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"Pitch-perfect." —People "You won’t be able to quit these characters." —goop The addictive novel about four young friends navigating the cutthroat world of classical music and their complex relationships with each other, as ambition, passion, and love intertwine over the course of their lives. Jana. Brit. Daniel. Henry. They would never have been friends if they hadn't needed each other. They would never have found each other except for the art which drew them together. They would never have become family without their love for the music, for each other. Brit is the second violinist, a beautiful and quiet orphan; on the viola is Henry, a prodigy who's always had it easy; the cellist is Daniel, the oldest and an angry skeptic who sleeps around; and on first violin is Jana, their flinty, resilient leader. Together, they are the Van Ness Quartet. After the group's youthful, rocky start, they experience devastating failure and wild success, heartbreak and marriage, triumph and loss, betrayal and enduring loyalty. They are always tied to each other - by career, by the intensity of their art, by the secrets they carry, by choosing each other over and over again. Following these four unforgettable characters, Aja Gabel's debut novel gives a riveting look into the high-stakes, cutthroat world of musicians, and of lives made in concert. The story of Brit and Henry and Daniel and Jana, The Ensemble is a heart-skipping portrait of ambition, friendship, and the tenderness of youth.
"Pitch-perfect." —People "You won’t be able to quit these characters." —goop The addictive novel about four young friends navigating the cutthroat world of classical music and their complex relationships with each other, as ambition, passion, and love intertwine over the course of their lives. Jana. Brit. Daniel. Henry. They would never have been friends if they hadn't needed each other. They would never have found each other except for the art which drew them together. They would never have become family without their love for the music, for each other. Brit is the second violinist, a beautiful and quiet orphan; on the viola is Henry, a prodigy who's always had it easy; the cellist is Daniel, the oldest and an angry skeptic who sleeps around; and on first violin is Jana, their flinty, resilient leader. Together, they are the Van Ness Quartet. After the group's youthful, rocky start, they experience devastating failure and wild success, heartbreak and marriage, triumph and loss, betrayal and enduring loyalty. They are always tied to each other - by career, by the intensity of their art, by the secrets they carry, by choosing each other over and over again. Following these four unforgettable characters, Aja Gabel's debut novel gives a riveting look into the high-stakes, cutthroat world of musicians, and of lives made in concert. The story of Brit and Henry and Daniel and Jana, The Ensemble is a heart-skipping portrait of ambition, friendship, and the tenderness of youth.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Excerpts-
From the coverPart 1
Brit: Violin II
In this way, the concert happened without any of them being there at all, really. If the “Serioso” was also about love, Brit tried to remember the vast swath of her life when she didn’t love Daniel, but while they were playing, it was impossible. His boyish face contorted uncontrollably, erotically. She wondered if he felt that way about her, too, watching her play, if anyone did. And she decided no, that wasn’t quite the way she played. Brit liked nuance, liked to be the supporting voice, the harmonic line you didn’t know you heard. But Daniel, as cellist, was a presence to be noticed. And like a grunting tennis pro, he couldn’t manage his face when he was really inside of the music, he wore his effort there, and so it went practically unconscious, and he slipped into some liminal area where desire met work. He squirmed in his seat, propped his right foot on its ball, twisted his nose so that his glasses would stay up, and that mouth. She’d never loved someone’s mouth before, hadn’t even really thought about the mouths of men, but here was Daniel’s, bow shaped or snarled by turns—how could it not be erotic? This was his submission, his participation in a disorderly beauty.
So this was the way she’d be close to him. It was as good as any, possibly better, Brit thought. What civilian, what regular other woman could have this intimacy with him, could know his body this way? She’d take it.
But another realization came over her, nearly in conjunction with the lovely one that preceded it: there would always be this distance. And here was the main theme of the “Serioso,” bursting out of their instruments in unison, an incredible and brave composition, but Brit had never felt more far away from it. This was it, all she would have of him, of any of them, just this collection of mechanics, a finely timed—well, finely enough—working together. The physical truth of it was shattering, him over there and her over here, and no matter how hard she tried, Beethoven would not join them together.
