The “devastatingly moving” (People) first novel from the author of Tenth of December: a moving and original father-son story featuring none other than Abraham Lincoln, as well as an unforgettable cast of supporting characters, living and dead, historical and invented
One of The New York Times’s 100 Best Books of the 21st Century • One of The Atlantic’s Great American Novels of the Past 100 Years • One of Paste’s Best Novels of the Decade
February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln’s beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. “My poor boy, he was too good for this earth,” the president says at the time. “God has called him home.” Newspapers report that a grief-stricken Lincoln returns, alone, to the crypt several times to hold his boy’s body.
From that seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of its realistic, historical framework into a supernatural realm both hilarious and terrifying. Willie Lincoln finds himself in a strange purgatory where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance. Within this transitional state—called, in the Tibetan tradition, the bardo—a monumental struggle erupts over young Willie’s soul.
Lincoln in the Bardo is an astonishing feat of imagination and a bold step forward from one of the most important and influential writers of his generation. Formally daring, generous in spirit, deeply concerned with matters of the heart, it is a testament to fiction’s ability to speak honestly and powerfully to the things that really matter to us. Saunders has invented a thrilling new form that deploys a kaleidoscopic, theatrical panorama of voices to ask a timeless, profound question: How do we live and love when we know that everything we love must end?
The 166-person full cast features award-winning actors and musicians, as well as a number of Saunders’ family, friends, and members of his publishing team, including, in order of their appearance:
Nick Offerman as HANS VOLLMAN
David Sedaris as ROGER BEVINS III
Carrie Brownstein as ISABELLE PERKINS
George Saunders as THE REVEREND EVERLY THOMAS
Miranda July as MRS. ELIZABETH CRAWFORD
Lena Dunham as ELISE TRAYNOR
Ben Stiller as JACK MANDERS
Julianne Moore as JANE ELLIS
Susan Sarandon as MRS. ABIGAIL BLASS
Bradley Whitford as LT. CECIL STONE
Bill Hader as EDDIE BARON
Megan Mullally as BETSY BARON
Rainn Wilson as PERCIVAL “DASH” COLLIER
Jeff Tweedy as CAPTAIN WILLIAM PRINCE
Kat Dennings as MISS TAMARA DOOLITTLE
Jeffrey Tambor as PROFESSOR EDMUND BLOOMER
Mike O’Brien as LAWRENCE T. DECROIX
Keegan-Michael Key as ELSON FARWELL
Don Cheadle as THOMAS HAVENS
and
Patrick Wilson as STANLEY “PERFESSER” LIPPERT
with
Kirby Heyborne as WILLIE LINCOLN,
Mary Karr as MRS. ROSE MILLAND,
and Cassandra Campbell as Your Narrator
The “devastatingly moving” (People) first novel from the author of Tenth of December: a moving and original father-son story featuring none other than Abraham Lincoln, as well as an unforgettable cast of supporting characters, living and dead, historical and invented
One of The New York Times’s 100 Best Books of the 21st Century • One of The Atlantic’s Great American Novels of the Past 100 Years • One of Paste’s Best Novels of the Decade
February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln’s beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. “My poor boy, he was too good for this earth,” the president says at the time. “God has called him home.” Newspapers report that a grief-stricken Lincoln returns, alone, to the crypt several times to hold his boy’s body.
From that seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of its realistic, historical framework into a supernatural realm both hilarious and terrifying. Willie Lincoln finds himself in a strange purgatory where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance. Within this transitional state—called, in the Tibetan tradition, the bardo—a monumental struggle erupts over young Willie’s soul.
Lincoln in the Bardo is an astonishing feat of imagination and a bold step forward from one of the most important and influential writers of his generation. Formally daring, generous in spirit, deeply concerned with matters of the heart, it is a testament to fiction’s ability to speak honestly and powerfully to the things that really matter to us. Saunders has invented a thrilling new form that deploys a kaleidoscopic, theatrical panorama of voices to ask a timeless, profound question: How do we live and love when we know that everything we love must end?
