To five-year-old-Jack, Room is the world. It's where he was born, it's where he and his Ma eat and sleep and play and learn. At night, his Ma shuts him safely in the wardrobe, where he is meant to be asleep when Old Nick visits.
Room is home to Jack, but to Ma it's the prison where she has been held for seven years. Through her fierce love for her son, she has created a life for him in this eleven-by-eleven-foot space. But with Jack's curiosity building alongside her own desperation, she knows that Room cannot contain either much longer.
Room is a tale at once shocking, riveting, exhilarating — a story of unconquerable love in harrowing circumstances, and of the diamond-hard bond between a mother and her child.
To five-year-old-Jack, Room is the world. It's where he was born, it's where he and his Ma eat and sleep and play and learn. At night, his Ma shuts him safely in the wardrobe, where he is meant to be asleep when Old Nick visits.
Room is home to Jack, but to Ma it's the prison where she has been held for seven years. Through her fierce love for her son, she has created a life for him in this eleven-by-eleven-foot space. But with Jack's curiosity building alongside her own desperation, she knows that Room cannot contain either much longer.
Room is a tale at once shocking, riveting, exhilarating — a story of unconquerable love in harrowing circumstances, and of the diamond-hard bond between a mother and her child.
Reviews-
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Starred review from October 25, 2010
Five-year-old Jack and his Ma live and eat and play and sleep in one room—an 11×11-foot space that is their prison—captives of the terrifying man Jack calls Old Nick. But as Jack grows older and more curious, it becomes clear that the room will not be able to hold him and Ma forever. Michal Friedman shines as Jack; her narration is haunting and compelling in its every inflection and tone. The voice she creates for Jack is so convincing, listeners may even mistake her for an actual child. Her powerful performance is complemented by Robert Petcoff's sinister Old Nick, and Ellen Archer's portrayal of resourceful Ma, whose gentle voice is infused with patience, terror, and hope. The chemistry between the players creates a gem of an audiobook that will haunt listeners long after the story's end. A Little, Brown hardcover (Reviews, July 12). -
Starred review from July 12, 2010
At the start of Donoghue's powerful new novel, narrator Jack and his mother, who was kidnapped seven years earlier when she was a 19-year-old college student, celebrate his fifth birthday. They live in a tiny, 11-foot-square soundproofed cell in a converted shed in the kidnapper's yard. The sociopath, whom Jack has dubbed Old Nick, visits at night, grudgingly doling out food and supplies. Seen entirely through Jack's eyes and childlike perceptions, the developments in this novel—there are enough plot twists to provide a dramatic arc of breathtaking suspense—are astonishing. Ma, as Jack calls her, proves to be resilient and resourceful, creating exercise games, makeshift toys, and reading and math lessons to fill their days. And while Donoghue (Slammerkin) brilliantly portrays the psyche of a child raised in captivity, the story's intensity cranks up dramatically when, halfway through the novel and after a nail-biting escape attempt, Jack is introduced to the outside world. While there have been several true-life stories of women and children held captive, little has been written about the pain of re-entry, and Donoghue's bravado in investigating that potentially terrifying transformation grants the novel a frightening resonance that will keep readers rapt. -
Meet Jack. He's 5 today, and he celebrates with Ma in Room, where he has lived his entire life. This harrowing tale of long-term captivity and its effects is narrated flawlessly by Michal Friedman and Ellen Archer, who voice Jack and Ma with depth and feeling. The two additional narrators, Robert Petkoff and Suzanne Toren, deliver perfectly nuanced supporting characters. Told from Jack's perspective, the story recounts his and Ma's days in Room, where they're held hostage by Old Nick, and the planning of their Great Escape. Once it happens, however, assimilation into life outside proves to be less seamless than Ma anticipated. Friedman's Jack is winsome, lovable, and thoroughly credible. Expressing a 5-year-old's emotions amid subject matter like this is an enormous undertaking, and Friedman delivers. K.M.G. Winner of AudioFile Earphones Award (c) AudioFile 2010, Portland, Maine
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Starred review from April 1, 2011
Five-year-old Jack lives with his mother ("Ma") in a small room ("Room"), where they've been imprisoned since her abduction by a stranger ("Old Nick") seven years earlier. Within Room, Ma creates for Jack a loving universe to help him thrive and shield him from the reality of their situation. As Jack describes the rhythm of his and Ma's days, the listener is drawn with terrible dread into that tiny space--e.g., Wardrobe, where Jack sleeps, and Skylight, their only source of natural light. Michael Friedman, voicing Jack, perfectly renders a five-year-old in expression and pace, and Ellen Archer's portrayal of Ma, too, adds depth and immediacy. Robert Petkoff sinisterly renders Old Nick, while Suzanne Toren chimes in to narrate the other characters the pair encounter along their way to a different life. Rife fodder for writing classes and book clubs, Donoghue's (www.emmadonoghue.com) disturbing but powerful tale is especially compelling in its depiction of the extraordinary courage and love of its two central characters. Highly recommended. [A 2011 Audie Award nominee; the Alex Award-winning Little, Brown hc was a 2010 LJ Best Book and also received a starred review, LJ 8/10.--Ed.]--Barbara Valle, El Paso P.L., TX
Copyright 2011 Library Journal, LLC Used with permission.
