative alternates between Tiller’s outlandish, mind-boggling year with Pong and the strange, riveting, emotionally complex domestic life that follows it, as Tiller processes what happened to him abroad and what it means for his future. Rich with commentary on Western attitudes, Eastern stereotypes, capitalism, global trade, mental health, parenthood, mentorship, and more, My Year Abroad is also an exploration of the surprising effects of cultural immersion—on a young American in Asia, on a Chinese man in America, and on an unlikely couple hiding out in the suburbs. Tinged at once with humor and darkness, electric with its accumulating surprises and suspense, My Year Abroad is a novel that only Chang-rae Lee could have written, and one that will be read and discussed for years to come.
INSTANT NATIONAL BESTSELLER
A New York Times Notable Book * Named a Best Book of the Year by Vogue, TIME, and Marie Claire
“A manifesto to happiness—the one found when you stop running from who you are.” –New York Times Book Review
“An extraordinary book, acrobatic on the level of the sentence, symphonic across its many movements—and this is a book that moves…My Year Abroad is a wild ride—a caper, a romance, a bildungsroman, and something of a satire of how to get filthy rich in rising Asia.” – Vogue
From the award-winning author of Native Speaker and On Such a Full Sea, an exuberant, provocative story about a young American life transformed by an unusual Asian adventure – and about the human capacities for pleasure, pain, and connection.

 
Tiller is an average American college student with a good heart but minimal aspirations. Pong Lou is a larger-than-life, wildly creative Chinese American entrepreneur who sees something intriguing in Tiller beyond his bored exterior and takes him under his wing. When Pong brings him along on a boisterous trip across Asia, Tiller is catapulted from ordinary young man to talented protégé, and pulled into a series of ever more extreme and eye-opening experiences that transform his view of the world, of Pong, and of himself. 
 
In the breathtaking, “precise, elliptical prose” that Chang-rae Lee is known for (The New York Times), the narrative alternates between Tiller’s outlandish, mind-boggling year with Pong and the strange, riveting, emotionally complex domestic life that follows it, as Tiller processes what happened to him abroad and what it means for his future. Rich with commentary on Western attitudes, Eastern stereotypes, capitalism, global trade, mental health, parenthood, mentorship, and more, My Year Abroad is also an exploration of the surprising effects of cultural immersion—on a young American in Asia, on a Chinese man in America, and on an unlikely couple hiding out in the suburbs. Tinged at once with humor and darkness, electric with its accumulating surprises and suspense, My Year Abroad is a novel that only Chang-rae Lee could have written, and one that will be read and discussed for years to come.
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  • From the cover

    1.

    I won't say where I am in this greatish country of ours, as that could be dicey for Val and her XL little boy, Victor Jr., but it's a place like most others, nothing too awful or uncomfortable, with no enduring vistas or distinctive traditions to admire, no funny accents or habits of the locals to wonder at or find repellent. Call it whatever you like, but I'll refer to it as Stagno, for while it's definitely landlocked here, several bodies of murky water dot the area. There's a way that the days here curdle like the gunge that collects on the surface of a simmering broth, gunge you must constantly gunge away.

     

    Still, Stagno serves its purpose. It's so ordinary that no one too special would ever choose to live here, though well populated enough that Val and Victor Jr. and I don't stand out. And we ought to stand out. For it would be natural to ask what a college-age kid was doing shacked up with a thirtysomething mom and her eight-year-old son, and why neither of us worked a job, or why the boy didn't go off to school. Do we ever leave the house? For a brief period, we did, but not much anymore. We stream movies and shows. Val is ordering everything online again, including groceries, the only item she regularly ventures out for being a grease-soaked foot-long hoagie named the Widowmaker that is the carrot for Victor Jr. when he reaches his daily tolerance for our homeschooling. There is no stick. Val handles social studies and arts and I cover math and science, but all in all we get a C+ for conception, execution, and effort, which Victor Jr. is well aware of and is undoubtedly banking on using against his mother someday. He's an exceedingly smart, cute kid, if notably hirsute, something genetically cross-wired for sure because a kid his age shouldn't have arm and leg and back hair and definitely not the downy mustache, the nap of which the boy caresses whenever he's noodling his human child's plight.