The 166-person full cast features award-winning actors and musicians, as well as a number of Saunders’ family, friends, and members of his publishing team, including, in order of their appearance:
Nick Offerman as HANS VOLLMAN
David Sedaris as ROGER BEVINS III
Carrie Brownstein as ISABELLE PERKINS
George Saunders as THE REVEREND EVERLY THOMAS
Miranda July as MRS. ELIZABETH CRAWFORD
Lena Dunham as ELISE TRAYNOR
Ben Stiller as JACK MANDERS
Julianne Moore as JANE ELLIS
Susan Sarandon as MRS. ABIGAIL BLASS
Bradley Whitford as LT. CECIL STONE
Bill Hader as EDDIE BARON
Megan Mullally as BETSY BARON
Rainn Wilson as PERCIVAL “DASH” COLLIER
Jeff Tweedy as CAPTAIN WILLIAM PRINCE
Kat Dennings as MISS TAMARA DOOLITTLE
Jeffrey Tambor as PROFESSOR EDMUND BLOOMER
Mike O’Brien as LAWRENCE T. DECROIX
Keegan-Michael Key as ELSON FARWELL
Don Cheadle as THOMAS HAVENS
and
Patrick Wilson as STANLEY “PERFESSER” LIPPERT
with
Kirby Heyborne as WILLIE LINCOLN,
Mary Karr as MRS. ROSE MILLAND,
and Cassandra Campbell as Your Narrator
Reviews-
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Starred review from August 8, 2016
Saunders’s (Tenth of December) mesmerizing historical novel is also a moving ghost story. A Dantesque tour through a Georgetown cemetery teeming with spirits, the book takes place on a February night in 1862, when Abraham Lincoln visits the grave of his recently interred 11-year-old son, Willie. The distraught Lincoln’s nocturnal visit has a “vivifying effect” on the graveyard’s spectral denizens, a gallery of grotesques who have chosen to loiter “in the Bardo”—a Tibetan term for a liminal state—rather than face final judgment. Among this community, which is still riven by racial and class divisions, are Roger Bevins III, who slashed his wrists after being spurned by a lover, and Hans Vollman, a “wooden-toothed forty-six-year-old printer” struck in the head by a falling beam shortly after marrying his young wife. As irritable, chatty, and bored in their purgatory as Beckett characters, Bevins and Vollman devote themselves to saving Willie from their fate: “The young ones,” Bevins explains, “are not meant to tarry.” Periodically interrupting the graveyard action are slyly arranged assemblies of historical accounts of the Lincoln era. These excerpts and Lincoln’s anguished musings compose a collage-like portrait of a wartime president burdened by private and public grief, mourning his son’s death as staggering battlefield reports test his (and the nation’s) resolve. Saunders’s enlivening imagination runs wild in detailing the ghosts’ bizarre manifestations, but melancholy is the novel’s dominant tone. Two sad strains, the spirits’ stubborn, nostalgic attachment to the world of the living and Lincoln’s monumental sorrow, make up a haunting American ballad that will inspire increased devotion among Saunders’s admirers. -
Like an Impressionist painting that comes into focus as we soften our gaze, this first novel by the award-winning short story writer is, not surprisingly, a unique art form. "Bardo" refers to the Tibetan plane between death and rebirth; the novel, told from the multiple points of view of a cemetery community, is reminiscent of Wilder's OUR TOWN and the colorful epitaphs of Masters's SPOON RIVER ANTHOLOGY--only darker. Voices chime in with stories of lives and deaths, regrets and grudges as Abraham Lincoln mourns his son Willie, the newest member of the tribe. While it may take a few moments to acclimate to the quirks and syncopated rhythms of this unconventional novel, there's an undeniable appeal in hearing this impressive cast of narrators. By keeping our listening "gaze" soft, remarkable human forms come into focus. L.B.F. Winner of AudioFile Earphones Award © AudioFile 2017, Portland, Maine
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Starred review from January 1, 2018
It takes a full six minutes at the end of this unforgettable audio production to read the cast list of 166 actors: comedian Nick Offerman, author David Sedaris, Hollywood A-listers Carrie Brownstein, Don Cheadle, Lena Dunham, Bill Hader, Miranda July, Julianne Moore, Ben Stiller, Susan Sarandon, and Jeffrey Tambor, and others. The main challenge of Saunders’s Civil War–era novel is fragmentation. In addition to the plethora of characters to keep straight, the novel features several challenging elements of postmodern fiction: punctuationless sentences, a constantly shifting perspective, and a mélange of factual snippets and boldly fabricated sources. The effect, however, is a wonder brought to life in these performances. Sedaris steals the show as Mr. Bevins, a wry and lonely spirit who tarries in the titular bardo, mourning the lover who left him. Two other performances deserve special mention: Kirby Heyborne, a veteran audiobook narrator, more than holds his own in this star-studded cast, breaking listeners’ hearts with his quiet and sensitive portrayal of Mr. Lincoln’s recently deceased boy Willie. And one of the book’s best performances belongs to Saunders himself, who plays the Reverend Thomas, a timid man of the cloth who is haunted by sin—but what sin, however, he doesn’t know. If fiction lovers listen to just one audiobook in 2017—or ever—it should be this one. A Random House hardcover. -
Starred review from April 24, 2017
It takes a full six minutes at the end of this unforgettable audio production to read the cast list of 166 actors: comedian Nick Offerman, author David Sedaris, Hollywood A-listers Carrie Brownstein, Don Cheadle, Lena Dunham, Bill Hader, Miranda July, Julianne Moore, Ben Stiller, Susan Sarandon, and Jeffrey Tambor, and others. The main challenge of Saunders’s Civil War–era novel is fragmentation. In addition to the plethora of characters to keep straight, the novel features several challenging elements of postmodern fiction: punctuationless sentences, a constantly shifting perspective, and a mélange of factual snippets and boldly fabricated sources. The effect, however, is a wonder brought to life in these performances. Sedaris steals the show as Mr. Bevins, a wry and lonely spirit who tarries in the titular bardo, mourning the lover who left him. Two other performances deserve special mention: Kirby Heyborne, a veteran audiobook narrator, more than holds his own in this star-studded cast, breaking listeners’ hearts with his quiet and sensitive portrayal of Mr. Lincoln’s recently deceased boy Willie. And one of the book’s best performances belongs to Saunders himself, who plays the Reverend Thomas, a timid man of the cloth who is haunted by sin—but what sin, however, he doesn’t know. If fiction lovers listen to just one audiobook in 2017—or ever—it should be this one. A Random House hardcover.
