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This account of one man’s tempestuous relationship with the hawk he trained is at once a comedy of errors, a classic of nature writing, and one of the best glimpses into the world of falconry. The predecessor to Helen Macdonald’s H is for Hawk, T. H. White’s nature writing classic, The Goshawk, asks the age-old question: what is it that binds human beings to other animals? White, the author of The Once and Future King and Mistress Masham’s Repose, was a young writer who found himself rifling through old handbooks of falconry. A particular sentence—“the bird reverted to a feral state”—seized his imagination and he immediately wrote to Germany to acquire a young goshawk. Gos, as White named the bird, was ferocious and free, and White had no idea how to break him in beyond the ancient of depriving him of sleep. Slowly man and bird entered a state of delirium and intoxication, of attraction and repulsion that looks very much like love. White kept a daybook describing his volatile relationship with Gos—at once a tale of obsession, a comedy of errors, and a hymn to the hawk. It was this that became The Goshawk, one of modern literature’s most memorable and surprising encounters with the wilderness—as it exists both within us and without.
This account of one man’s tempestuous relationship with the hawk he trained is at once a comedy of errors, a classic of nature writing, and one of the best glimpses into the world of falconry. The predecessor to Helen Macdonald’s H is for Hawk, T. H. White’s nature writing classic, The Goshawk, asks the age-old question: what is it that binds human beings to other animals? White, the author of The Once and Future King and Mistress Masham’s Repose, was a young writer who found himself rifling through old handbooks of falconry. A particular sentence—“the bird reverted to a feral state”—seized his imagination and he immediately wrote to Germany to acquire a young goshawk. Gos, as White named the bird, was ferocious and free, and White had no idea how to break him in beyond the ancient of depriving him of sleep. Slowly man and bird entered a state of delirium and intoxication, of attraction and repulsion that looks very much like love. White kept a daybook describing his volatile relationship with Gos—at once a tale of obsession, a comedy of errors, and a hymn to the hawk. It was this that became The Goshawk, one of modern literature’s most memorable and surprising encounters with the wilderness—as it exists both within us and without.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Reviews-
March 4, 1996 Reprinted, White's 1951 book on falconry details the battle of wills between the author and the hawk he is trying to train.
Stephen J. Bodio
"This is...the best book on falconry, its feel, its emotions, and its flavor, ever written."
Daily Telegraph (UK)
"It is comic; it is tragic; it is as primal and original as a great wind... it must be ranked as a masterpiece."
The New York Times
"The book chronicles the ambivalent relationship between White, author of The Once and Future King, and the hawk he trained. Their battle of wills "gives the book its peculiar charm."
The Mail on Sunday (UK)
"It's a strange, eccentric book about [T. H. White's] attempt to train his first goshawk. It displays an absolute love for the English countryside that I immediately recognized."
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