من تصميم Jacqueline Woodson
Called one of the Top 10 Literary Fiction titles of Fall by Publishers Weekly.
An extraordinary new novel about the influence of history on a contemporary family, from the New York Times-bestselling and National Book Award-winning author of Another Brooklyn and Brown Girl Dreaming.
Two families from different social classes are joined together by an unexpected pregnancy and the child that it produces. Moving forward and backward in time, with the power of poetry and the emotional richness of a narrative ten times its length, Jacqueline Woodson's extraordinary new novel uncovers the role that history and community have played in the experiences, decisions, and relationships of these families, and in the life of this child.
As the book opens in 2001, it is the evening of sixteen-year-old Melody's coming of age ceremony in her grandparents' Brooklyn brownstone. Watched lovingly by her relatives and friends, making her entrance to the soundtrack of Prince, she wears a special custom-made dress. But the event is not without poignancy. Sixteen years earlier, that very dress was measured and sewn for a different wearer: Melody's mother, for her own ceremony— a celebration that ultimately never took place.
Unfurling the history of Melody's parents and grandparents to show how they all arrived at this moment, Woodson considers not just their ambitions and successes but also the costs, the tolls they've paid for striving to overcome expectations and escape the pull of history. As it explores sexual desire and identity, ambition, gentrification, education, class and status, and the life-altering facts of parenthood, Red at the Bone most strikingly looks at the ways in which young people must so often make long-lasting decisions about their lives—even before they have begun to figure out who they are and what they want to be.
Read by Jacqueline Woodson, with Quincy Tyler Bernstine (Sabe), Peter Francis James (Po’Boy), Shayna Small (Iris), and Bahni Turpin (Melody)
Called one of the Top 10 Literary Fiction titles of Fall by Publishers Weekly.
An extraordinary new novel about the influence of history on a contemporary family, from the New York Times-bestselling and National Book Award-winning author of Another Brooklyn and Brown Girl Dreaming.
Two families from different social classes are joined together by an unexpected pregnancy and the child that it produces. Moving forward and backward in time, with the power of poetry and the emotional richness of a narrative ten times its length, Jacqueline Woodson's extraordinary new novel uncovers the role that history and community have played in the experiences, decisions, and relationships of these families, and in the life of this child.
As the book opens in 2001, it is the evening of sixteen-year-old Melody's coming of age ceremony in her grandparents' Brooklyn brownstone. Watched lovingly by her relatives and friends, making her entrance to the soundtrack of Prince, she wears a special custom-made dress. But the event is not without poignancy. Sixteen years earlier, that very dress was measured and sewn for a different wearer: Melody's mother, for her own ceremony— a celebration that ultimately never took place.
Unfurling the history of Melody's parents and grandparents to show how they all arrived at this moment, Woodson considers not just their ambitions and successes but also the costs, the tolls they've paid for striving to overcome expectations and escape the pull of history. As it explores sexual desire and identity, ambition, gentrification, education, class and status, and the life-altering facts of parenthood, Red at the Bone most strikingly looks at the ways in which young people must so often make long-lasting decisions about their lives—even before they have begun to figure out who they are and what they want to be.
Read by Jacqueline Woodson, with Quincy Tyler Bernstine (Sabe), Peter Francis James (Po’Boy), Shayna Small (Iris), and Bahni Turpin (Melody)
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Starred review from July 15, 2019
Woodson’s beautifully imagined novel (her first novel for adults since 2016’s Another Brooklyn) explores the ways an unplanned pregnancy changes two families. The narrative opens in the spring of 2001, at the coming-of-age party that 16-year-old Melody’s grandparents host for her at their Brooklyn brownstone. A family ritual adapted from cotillion tradition, the event ushers Melody into adulthood as an orchestra plays Prince and her “court” dances around her. Amid the festivity, Melody and her family—her unmarried parents, Iris and Aubrey, and her maternal grandparents, Sabe and Sammy “Po’Boy” Simmons, think of both past and future, delving into extended flashbacks that comprise most of the text. Sabe is proud of the education and affluence she has achieved, but she remains haunted by stories of her family’s losses in the fires of the 1921 Tulsa race massacre. The discovery that her daughter, Iris, was pregnant at 15 filled her with shame, rage, and panic. After the birth of Melody, Iris, uninterested in marrying mail-room clerk Aubrey, pined for the freedom that her pregnancy curtailed. Leaving Melody to be raised by Aubrey, Sabe, and Po’Boy, she departed for Oberlin College in the early ’90s and, later, to a Manhattan apartment that her daughter is invited to visit but not to see as home. Their relationship is strained as Melody dons the coming-out dress her mother would have worn if she hadn’t been pregnant with Melody. Woodson’s nuanced voice evokes the complexities of race, class, religion, and sexuality in fluid prose and a series of telling details. This is a wise, powerful, and compassionate novel. -
Five talented narrators, including the author, differentiate shifting time periods and three generations of an African-American family. Bahni Turpin aids listeners in understanding the feelings of 16-year-old Melody, who is central to the story. Her caustic comments arise from her mother Iris's infrequent presence. Shayna Small fills in Iris's complexities. She is a teen mother who fled home dreaming of a larger life. In contrast, Peter Francis James and Quincy Tyler Bernstine's rich voices evoke the age, devotion, authority, and histories of Melody's beloved grandparents. Author Jacqueline Woodson delivers the third-person narrative, connecting the way the protagonists impact each other. Her spare but emotive text leaves lots of room for all these powerful interpretations. S.W. Winner of AudioFile Earphones Award © AudioFile 2019, Portland, Maine
