June 15, 2017

A writer and organizer with the Brooklyn Speculative Fiction Writers' group, Chakraborty sets her debut fantasy in 1700s Cairo, Egypt, where street hustler Nahri cons people with her tricks but rejects the idea that magic really exists until she manages to summon up a dark and wily djinn warrior. The warrior's stories take Nahri to a land she thought lived only in myths and finally to the magnificent City of Brass.

Copyright 2017 Library Journal, LLC Used with permission.

September 1, 2017
A rich Middle Eastern fantasy, the first of a trilogy: Chakraborty's intriguing debut.On the streets of 18th-century Cairo, young Nahri--she has a real talent for medicine but lacks the wherewithal to acquire proper training--makes a living swindling Ottoman nobles by pretending to wield supernatural powers she doesn't believe in. Then, during a supposed exorcism, she somehow summons a mysterious djinn warrior named Dara, whose magic is both real and incomprehensibly powerful. Dara insists that Nahri is no longer safe--evil djinn threaten her life, so he must convey her to Daevabad, a legendary eastern city protected by impervious magical brass walls. During the hair-raising journey by flying carpet, Nahri meets spirits and monsters and develops feelings for Dara, a deeply conflicted being with a long, tangled past. At Daevabad she's astonished to learn that she's the daughter of a legendary healer of the Nahid family. All the more surprising, then, that King Ghassan, whose ancestor overthrew the ruling Nahid Council and stole Suleiman's seal, which nullifies magic, welcomes her. With Ghassan's younger son, Prince Ali, Nahri becomes immersed in the city's deeply divisive (and not infrequently confusing) religious, political, and racial tensions. Meanwhile, Dara's emerging history and personality grow more and more bewildering and ambiguous. Against this syncretic yet nonderivative and totally credible backdrop, Chakraborty has constructed a compelling yarn of personal ambition, power politics, racial and religious tensions, strange magics, and terrifying creatures, culminating in a cataclysmic showdown that few readers will anticipate. The expected first-novel flaws--a few character inconsistencies, plot swirls that peter out, the odd patch where the author assumes facts not in evidence--matter little. Best of all, the narrative feels rounded and complete yet poised to deliver still more. Highly impressive and exceptionally promising.

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October 2, 2017
The familiar fantasy theme of a young person learning of a hidden supernatural legacy is given new life in this promising debut novel, set in late-18th-century Egypt. Twenty-something Nahri, who has the ability to sense illness in others and to heal some ailments, supports herself as a fortune-teller and con artist in Cairo. Her routine, if precarious, existence, is shattered when a girl she is trying to help is possessed by an ifrit. Nahri only avoids being killed through the intervention of Dara, a djinn, who reveals that Nahri is from a family of magical healers. Chakraborty combines the plot’s many surprises with vivid prose (“The cemetery ran along the city’s eastern edge, a spine of crumbling bones and rotting tissue where everyone from Cairo’s founders to its addicts were buried”), and leavens the action with wry humor. There is enough material here—a feisty, independent lead searching for answers, reminiscent of Star Wars’s Rey, and a richly imagined alternate world—to support a potential series. Agent: Jennifer Azantian, Azantian Literary.

January 1, 2018

Nahri, a common Cairo thief who can sense sickness in others and sometimes heal them, is thrust into a magical world when she accidentally summons a powerful djinn. The handsome Dara insists that he escort Nahri to the magical hidden Daevabad, the City of Brass, where Nahri will be protected by Prince Ali's family, who have the power of Suleiman's seal. Never sure whom to trust, Nahri must rely on her street smarts to survive the dangers of the beguiling city and the duplicitous natures of those who surround her. Chakraborty's compelling debut immerses readers in Middle Eastern folklore and an opulent desert setting while providing a rip-roaring adventure that will please even those who don't read fantasy. Though Nahri is in her early 20s, young adults will recognize themselves in her. The other narrator, Prince Ali, is an 18-year-old second son who doubts the current class structure of his kingdom. Chakraborty's meticulous research about Middle Eastern lore is evident, but readers won't be bogged down by excessive details. VERDICT A must-purchase fantasy for all libraries serving young adults.-Sarah Hill, Lake Land College, Mattoon, IL

Copyright 2018 School Library Journal, LLC Used with permission.