     

    In the future Victor Jr. may strategically deploy my name, but we still can't predict the full extent of my presence in his life. What we know is this: Val and I have a good thing going. We try to see our roles as limited in scope and intensity. We aren't aspiring to all-time greatness, whether in homeschooling or partnering. We aren't each other's stand-ins for the world-as-it-should-be. My stated obligations to Val are to treat Victor Jr. better than the sometimes unruly pupster that he is, and to be, as she says, her reliably uberant fuck buddy (ex- and prot-), and finally to pick up around this cramped exurban house so it doesn't get too skanky. In return, I have her excellent company and a place to stash myself for however long we mutually wish. I require nothing of her at all, except that she not ask after my family, or what I was doing before I met her several months ago, or why my only possessions were the very clothes I was wearing, a very small Japanese-made folding knife, and a dark brushed-metal ATM card that until recently magically summoned cash every time I used it.

     

    I know something about Val because she basically told me her recent life story right after we first met in a food court of the Hong Kong International Airport. She was ahead of me in line with Victor Jr., who was as usual gaming on his handheld, and found that her credit cards weren't working and had no cash. When the boy heard this he immediately started wailing about the depth of his hunger, which I have come to know as bottomless. My impulse was to jam a duty-free baton of Toblerone between his oddly super-tiny teeth. But Val, even with her laughing, narrow eyes, the kind certain Asian girls can have, with that wonderful hint...

About the Author-
  • Chang-rae Lee is the author of Native Speaker, winner of the Hemingway Foundation/PEN Award for first fiction, as well as On Such a Full Sea, A Gesture Life, Aloft, and The Surrendered, winner of the Dayton Peace Prize and a finalist for the Pulitzer Prize. Chang-rae Lee teaches writing at Stanford University.
Reviews-
  • Publisher's Weekly

    Starred review from November 2, 2020
    Lee’s action-packed picaresque (after On Such a Full Sea) chronicles how an ordinary New Jersey college student ended up consorting with international criminals. As the novel opens, Tiller Bardmon is living with 30-something Val and her eight-year-old son, whom he met in the Hong Kong airport after a series of adventures in Macau and Shenzhen. Val and son are both in witness protection after Val cooperated with the U.S. government to bring down her gangster husband. The story of Tiller and Val runs parallel to Tiller’s recollections of the preceding year, when a day of caddying for a colorful foursome earns him an invitation from entrepreneur Pong Lou to join him on a business jaunt to Asia. The trip is not all work, though, as Tiller discovers he can surf, sing, assume difficult yoga positions, and make mad passionate love—but the great adventure turns into a nightmare when Pong abandons Tiller outside Shenzhen. In energetic prose, Lee nests stories within stories, such as the moving tales of a family torn apart by Mao’s Cultural Revolution and an immigrant family that reinvents itself for survival in America. The frenetic roller-coaster ride is impressively structured as the naive and sometimes reckless Tiller learns about trust and betrayal from his dealings with Pong, and gains a more mature understanding of his identity, culture, and values as his bond with Val develops. This literary whirlwind has Lee running on all cylinders. Agent: Amanda Urban, ICM Partners.

  • AudioFile Magazine Tiller is a 20-something who is lost in the world when he meets a single mother, Val, and her son at an airport. Narrator Lawrence Kao is a wonderful voice for this complex novel, which takes listeners on emotional and physical journeys. Kao captures Tiller's dislocation and gentleness throughout this story of a mismatched couple who are hiding from secrets in their very different pasts. As Kao seamlessly manages the many time-shifts, listeners can sink into this title, safe in the hands of an experienced narrator who balances the danger and humor laced throughout. Kao maximizes the twists and turns of the Asian and American underworlds exposed here. M.R. © AudioFile 2021, Portland, Maine
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A Novel
Chang-rae Lee
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