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Between Two Fires
Cover of Between Two Fires
Between Two Fires
Truth, Ambition, and Compromise in Putin's Russia
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WINNER OF THE ORWELL PRIZE • NEW YORK TIMES EDITORS CHOICE • “Unforgettable . . . a book about Putin’s Russia that is unlike any other.”—Patrick Radden Keefe, author of Empire of Pain
From a Moscow correspondent for The New Yorker, a groundbreaking portrait of modern Russia and the inner struggles of the people who sustain Vladimir Putin’s rule
 
ONE OF THE BEST BOOKS OF THE YEAR—NPR, Kirkus Reviews

In this rich and novelistic tour of contemporary Russia, Joshua Yaffa introduces readers to some of the country’s most remarkable figures—from politicians and entrepreneurs to artists and historians—who have built their careers and constructed their identities in the shadow of the Putin system. Torn between their own ambitions and the omnipresent demands of the state, each walks an individual path of compromise. Some muster cunning and cynicism to extract all manner of benefits and privileges from those in power. Others, finding themselves to be less adept, are left broken and demoralized. What binds them together is the tangled web of dilemmas and contradictions they face.
 
Between Two Fires chronicles the lives of a number of strivers who understand that their dreams are best—or only—realized through varying degrees of cooperation with the Russian government. With sensitivity and depth, Yaffa profiles the director of the country’s main television channel, an Orthodox priest at war with the church hierarchy, a Chechen humanitarian who turns a blind eye to persecutions, and many others. The result is an intimate and probing portrait of a nation that is much discussed yet little understood. By showing how citizens shape their lives around the demands of a capricious and frequently repressive state—as often by choice as under threat of force—Yaffa offers urgent lessons about the true nature of modern authoritarianism.
Praise for Between Two Fires
“A deep and revealing portrait of life inside Vladimir Putin’s Russia. . . . Yaffa mines a rich vein, describing his subjects’ moral compromises and often ingenious ways of engaging a crooked bureaucracy to show how the Kremlin sustains its authoritarianism.”—The New York Times Book Review
“Few journalists have penetrated so deep and with so much nuance into the moral ambiguities of Russia. If you want insight into the deeper distortions the Kremlin causes in people’s psyches this book is invaluable.”—Peter Pomerantsev, author of Nothing Is True and Everything Is Possible
 
“A stunning chronicle of Putin’s new Russia . . . It celebrates the vitality of the Russian people even as it explores the compromises and accommodations that they must make. . . . This embrace of contradictions is what makes Between Two Fires such a poignant and poetic book.”—Alex Gibney, Air Mail
WINNER OF THE ORWELL PRIZE • NEW YORK TIMES EDITORS CHOICE • “Unforgettable . . . a book about Putin’s Russia that is unlike any other.”—Patrick Radden Keefe, author of Empire of Pain
From a Moscow correspondent for The New Yorker, a groundbreaking portrait of modern Russia and the inner struggles of the people who sustain Vladimir Putin’s rule
 
ONE OF THE BEST BOOKS OF THE YEAR—NPR, Kirkus Reviews

In this rich and novelistic tour of contemporary Russia, Joshua Yaffa introduces readers to some of the country’s most remarkable figures—from politicians and entrepreneurs to artists and historians—who have built their careers and constructed their identities in the shadow of the Putin system. Torn between their own ambitions and the omnipresent demands of the state, each walks an individual path of compromise. Some muster cunning and cynicism to extract all manner of benefits and privileges from those in power. Others, finding themselves to be less adept, are left broken and demoralized. What binds them together is the tangled web of dilemmas and contradictions they face.
 
Between Two Fires chronicles the lives of a number of strivers who understand that their dreams are best—or only—realized through varying degrees of cooperation with the Russian government. With sensitivity and depth, Yaffa profiles the director of the country’s main television channel, an Orthodox priest at war with the church hierarchy, a Chechen humanitarian who turns a blind eye to persecutions, and many others. The result is an intimate and probing portrait of a nation that is much discussed yet little understood. By showing how citizens shape their lives around the demands of a capricious and frequently repressive state—as often by choice as under threat of force—Yaffa offers urgent lessons about the true nature of modern authoritarianism.
Praise for Between Two Fires
“A deep and revealing portrait of life inside Vladimir Putin’s Russia. . . . Yaffa mines a rich vein, describing his subjects’ moral compromises and often ingenious ways of engaging a crooked bureaucracy to show how the Kremlin sustains its authoritarianism.”—The New York Times Book Review
“Few journalists have penetrated so deep and with so much nuance into the moral ambiguities of Russia. If you want insight into the deeper distortions the Kremlin causes in people’s psyches this book is invaluable.”—Peter Pomerantsev, author of Nothing Is True and Everything Is Possible
 