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Starred review from August 1, 2010
Talented, versatile Donoghue (The Sealed Letter, 2008, etc.) relates a searing tale of survival and recovery, in the voice of a five-year-old boy.
Jack has never known a life beyond Room. His Ma gave birth to him on Rug; the stains are still there. At night, he has to stay in Wardrobe when Old Nick comes to visit. Still, he and Ma have a comfortable routine, with daily activities like Phys Ed and Laundry. Jack knows how to read and do math, but has no idea the images he sees on the television represent a real world. We gradually learn that Ma (we never know her name) was abducted and imprisoned in a backyard shed when she was 19; her captor brings them food and other necessities, but he's capricious. An ugly incident after Jack attracts Old Nick's unwelcome attention renews Ma's determination to liberate herself and her son; the book's first half climaxes with a nail-biting escape. Donoghue brilliantly shows mother and son grappling with very different issues as they adjust to freedom. "In Room I was safe and Outside is the scary," Jack thinks, unnerved by new things like showers, grass and window shades. He clings to the familiar objects rescued from Room (their abuser has been found), while Ma flinches at these physical reminders of her captivity. Desperate to return to normalcy, she has to grapple with a son who has never known normalcy and isn't sure he likes it. In the story's most heartbreaking moments, it seems that Ma may be unable to live with the choices she made to protect Jack. But his narration reveals that she's nurtured a smart, perceptive and willful boy—odd, for sure, but resilient, and surely Ma can find that resilience in herself. A haunting final scene doesn't promise quick cures, but shows Jack and Ma putting the past behind them.
Wrenching, as befits the grim subject matter, but also tender, touching and at times unexpectedly funny.
(COPYRIGHT (2010) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)
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September 15, 2010
Five-year-old Jack has never known anything of life beyond Room, the 11-square-foot space he shares with his mother. Jack has learned to read, count, and process an imaginary world Outside through television. At night he sleeps in a wardrobe in case Old Nick comes to visit, bringing supplies and frightening intrusion. Worried about his curiosity and her own desperation, his mother reveals to Jack that the Outside is real and that they must escape. She tells him that she was kidnapped by Old Nick and has been held secluded in Room for seven years. Jack is brave enough to carry out their plan, and the two of them are compelled to adjust to life Outside, with its bright lights and noise and people touching. What is reconnection for his mother is discovery for Jack, who is soon overwhelmed by the changes in his mother and a world coming at him fast and furiously. Room is beautifully written as a first-person narrative from Jacks perspective, and within it, Donoghue has constructed a quiet, private, and menacing world that slowly unbends with a mother and sons love and determination.(Reprinted with permission of Booklist, copyright 2010, American Library Association.) -
June 1, 2013
Room is home to young Jack, a prison to his mother, and power to Old Nick. Jack's world explodes when his mother sends him on a mission that will change the lives of all three. VERDICT This original and unforgettable novel, with contemporary and timeless themes, is even more affecting for being told from the point of view of a child. [LJ 8/10; LJ Best Book of 2010]
Copyright 2013 Library Journal, LLC Used with permission.
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Starred review from August 1, 2010
Five-year-old Jack and his Ma enjoy their long days together, playing games, watching TV, and reading favorite stories. Through Jack's narration, it slowly becomes apparent that their pleasant days are shrouded by a horrifying secret. Seven years ago, his 19-year-old Ma was abducted and has since been held captive--in one small room. To her abductor she is nothing more than a sex slave, with Jack as a result, yet she finds the courage to raise her child with constant love under these most abhorrent circumstances. He is a bright child--bright enough, in fact, to help his mother successfully carry out a plan of escape. Once they get to the outside world, the sense of relief is short lived, as Jack is suddenly faced with an entirely new worldview (with things he never imagined, like other people, buildings, and even family) while his mother attempts to deal with her own psychological trauma. VERDICT Gripping, riveting, and close to the bone, this story grabs you and doesn't let go. Donoghue (The Sealed Letter) skillfully builds a suspenseful narrative evoking fear and hate and hope--but most of all, the triumph of a mother's ferocious love. Highly recommended for readers of popular fiction. [See Prepub Alert, LJ 4/15/10.]--Susanne Wells, P.L. of Cincinnati & Hamilton Cty.
Copyright 2010 Library Journal, LLC Used with permission.
- Liz Raftery, The Boston Globe "A riveting, powerful novel."
- Sara Nelson, O Magazine "A novel so disturbing that we defy you to stop thinking about it."
