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NEW YORK TIMES BESTSELLER • The shark-versus-man classic that inspired the blockbuster Steven Spielberg movie—now in a fiftieth anniversary edition with an exclusive foreword from the author’s wife, renowned ocean conservation advocate Wendy Benchley “A tightly written, tautly paced study of terror.”—The Washington Post A great white shark terrorizes the beautiful summer getaway of Amity Island, and a motley group of men take to the water to do battle with the beast. A heart-pounding novel of suspense and a brilliant meditation on the nature of humanity, Jaws is one of the most iconic thrillers ever written. In addition to Wendy Benchley’s foreword, this edition features bonus content from Peter Benchley’s archives, including the manuscript’s original typed title page, a brainstorming list of possible titles, a letter from Benchley to film producer David Brown with candid feedback on the movie adaptation, and excerpts from Benchley’s book Shark Trouble, highlighting his firsthand account of writing Jaws, selling it to Universal Studios, and working with Steven Spielberg. After writing Jaws in the early 1970s, Peter Benchley was actively engaged with scientists and filmmakers, and over the ensuing decades, joined many expeditions around the world as they expanded their knowledge of sharks and shark behavior. He encouraged each new generation of Jaws fans to enjoy his riveting tale and to channel their excitement into support and protection of these magnificent prehistoric apex predators.
NEW YORK TIMES BESTSELLER • The shark-versus-man classic that inspired the blockbuster Steven Spielberg movie—now in a fiftieth anniversary edition with an exclusive foreword from the author’s wife, renowned ocean conservation advocate Wendy Benchley “A tightly written, tautly paced study of terror.”—The Washington Post A great white shark terrorizes the beautiful summer getaway of Amity Island, and a motley group of men take to the water to do battle with the beast. A heart-pounding novel of suspense and a brilliant meditation on the nature of humanity, Jaws is one of the most iconic thrillers ever written. In addition to Wendy Benchley’s foreword, this edition features bonus content from Peter Benchley’s archives, including the manuscript’s original typed title page, a brainstorming list of possible titles, a letter from Benchley to film producer David Brown with candid feedback on the movie adaptation, and excerpts from Benchley’s book Shark Trouble, highlighting his firsthand account of writing Jaws, selling it to Universal Studios, and working with Steven Spielberg. After writing Jaws in the early 1970s, Peter Benchley was actively engaged with scientists and filmmakers, and over the ensuing decades, joined many expeditions around the world as they expanded their knowledge of sharks and shark behavior. He encouraged each new generation of Jaws fans to enjoy his riveting tale and to channel their excitement into support and protection of these magnificent prehistoric apex predators.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Excerpts-
From the book
1
The great fish moved silently through the night water, propelled by short sweeps of its crescent tail. The mouth was open just enough to permit a rush of water over the gills. There was little other motion: an occasional correction of the apparently aimless course by the slight raising or lowering of a pectoral fin—as a bird changes direction by dipping one wing and lifting the other. The eyes were sightless in the black, and the other senses transmitted nothing extraordinary to the small, primitive brain. The fish might have been asleep, save for the movement dictated by countless millions of years of instinctive continuity: lacking the flotation bladder common to other fish and the fluttering flaps to push oxygen-bearing water through its gills, it survived only by moving. Once stopped, it would sink to the bottom and die of anoxia.
The land seemed almost as dark as the water, for there was no moon. All that separated sea from shore was a long, straight stretch of beach—so white that it shone. From a house behind the grass-splotched dunes, lights cast yellow glimmers on the sand.
The front door to the house opened, and a man and a woman stepped out onto the wooden porch. They stood for a moment staring at the sea, embraced quickly, and scampered down the few steps onto the sand. The man was drunk, and he stumbled on the bottom step. The woman laughed and took his hand, and together they ran to the beach.
“First a swim,” said the woman, “to clear your head.”
“Forget my head,” said the man. Giggling, he fell backward onto the sand, pulling the woman down with him. They fumbled with each other’s clothing, twined limbs around limbs, and thrashed with urgent ardor on the cold sand.
Afterward, the man lay back and closed his eyes. The woman looked at him and smiled. “Now, how about that swim?” she said.
“You go ahead. I’ll wait for you here.”
The woman rose and walked to where the gentle surf washed over her ankles. The water was colder than the night air, for it was only mid-June. The woman called back, “You’re sure you don’t want to come?” But there was no answer from the sleeping man.
She backed up a few steps, then ran at the water. At first her strides were long and graceful, but then a small wave crashed into her knees. She faltered, regained her footing, and flung herself over the next waist-high wave. The water was only up to her hips, so she stood, pushed the hair out of her eyes, and continued walking until the water covered her shoulders. There she began to swim—with the jerky, head-above-water stroke of the untutored.
A hundred yards offshore, the fish sensed a change in the sea’s rhythm. It did not see the woman, nor yet did it smell her. Running within the length of its body were a series of thin canals, filled with mucus and dotted with nerve endings, and these nerves detected vibrations and signaled the brain. The fish turned toward shore.
The woman continued to swim away from the beach, stopping now and then to check her position by the lights shining from the house. The tide was slack, so she had not moved up or down the beach. But she was tiring, so she rested for a moment, treading water, and then started for shore.
The vibrations were stronger now, and the fish recognized prey. The sweeps of its tail quickened, thrusting the giant body forward with a speed that agitated the tiny phosphorescent animals in the water and caused them to glow, casting a mantle of...
About the Author-
Peter Benchley began his career as a novelist in 1974 with the publication of Jaws, which was made into a hugely successful film. His other books include The Deep, The Island, The Girl of the Sea of Cortez, “Q” Clearance, Rummies, Beast, White Shark, and Shark Trouble. He was also a speechwriter for President Lyndon Johnson and a journalist for such magazines as Newsweek and National Geographic. Benchley died in 2006. For more information, please visit www.peterbenchley.com.
Reviews-
Starred review from April 27, 2009 Benchley's novel, while better known as the source material for Steven Spielberg's classic movie, has earned its own stripes as a small gem of suspense fiction. With another summer fast approaching, audio listeners may be interested in revisiting the town of Amity, Long Island, and getting back in the water. Erik Steele, a theater and film actor, chomps into Benchley's raw prose with appetite, enjoying every bite of gore and social observation. Making ample use of well-placed pauses and silences, Steele amplifies not only the suspense, but Benchley's surprisingly well-honed characterizations. The experience, of course, is markedly different from Spielberg's film, offering shocks less visceral and more contemplative. A Random House hardcover.
The Washington Post
"A tightly written, tautly paced study of terror [that] makes us tingle."
The New York Times Book Review
"Powerful . . . [Benchley's] story grabs you at once."
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