“A stunning chronicle of Putin’s new Russia . . . It celebrates the vitality of the Russian people even as it explores the compromises and accommodations that they must make. . . . This embrace of contradictions is what makes Between Two Fires such a poignant and poetic book.”—Alex Gibney, Air Mail
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  • From the cover Chapter 1

    Master of Ceremonies

    In the final days of 1999, just as he had each December for several years, Konstantin Ernst prepared to film the presidential New Year’s address. Ernst, then thirty-­eight, with a face of cheerful, perpetual bemusement and a floppy mane of brown hair that nearly covered his shoulders, is the head of Channel One, the network with the country’s largest reach, a position that grants him the stature of an unofficial government minister. He is not only the chief producer of his channel, but also, by extension, the director of the visual style and aesthetics of the country’s political life—­at least the part its rulers wish to transmit to the public. The New Year’s address, delivered at the stroke of midnight, is a way to do exactly that: a way for a Russian leader to impart a sense of narrative to the year past and offer some guiding clues and symbols for the year to come. The tradition took shape in the seventies, under Leonid Brezhnev, whose rule stretched on for so long that his droning, puffy-­faced New Year’s addresses all blended together. Gorbachev tried to instill a sense of discipline and purpose in his New Year’s appearances, even as, with each passing year, the country was in a state of slow-­motion disintegration.

    Boris Yeltsin, who took power in 1991, continued the tradition. And so, on December 27, 1999, three days before the new millennium, Ernst and a crew from Channel One made their way to the Kremlin to film Yeltsin’s address ahead of time, to have everything ready in advance per long-­standing practice. By the late nineties, Yeltsin, once a feisty, charismatic advocate of democratic reform, had entered a spiral of decay of both body and spirit, becoming an enervated shell of his former self. He was still capable of episodic vitality, but was largely weakened and chiefly concerned with leaving office in a way that would keep him and his family safe and immune from prosecution. The country was only a year removed from a devastating financial crash that had led the government to default on its debt and saw the ruble lose 75 percent of its value; at the same time, Russian troops were fighting their second costly war in a decade in Chechnya, a would-­be breakaway republic in the Caucasus. Ernst watched as Yeltsin sat in front of a decorated tree in the Kremlin reception hall and spoke a few saccharine words into the camera, the standard appeal to unity and patriotism and the opportunities of the new year—­including, as Yeltsin mentioned, the upcoming presidential election in the spring that would determine his successor.

    After he finished, as the Channel One crew was packing up, Yeltsin told Ernst that he wasn’t satisfied with his address. He said he didn’t like the way his words had come out, and he was also feeling hoarse—­could they rerecord a new version sometime in the coming days? Ernst said yes, of course, but they should hurry, since there wasn’t much time left before the new year. Yeltsin proposed the thirty-­first of December; Ernst pleaded for an earlier appointment, reminding him that given Russia’s massive size and eleven time zones, the clock strikes midnight in Chukotka—the first place the president’s address is aired—­when it is still the early afternoon in Moscow. Fine, Yeltsin said, come on New Year’s Eve at five in the morning.

    Ernst and his crew set up their equipment the night before, and returned before dawn on the morning of the thirty-­first. Valentin Yumashev, Yeltsin’s son-­in-­law and confidant, quietly handed...
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  • Publisher's Weekly

    Starred review from October 28, 2019
    Modern Russians strive to serve several masters—conscience, self-interest, and an overbearing government, among them—in this searching, vividly reported debut from New Yorker Moscow correspondent Yaffa. Russian sociologist Yuri Levada’s theory of the “wily man”—a personality type focused on coping with a repressive state that, though it can’t be defeated, can be manipulated for personal gain—provides the framework for understanding Russian society under President Vladimir Putin’s soft authoritarianism, Yaffa contends. He probes this dynamic in profiles of people pursuing worthy goals through unavoidable yet sordid compromises: a liberal television news producer who bends his talents toward glorifying Putin; a human rights activist who stifles criticisms of the Kremlin-backed government in Chechnya so she can help individual victims of the regime; a saintly doctor who tries to save medical refugees from the separatist war in Ukraine by soliciting aid from—and praising—the Russian officials who sponsored the war. Yaffa’s account unfolds like a great Russian novel as shrewdly observed characters wrestle with subtly ironic dilemmas. “One must know when to cower from the state’s blows,” he writes, “and when to slyly ask for a favor.” This superb portrait of contemporary Russia is full of insight and moral drama.

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Between Two Fires
Between Two Fires
Truth, Ambition, and Compromise in Putin's Russia
Joshua Yaffa
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