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NATIONAL BESTSELLER • “The lives of a Jewish boy escaping Nazi-occupied Europe and a mother and daughter fleeing twenty-first-century El Salvador intersect in this ambitious, intricate novel about war and immigration” (People), from the author of A Long Petal of the Sea and Violeta “Timely, provocative . . . emotionally satisfying . . . [a story about] the kindness of strangers who become family.”—The New York Times Book Review AN NPR BEST BOOK OF THE YEAR Vienna, 1938. Samuel Adler is five years old when his father disappears during Kristallnacht—the night his family loses everything. As her child’s safety becomes ever harder to guarantee, Samuel’s mother secures a spot for him on a Kindertransport train out of Nazi-occupied Austria to England. He boards alone, carrying nothing but a change of clothes and his violin. Arizona, 2019. Eight decades later, Anita Díaz and her mother board another train, fleeing looming danger in El Salvador and seeking refuge in the United States. But their arrival coincides with the new family separation policy, and seven-year-old Anita finds herself alone at a camp in Nogales. She escapes her tenuous reality through her trips to Azabahar, a magical world of the imagination. Meanwhile, Selena Durán, a young social worker, enlists the help of a successful lawyer in hopes of tracking down Anita’s mother. Intertwining past and present, The Wind Knows My Name tells the tale of these two unforgettable characters, both in search of family and home. It is both a testament to the sacrifices that parents make and a love letter to the children who survive the most unfathomable dangers—and never stop dreaming.
NATIONAL BESTSELLER • “The lives of a Jewish boy escaping Nazi-occupied Europe and a mother and daughter fleeing twenty-first-century El Salvador intersect in this ambitious, intricate novel about war and immigration” (People), from the author of A Long Petal of the Sea and Violeta “Timely, provocative . . . emotionally satisfying . . . [a story about] the kindness of strangers who become family.”—The New York Times Book Review AN NPR BEST BOOK OF THE YEAR Vienna, 1938. Samuel Adler is five years old when his father disappears during Kristallnacht—the night his family loses everything. As her child’s safety becomes ever harder to guarantee, Samuel’s mother secures a spot for him on a Kindertransport train out of Nazi-occupied Austria to England. He boards alone, carrying nothing but a change of clothes and his violin. Arizona, 2019. Eight decades later, Anita Díaz and her mother board another train, fleeing looming danger in El Salvador and seeking refuge in the United States. But their arrival coincides with the new family separation policy, and seven-year-old Anita finds herself alone at a camp in Nogales. She escapes her tenuous reality through her trips to Azabahar, a magical world of the imagination. Meanwhile, Selena Durán, a young social worker, enlists the help of a successful lawyer in hopes of tracking down Anita’s mother. Intertwining past and present, The Wind Knows My Name tells the tale of these two unforgettable characters, both in search of family and home. It is both a testament to the sacrifices that parents make and a love letter to the children who survive the most unfathomable dangers—and never stop dreaming.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Excerpts-
From the coverThe Adlers
Vienna, November 1938
A sense of misfortune hung in the air. From the early morning hours, a menacing breeze had swept through the streets, whistling between the buildings, forcing its way in through the cracks under doors and windows.
“Just winter settling in,” Rudolph Adler murmured to himself in an attempt to lighten his mood. But he couldn’t blame the weather for the tightness in his chest, which he’d felt for several months now.
The stench of fear, like rust and rotting garbage, clung to his nostrils; neither his pipe tobacco nor his citrus-scented aftershave lotion could mask it. That afternoon, the stink of dread stirred up by the wind was suffocating, making him feel dizzy and nauseous. He decided to turn away the patients left in his waiting room and close up early. Surprised, his assistant asked if he was ill. She’d worked with the doctor for eleven years and had never known him to shirk his duties; he was a punctual, methodical man.
“Nothing serious, only a cold, Frau Goldberg. I’ll go home and rest,” he answered.