Daniel was thinking of mechanics, too, though not in the same way. He was thinking that he’d chosen a career that should have been conquerable because the mechanics of it could be learned. And he’d learned so much, was so much older than the rest of them, and wanted it so bad, had nothing to fall back on—yet here he was, still sweating and struggling through the “Serioso.” No one worked as hard as him. But he saw now that was because they didn’t have to. Jana’s high, clear playing was curated to perfection, Brit played evenly and subtly, and Henry hadn’t made a single misstep, not even in rehearsal, in the entire time Daniel had known him. He became angry in such a way that—not for the first time in his life—he saw no way out of it.
During the third movement, Henry watched Daniel fully settling into his anger, an anger that seemed greater than their unison minuet. Henry saw everything, but he did not react. Perhaps that was the real mistake that night, Henry not trying to do something to show Daniel that it was okay, because that was the moment where everything began to unravel. But what was there to do to temper Daniel’s anger? It ran as an undercurrent to the relentlessness and speed of this third movement, jumping note to note, cutting the edges more sharply, speeding up what was already a too-fast tempo set by Jana. But Henry didn’t do anything to stop it. He didn’t feel it was vital.
Jana would later take the...
About the Author-
A former concert cellist, AJA GABEL's writing has appeared in BOMB, Kenyon Review, Glimmer Train, and elsewhere. She earned her BA at Wesleyan University, her MFA at the University of Virginia and has a PhD in Literature and Creative Writing from the University of Houston. Aja has been the recipient of awards from Atlantic Monthly, the Sewanee Writers' Conference, Literary Arts Oregon, and the Fine Arts Work Center in Provincetown, where she was a 2012-2013 fellow in fiction. She currently lives in Portland, Oregon and Los Angeles, CA.
Reviews-
Starred review from March 12, 2018 Gabel’s wonderful debut centers on the talented members of the Van Ness String Quartet over the course of the 18 event-filled years following 1994. There’s Jana, violin 1, the natural leader; Henry, viola, the prodigy; Daniel, cello, the charming one who brings intensity to the group; and Brit, violin 2, the unknown quantity. They’ve slept with one another (Jana and Henry, Daniel and Brit) and are battered and bruised by the competition circuit. But, over the years, they stay together in the face of professional temptations (Henry is encouraged to make a solo recital debut), dueling egos (Jana incurs Henry’s jealousy when she sleeps with another violinist), rivalries (Daniel is intimidated by the members of a younger quartet), injuries, and bad judgment. Along the way, they also manage to become husbands, wives, and parents. But despite all these distractions, the love of making music is what keeps Jana and the others imperfectly bound to one another. Seldom has a novel managed to better dramatize the particular pressures that make up the life of a professional musician, from the physical pain of contorting limbs over a long period of time to the emotional stress of constantly making adjustments to the changing temperaments of partners. Readers will come away with a renewed appreciation for things people usually take for granted when listening to music. The four characters are individually memorable, but as a quartet they’re unforgettable.
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When four musicians enter an international string quartet competition at the conclusion of their training at a San Francisco conservatory, they have no inkling that their partnership will span decades. Narrator Rebecca Lowman lends a quiet passion to this rich novel based in the ruthless world of professional musicianship. She portrays the intensely ambitious Jana, first violin, with increasing sensitivity as the story unfolds. Henry, the viola prodigy, transitions from smug poise to vulnerability over time, and Lowman sympathetically depicts the simmering anger of the cellist, Daniel. The second violinist, Brit, lacks confidence despite her beauty and skill. The four are an ensemble not only of strings but also of sustained friendship as they navigate triumphs and heartbreak. N.M.C. © AudioFile 2018, Portland, Maine