September 15, 2017

To survive on the streets of 18th-century Cairo, Egypt, Nahri, a young con artist, lives by luck and skill. While she carries out her trades of palm and tea leaf readings, along with healings, she knows them to be just tricks, not magic--until the night she summons a djinn warrior during one of her cons. She embarks on an unexpected journey to the fabled Daevabad, the City of Brass, where the six djinn tribes still reside. However, its magical brass walls cannot protect against the growing darkness that lurks within. Tied by blood to the city, Nahri is pulled into deadly court politics as divergent forces seek to use her magical abilities to their advantage. VERDICT This lyrical historical fantasy debut brings to vivid life the ancient mythological traditions of an Islamic world unfamiliar to most American readers. Chakraborty's grasp of Middle Eastern history, folklore, and culture inspires a swiftly moving plot, richly drawn characters, and a beautifully constructed world that will entrance fantasy aficionados. [See Prepub Alert, 5/22/17.]--KC

Copyright 2017 Library Journal, LLC Used with permission.

"The City of Brass is the best adult fantasy I've read since The Name of the Wind. It's stunning and complex and consuming and fantastic. You must read it." — Sabaa Tahir, #1 New York Times bestselling author of An Ember in the Ashes

"An opulent masterpiece. Chakraborty's debut is desire-soaked, intrigue-laced, and rife with so-delicious-you'll-sink-your-teeth-into-it worldbuilding and equally mesmerizing characters. A must-read." — Roshani Chokshi, New York Times bestselling author of The Star-Touched Queen

"[The City of Brass] reads like an invitation for readers from Baghdad to Fairbanks to meet across impossibly divergent worlds through the shared language and images of the fantastical." — New York Times Book Review

"Chakraborty writes a winning heroine in Nahri — flawed but smart and engaging. And her portrayal of the cultural conflicts in the magical city of Daevabad and of Ali's inner turmoil is compelling and complex, serving as a strong counterpoint to the thrilling action." — Washington Post

"I loved the protagonist, there was a nice cast of supporting characters, and the plot had some twists and turns that I did not see coming... Her style is vivid and colourful and very readable. The best thing, though, was the setting. Instead of drawing on the European Dark Ages and Middle Ages, Chakraborty evoked the flavours of the Middle East and ARABIAN KNIGHTS and the legends of the djinns. I enjoyed the novel hugely, and I just ordered the second and third books in the trilogy so I may continue the adventure." — George R.R. Martin

"Chakraborty's debut dazzles...The City of Brass takes readers on an emotional roller-coaster, leaving them with an open ending that will have them desperate for the follow-up. Majestic and magical." — Shelf Awareness (starred review)

"Against [a] syncretic yet nonderivative and totally credible backdrop, Chakraborty has constructed a compelling yarn...culminating in a cataclysmic showdown that few readers will anticipate....Best of all, the narrative feels rounded and complete yet poised to deliver still more. Highly impressive and exceptionally promising." — Kirkus Reviews (starred review)

"This lyrical historical fantasy debut brings to vivid life the ancient mythological traditions of an Islamic world...Chakraborty's grasp of Middle Eastern history, folklore, and culture inspires a swiftly moving plot, richly drawn characters, and a beautifully constructed world that will entrance fantasy aficionados." — Library Journal (starred review)

"The City of Brass is more than a promising debut — it beguiles all the way...Chakraborty's research and imagination are equally strong, and she deftly sets up a rich world — and ample suspense — for the rest of this trilogy." — Vulture (The Ten Best Fantasy Books of 2017)

"It's hard to describe just how gorgeous and intricate this fantasy novel is." — SYFY Wire

"The City of Brass is a mesmerizing fantasy tale of magic and intrigue that showcases the very best that the fantasy genre has to offer...a superbly written, lush fantasy story that deserves to be at the top of your to-read list." — Hypable

"With this rich and layered novel, Chakraborty builds a fantasy world as intricate and intriguing as its Middle Eastern setting. Following the various subplots is like pondering vibrant Arabic design; readers will lose themselves in the wonder and complexity." —...