They tidied the office and disinfected the instruments, then said goodbye at the door as they did every evening, neither suspecting that they’d never see each other again. Frau Goldberg headed to the streetcar stop and Rudolph Adler walked the few blocks to the pharmacy at his usual brisk pace, hat in one hand and doctor’s bag in the other, his shoulders hunched. The sidewalk was damp and the sky cloudy; it had been drizzly and he predicted they’d soon see one of those autumn rainstorms that always caught him unawares, without an umbrella. He’d walked those streets a thousand times and knew them by memory, but he never stopped admiring his city, one of the prettiest places in the world with its Baroque and Art Nouveau buildings coexisting harmoniously, the majestic trees that had begun dropping their leaves, the equestrian statue in the neighborhood square, the bakery’s window display with its spread of delicate pastries, and the antiques shop crammed with curiosities. But that afternoon he barely raised his eyes from the pavement. He had the weight of the world on his shoulders.
The troubling rumors had begun that morning with news of an assault in Paris: a German diplomat shot five times and killed by a young man, a Polish Jew. Spokespersons for the Third Reich called for revenge.
Since that March, when Germany had annexed Austria and the Nazi Wehrmacht paraded its military pomp and circumstance through the heart of Vienna to a cheering, jubilant crowd, Rudolph Adler had been plagued with fear. His worries had begun a few years prior and only worsened as Nazi power was consolidated through increased financing and a growing stockpile of weapons. Hitler used terror as a political tactic, taking advantage of discontent over economic woes after the humiliating defeat in the Great War and the Great Depression in 1929. In 1934, Austrian chancellor Engelbert Dollfuss was assassinated in a failed government coup, and since then eight hundred others had been killed in various attacks. The Nazis intimidated their detractors, provoked disturbance, and pushed Austria to the brink of civil war. At the start of 1938, internal violence was so untenable that Germany, from the other side of the border, exerted pressure to annex the troubled country as one of its provinces. Despite the concessions that the Austrian government had made to German demands, Hitler ordered an invasion. The Nazi party had laid the groundwork for the invading force to be met with open arms by the majority of the population....
Reviews-
Starred review from April 10, 2023 Refugee children flee from war and unrest in the powerful latest from Allende (Violeta). In 1938 Austria, five-year-old Samuel Adler is grudgingly placed by his mother on a rescue train to Great Britain. He completes the journey, and never sees his parents again. Samuel struggles in an orphanage until he settles in 1942 with a Quaker couple. At 25, he is a violinist with the London Philharmonic, and soon his interest in jazz takes him to America. In a parallel narrative set in 2019, Anita Diaz, seven, leaves El Salvador with her mother to escape ceaseless gang violence, and the two embark on an odyssey that sees them traveling on top of train cars and by foot. They make it to the U.S., where a new family separation policy leaves Anita, who is partially blind, alone in Nogales, Ariz., and her mother deported. Anita shuttles from one host family to another while a social worker and lawyer work tirelessly to safeguard her until she can be reunited with her mother. The two threads converge, first, with bitter irony—Samuel’s grandson is a presidential adviser who advocates for harsh immigration policies (and will remind readers of Trump administration political adviser Stephen Miller)—and, by the end, with hope. The dual narrative structure gives historical weight to the contemporary story line, and Allende finds real depth in her characters, especially when portraying their sacrifices. This authentic and emotionally harrowing work is a triumphant return to form. Agent: Johanna Castillo, Writers House.
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Bahrain, Egypt, Hong Kong, Iraq, Israel, Jordan, Kuwait, Lebanon, Libya, Mauritania, Morocco, Oman, Palestine, Qatar, Saudi Arabia, the Sudan, the Syrian Arab Republic, Tunisia, Turkey, the United Arab Emirates, and Yemen
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Narrators Edoardo Ballerini and Maria Liatis couldn't be better in Isabel Allende's intricate, heartrending novel. From 1938 Europe to 2019 America, numerous upended lives are woven into a fascinating tapestry. Samuel Adler must leave Nazi Germany via the Kindertransport; Leticia Cordero narrowly escapes the El Mozote massacre in El Salvador; because of the Trump government's heartless immigration policy, 7-year-old partially blind Anita is left alone in a detention center after her mother is deported. Ballerini is simply outstanding. Every voice he delivers is believable; every emotion feels authentic. As Anita, Liatis sounds like a child--displaced, afraid, and dependent on a determined social worker and a sympathetic lawyer. Allende's poignant storytelling and sharp criticism of unfeeling bureaucracies are made even better by two remarkable performances. S.J.H. Winner of AudioFile Earphones Award © AudioFile 2023, Portland, Maine
